我国犯罪题材电影的叙事新变
发布时间：2018-11-26 12:20
【摘要】：犯罪题材电影抑或称警匪片一直以来都是受众较喜欢的类型,且由于其主要以人类社会两种极端对立的"罪与罚""破坏和惩戒"等行为状态/意识形态为表现内容,因而具有商业和艺术更多结合的可能性。但近年来,内地警匪片创作都因为太过于割裂艺术和商业而无法获得较高的关注度。2014年的《白日焰火》、2015年的《烈日灼心》却以其鲜明的叙事风格和对商业与艺术的巧妙缝合获得成功,本文对此给予了分析。
[Abstract]:Crime movies or police and bandit films have always been the preferred type of audience, and because they are mainly expressed by the two extremely opposed "crime and punishment" and "destruction and punishment" and other behavior / ideology as the content of the human society. Thus there is the possibility of a greater combination of commerce and art. But in recent years, mainland police and bandit films have been too fragmented for art and commerce to gain much attention. In 2015, Sunburn is successful with its distinctive narrative style and skillful stitching of business and art, which is analyzed in this paper.
【作者单位】： 华南农业大学艺术学院;
【分类号】：J905
，
本文编号：2358542
[Abstract]:Crime movies or police and bandit films have always been the preferred type of audience, and because they are mainly expressed by the two extremely opposed "crime and punishment" and "destruction and punishment" and other behavior / ideology as the content of the human society. Thus there is the possibility of a greater combination of commerce and art. But in recent years, mainland police and bandit films have been too fragmented for art and commerce to gain much attention. In 2015, Sunburn is successful with its distinctive narrative style and skillful stitching of business and art, which is analyzed in this paper.
【作者单位】： 华南农业大学艺术学院;
【分类号】：J905
，
本文编号：2358542
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