西藏纪录片叙事的视觉表征与文化书写
发布时间：2018-11-26 13:20
【摘要】：西藏纪录片是以影像为传播形态的视觉文本,视觉表征则具有对这样的影像符号、文化进行编码与解码的功能。将西藏纪录片作为研究对象,通过对典型文本《藏北人家》《西藏一年》以及《第三极》的分析,考察西藏纪录片影像中占主导地位的表征范式的内容与形式,有助于我们理解视觉符号是如何通过动态的视觉影像的“认知提示”,书写藏族文化,在全球化语境中建构出西藏的民族形象的。
[Abstract]:Tibetan documentary film is a visual text with image as its transmission form. Visual representation can encode and decode such image symbols and culture. Taking the Tibetan documentary film as the research object, through the analysis of the typical text, "Northern Tibetan people", "Tibet one year" and "the third Pole", the paper examines the contents and forms of the dominant representation paradigm in Tibetan documentary images. It is helpful for us to understand how the visual symbols write Tibetan culture through the "cognitive cues" of dynamic visual images and construct the Tibetan national image in the context of globalization.
【作者单位】： 北京师范大学;达州技术学院;
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本文编号：2358676
[Abstract]:Tibetan documentary film is a visual text with image as its transmission form. Visual representation can encode and decode such image symbols and culture. Taking the Tibetan documentary film as the research object, through the analysis of the typical text, "Northern Tibetan people", "Tibet one year" and "the third Pole", the paper examines the contents and forms of the dominant representation paradigm in Tibetan documentary images. It is helpful for us to understand how the visual symbols write Tibetan culture through the "cognitive cues" of dynamic visual images and construct the Tibetan national image in the context of globalization.
【作者单位】： 北京师范大学;达州技术学院;
，
本文编号：2358676
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