新世纪内地文艺片创作研究
发布时间：2018-11-26 18:25
【摘要】：从上世纪初的《孤儿救祖记》《神女》等经典之作到改革开放后的《黄土地》《霸王别姬》等巅峰之作，内地文艺片在中国电影100多年的历史上繁荣发展。然而随着市场经济的快速发展，电影票房的高低成为衡量电影成功与否的重要标准之一，文艺片陷入了“叫好不叫座”的尴尬处境。但是2008年陈凯歌导演的《梅兰芳》、2010年张艺谋导演的《山楂树之恋》、2011年滕华涛导演的《失恋33天》等新世纪内地文艺片作品不但创造了电影史上文艺片票房“破亿元”神话，还打破了“文艺片叫好不叫座”的尴尬局面，同时也引发了学术界研究内地文艺片创作现状、创作特征的热潮。 本论文以新世纪在中国电影金鸡奖、百花奖、华表奖和国外戛纳、柏林、东京等电影节上获奖的知名导演的心血之作、新晋导演的才情制作，以及艺术上未必尽善尽美但可圈可点的内地文艺片作品为研究对象，从其创作现象、创作丰富的审美内容、创作独特的艺术手法三个角度进行系统研究。 首先，本文通过介绍新世纪内地文艺片代表性导演张艺谋和陈凯歌电影的写意、王小帅和贾樟柯电影的写实等不同的创作追求，以及艺术性和商业性结合的创作策略，简单分析了新世纪内地文艺片的创作概况。 在此基础上，本文详细分析了新世纪内地文艺片创作丰富的审美内容和独特的艺术手法。其中，审美内容主要是谈题材和主题。题材的多元开拓主要表现在三点：爱情题材的坚持和创新、家庭伦理题材的特别关注、小人物酸甜苦辣的生动展现；主题的深刻挖掘主要表现在两点：复杂人性的深刻揭露和人文关怀的真切表达。创作独特的艺术手法主要是从画面色彩的个性化、电影音乐的多元化和情节结构的多样化三个方面详细阐述。
[Abstract]:From the classics such as "Save the ancestors of Orphans" at the beginning of last century to "Yellow Earth" after the reform and opening to the outside world, "Farewell to my Concubine" and so on, the mainland literature and art films have flourished and developed in the history of more than 100 years of Chinese films. However, with the rapid development of market economy, the level of film box office has become one of the important criteria to measure the success of the film. However, in 2008, Chen Kaige directed "Mei Lanfang", and in 2010, "the Love of the Hawthorn Tree," directed by Zhang Yimou, In 2011, Teng Huatao's "33 days of broken Love" and other literary and artistic works in the new century not only created the myth of "breaking the hundred million yuan" at the box office of literary and artistic films in the history of film, but also broke the awkward situation of "literary films won't be popular." At the same time, it also triggered the academic research on the mainland literary film creation status quo, creative characteristics of the upsurge. This thesis is based on the work of famous directors who won awards at the Golden Rooster Awards, hundred Flowers Awards, International Film Awards in the New Century, Cannes, Berlin, Tokyo and other foreign film festivals, and the talent production of new directors. And the works of mainland literature and art which may not be perfect in art are studied systematically from three angles: the phenomenon of creation, the rich aesthetic content and the unique artistic technique. First of all, this paper introduces the freehand brushwork of the representative directors Zhang Yimou and Chen Kaige, the realistic pursuit of Wang Xiaoshuai and Jia Zhangke's films, and the creative strategies of artistic and commercial combination. This paper briefly analyzes the general situation of the creation of literary and artistic films in the interior of the new century. On this basis, this paper analyzes the rich aesthetic content and unique artistic techniques of literary and artistic film creation in the new century. Among them, aesthetic content mainly talks about subject matter and theme. The pluralistic development of the theme is mainly manifested in three aspects: the persistence and innovation of the love theme, the special attention of the family ethics theme, and the vivid display of the joys and sorrows of the little people; The deep excavation of the theme is mainly manifested in two aspects: the deep revelation of complex human nature and the true expression of humanistic concern. The unique artistic techniques are mainly elaborated from three aspects: the individuation of screen color, the diversification of film music and the diversification of plot structure.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J904
本文编号：2359289
[Abstract]:From the classics such as "Save the ancestors of Orphans" at the beginning of last century to "Yellow Earth" after the reform and opening to the outside world, "Farewell to my Concubine" and so on, the mainland literature and art films have flourished and developed in the history of more than 100 years of Chinese films. However, with the rapid development of market economy, the level of film box office has become one of the important criteria to measure the success of the film. However, in 2008, Chen Kaige directed "Mei Lanfang", and in 2010, "the Love of the Hawthorn Tree," directed by Zhang Yimou, In 2011, Teng Huatao's "33 days of broken Love" and other literary and artistic works in the new century not only created the myth of "breaking the hundred million yuan" at the box office of literary and artistic films in the history of film, but also broke the awkward situation of "literary films won't be popular." At the same time, it also triggered the academic research on the mainland literary film creation status quo, creative characteristics of the upsurge. This thesis is based on the work of famous directors who won awards at the Golden Rooster Awards, hundred Flowers Awards, International Film Awards in the New Century, Cannes, Berlin, Tokyo and other foreign film festivals, and the talent production of new directors. And the works of mainland literature and art which may not be perfect in art are studied systematically from three angles: the phenomenon of creation, the rich aesthetic content and the unique artistic technique. First of all, this paper introduces the freehand brushwork of the representative directors Zhang Yimou and Chen Kaige, the realistic pursuit of Wang Xiaoshuai and Jia Zhangke's films, and the creative strategies of artistic and commercial combination. This paper briefly analyzes the general situation of the creation of literary and artistic films in the interior of the new century. On this basis, this paper analyzes the rich aesthetic content and unique artistic techniques of literary and artistic film creation in the new century. Among them, aesthetic content mainly talks about subject matter and theme. The pluralistic development of the theme is mainly manifested in three aspects: the persistence and innovation of the love theme, the special attention of the family ethics theme, and the vivid display of the joys and sorrows of the little people; The deep excavation of the theme is mainly manifested in two aspects: the deep revelation of complex human nature and the true expression of humanistic concern. The unique artistic techniques are mainly elaborated from three aspects: the individuation of screen color, the diversification of film music and the diversification of plot structure.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J904
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