影片《阿凡达》中的图文隐喻认知研究
发布时间：2018-11-26 20:39
【摘要】：随着科学技术的不断发展、多媒体和互联网络的广泛使用,语篇日趋呈现多模态化的特性。信息的传递方式不再是单一的文本,对隐喻的研究也不再仅限于文字层面,而是结合了图片、声音、背景等多种模式来共同呈现。图文隐喻是由图像和文字协同作用,或者源域和目标域都是由图像和文字共同呈现的隐喻。 电影语篇作为一种特殊语篇,能够传递电影情节、文化内涵、潜在意义等信息,这些信息是观众在对文字、图像于一体的“复合话语”进行解码的过程中得出的。本文从认知语言学的角度出发,以Fauconnier的概念整合理论为理论基础,对影片"AVATAR"中的文字及图像材料中的隐喻现象进行认知分析。在简要介绍图文隐喻的定义、发展、特点及其应用的基础上,本文根据图文隐喻的组成方式,从认知的角度将影片" AVATAR"中的图文隐喻分为三类：偏正式图文隐喻、并列式图文隐喻和合成式图文隐喻;在概念整合理论框架的指导下,着重探讨图文隐喻的具体运作。图文隐喻的运作是建立在源域和目标域的客观相似性和主观相似性基础之上,在隐喻的运作过程中,文字意义和图像意义互动,通过受视者的思维加工,由源域映射到目标域,整合成一个新的概念,形成隐喻,其产生的运作结果是反映影片的“生态、殖民、爱情”三大主题。 本研究的理论和实践意义在于,首先,本文对电影的研究是从认知语言学的角度,把图片和文字结合起来,更注重隐喻自身的特点及其动态的构建过程;其次,通过深入分析电影语篇,为拓展电影语篇分析的研究维度做出了努力,试图突破传统的电影研究分析对象单一的局限,加深对图文隐喻现象乃至广义的隐喻概念的本质认识；再次,在验证了认知语言学理论广泛的解释面和强大的解释力的同时,为拓宽多模态话语分析的研究领域做了新的尝试;最后,对影片"AVATAR"这一多模态语篇的解读注入了些许理性认识,为电影赏析提供了一个较新的视角,有助于观众更好地了解这部电影所反映的三大主题。
[Abstract]:With the development of science and technology and the wide use of multimedia and Internet, discourse is becoming more and more multimodal. The transmission of information is no longer a single text, the study of metaphor is no longer limited to the word level, but a combination of pictures, sound, background and other models to present together. Metaphorical metaphor is a metaphorical representation of image and text, or the source domain and target domain are both represented by image and text. As a special kind of discourse, film discourse can transmit the information of film plot, cultural connotation and potential meaning, which is obtained by the audience in the process of decoding the "compound discourse" of text and image. From the perspective of cognitive linguistics and based on Fauconnier's Conceptual Integration Theory, this paper makes a cognitive analysis of metaphorical phenomena in text and image materials in AVATAR. On the basis of a brief introduction of the definition, development, characteristics and application of graphic metaphor, this paper classifies the metaphorical metaphors in AVATAR into three categories: partial formal metaphorical metaphors. Juxtaposed metaphorical and synthetic metaphorical metaphors; Under the guidance of conceptual integration theory, this paper focuses on the concrete operation of metaphorical metaphor. The operation of graph-text metaphor is based on the objective similarity and subjective similarity between the source domain and the target domain. In the process of metaphor operation, the literal meaning and the image meaning interact with each other, and the target domain is mapped from the source domain to the target domain through the processing of the subject's thinking. Integrating into a new concept and forming metaphor, the result of its operation is to reflect the three major themes of "ecology, colonization and love". The theoretical and practical significance of this study lies in: first, the study of film in this paper is from the perspective of cognitive linguistics, the combination of pictures and words, pay more attention to the characteristics of metaphor and its dynamic construction process; Secondly, through in-depth analysis of film discourse, the author makes efforts to expand the research dimension of film discourse analysis and tries to break through the single limitation of traditional film research and analysis object. Deepen the understanding of the nature of metaphorical phenomena and even the concept of metaphor in a broad sense; Thirdly, while validating the extensive explanatory surface and powerful explanatory power of cognitive linguistics theory, a new attempt has been made to broaden the research field of multi-modal discourse analysis. Finally, the interpretation of "AVATAR", a multimodal text, infuses some rational understanding, which provides a relatively new perspective for the film appreciation, and helps the audience to better understand the three major themes reflected in the film.
【学位授予单位】：湖南农业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2359565
[Abstract]:With the development of science and technology and the wide use of multimedia and Internet, discourse is becoming more and more multimodal. The transmission of information is no longer a single text, the study of metaphor is no longer limited to the word level, but a combination of pictures, sound, background and other models to present together. Metaphorical metaphor is a metaphorical representation of image and text, or the source domain and target domain are both represented by image and text. As a special kind of discourse, film discourse can transmit the information of film plot, cultural connotation and potential meaning, which is obtained by the audience in the process of decoding the "compound discourse" of text and image. From the perspective of cognitive linguistics and based on Fauconnier's Conceptual Integration Theory, this paper makes a cognitive analysis of metaphorical phenomena in text and image materials in AVATAR. On the basis of a brief introduction of the definition, development, characteristics and application of graphic metaphor, this paper classifies the metaphorical metaphors in AVATAR into three categories: partial formal metaphorical metaphors. Juxtaposed metaphorical and synthetic metaphorical metaphors; Under the guidance of conceptual integration theory, this paper focuses on the concrete operation of metaphorical metaphor. The operation of graph-text metaphor is based on the objective similarity and subjective similarity between the source domain and the target domain. In the process of metaphor operation, the literal meaning and the image meaning interact with each other, and the target domain is mapped from the source domain to the target domain through the processing of the subject's thinking. Integrating into a new concept and forming metaphor, the result of its operation is to reflect the three major themes of "ecology, colonization and love". The theoretical and practical significance of this study lies in: first, the study of film in this paper is from the perspective of cognitive linguistics, the combination of pictures and words, pay more attention to the characteristics of metaphor and its dynamic construction process; Secondly, through in-depth analysis of film discourse, the author makes efforts to expand the research dimension of film discourse analysis and tries to break through the single limitation of traditional film research and analysis object. Deepen the understanding of the nature of metaphorical phenomena and even the concept of metaphor in a broad sense; Thirdly, while validating the extensive explanatory surface and powerful explanatory power of cognitive linguistics theory, a new attempt has been made to broaden the research field of multi-modal discourse analysis. Finally, the interpretation of "AVATAR", a multimodal text, infuses some rational understanding, which provides a relatively new perspective for the film appreciation, and helps the audience to better understand the three major themes reflected in the film.
【学位授予单位】：湖南农业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
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