奥斯卡表演艺术研究
发布时间：2018-12-08 17:07
【摘要】：表演是除叙事之外的另一重要影视艺术美学要素。在奥斯卡电影艺术中,奥斯卡影像的独特魅力吸引和影响着全世界的观众,其中魅力之一就在于演员的表演。奥斯卡表演艺术有着丰富的实践经验和表演素材,但是,与叙事艺术相比较,表演艺术的理论系统非常薄弱,表演理论的研究相对来说比较滞后。国内外学者对于奥斯卡表演的研究很少从电影美学角度探讨其表演策略和美学机理,无法揭示表演独具魅力的深层美学机制。本文将研究视角对准奥斯卡表演艺术,目的在于从电影美学角度探讨奥斯卡影像中表演独具魅力的深层美学机制,发现奥斯卡影像表演美学与人性表达之间的密切关系。本文把主要研究对象聚焦于1929年第1届到2016年第88届获得奥斯卡最佳表演奖的演员及对应影片,把该范畴内的奥斯卡获奖演员和作品作为一个有机统一的艺术整体进行系统的考察和审视,并以最佳影片奖和最佳表演提名奖为辅助。论文采用实证、比较和思辨三种研究方法,以下是本研究的基本框架和主要内容:第一章系统梳理了近百年奥斯卡表演艺术的发展脉络,发现奥斯卡表演艺术的创新之处。表演艺术的发展有一个与时俱进的发展过程,艺术家和观众对表演艺术的认识、价值的判断也有一个不断发展的过程。在奥斯卡影像中,大多数演员的表演很难用现有的符号派、明星派和体验派表演来界定,他们的表演并不隶属于任何一个表演派别,他们的表演遵循的是人性的法则,因这类表演所占的比重很大,为了将其与其他表演范式相区别,我们将这种表演单独拿出来进行考察和研究,并将其定义为奥斯卡表演。第二章将奥斯卡表演与符号表演、明星表演和体验表演的差异进行比较,并借助实例对其进行纵横分析,归纳出奥斯卡表演的本质,重在发掘出奥斯卡表演独有的价值。明星表演的缺陷很明显,符号表演和体验表演都是源于戏剧艺术,所以更加适合在戏剧舞台表演,奥斯卡表演是适合镜头表现机制的表演,是表演中的精华和典范,本质是一种价值论表演,以恪守艺术真实为基本美学尺度。第三章表明演员演技的优劣在于表演技巧的掌握,深入探讨奥斯卡表演的技巧,总结概括奥斯卡表演的技巧与其他表演的不同之处,发掘奥斯卡表演独有的技巧。奥斯卡表演对于艺术真实的高度追求主要体现在动作、表情和念词三个表演范畴,奥斯卡表演无论是动作、表情还是念词都可总结为真实,是特殊性和普遍性的高度统一,正因为如此,才能彰显出真实而普遍的人性。第四章得出奥斯卡表演的美学机理:第一,从直观真实到客观真实路径;第二,从主观真实到客观真实路径。从主观真实表演到客观真实表演的路径有其局限性,从直观真实表演到客观真实的表演路径是奥斯卡表演的一条最重要的主线。概而言之,奥斯卡表演始终遵循人性法则,尊重观众的审美经验,与时俱进、开拓创新,高度重视表演的德性价值,始终恪守艺术真实这一普遍美学法则。
[Abstract]:The performance is another important aesthetic element of film and television in addition to the narration. In the Academy's film art, the unique charm of the Oscar image has attracted and influences the world's audience, one of which is the actor's performance. The Oscar performing arts are rich in practical experience and performance materials. However, compared with the narrative art, the theoretical system of the performing arts is very weak, and the research of performance theory is relatively late. The research of the Oscar performance at home and abroad rarely discusses its performance and aesthetic mechanism from the angle of film aesthetics, and can't reveal the deep aesthetic mechanism with unique charm. The aim of this paper is to study the deep aesthetic mechanism of the performance in the Oscar image from the angle of film aesthetics, and to find the close relationship between the performance aesthetics and the expression of human nature. In this paper, the main research object is focused on the actor and the corresponding film of the first to the 88 th of the first to the 8th year of the first to 2016, and the Oscar-winning actors and works in this category are systematically investigated and examined as an organic unified art. and is assisted by the best film award and the best performance title award. The following is the basic framework and main contents of this study by using the three methods: the first chapter, the development of the Oscar performing arts in the last hundred years, and the discovery of the innovation of the Oscar performing arts. The development of the performing arts has a developing process of keeping pace with the times, and the artist and the audience have a constant development process for the understanding and the value of the performing arts. in that Oscar image, most of the actor's performance is difficult to define with the existing symbol, star and experience, and their performance is not part of any show, and their performance follows the law of human nature, as a result of the large proportion of the performance. In order to distinguish it from the other performance paradigm, we've studied and studied the performance separately and defined it as an Oscar performance. The second chapter compares the performance of the Oscar with the performance of the symbol, the performance of the star and the performance of the experience. The defects of the star performance are obvious, the symbol performance and the experience performance are all from the drama art, so it is more suitable for the play stage performance, the Oscar performance is a performance suitable for the lens performance mechanism, is the essence and the model in the performance, the essence is an axiological performance, in ord to adhere to that reality of the art as the basic aesthetic measure. The third chapter shows that the performance of the actor is the master of the performance technique, the skill of the Oscar performance, the difference between the skills of the Oscar performance and other performances, and the unique skills of the Oscar performance. Oscar performance is mainly embodied in the three performance categories of action, expression and reading, and the Oscar performance, whether action, expression or word, can be summed up as true, is the high unity of the particularity and universality, because so, To show the true and universal human nature. The fourth chapter points out the aesthetic mechanism of the Oscar performance: first, from the direct and true to the objective real path; secondly, from the subjective to the objective real path. The path from the subjective real performance to the objective real performance has its limitation, from the visual and real performance to the objective real performance path is the most important main line of the Oscar performance. in general, that Oscar show always follow the principle of human nature, respect the aesthetic experience of the audience, keep pace with the times, innovate, attach great importance to the moral value of the performance, and always adhere to the universal aesthetic rule of the art.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J912
本文编号：2368690
[Abstract]:The performance is another important aesthetic element of film and television in addition to the narration. In the Academy's film art, the unique charm of the Oscar image has attracted and influences the world's audience, one of which is the actor's performance. The Oscar performing arts are rich in practical experience and performance materials. However, compared with the narrative art, the theoretical system of the performing arts is very weak, and the research of performance theory is relatively late. The research of the Oscar performance at home and abroad rarely discusses its performance and aesthetic mechanism from the angle of film aesthetics, and can't reveal the deep aesthetic mechanism with unique charm. The aim of this paper is to study the deep aesthetic mechanism of the performance in the Oscar image from the angle of film aesthetics, and to find the close relationship between the performance aesthetics and the expression of human nature. In this paper, the main research object is focused on the actor and the corresponding film of the first to the 88 th of the first to the 8th year of the first to 2016, and the Oscar-winning actors and works in this category are systematically investigated and examined as an organic unified art. and is assisted by the best film award and the best performance title award. The following is the basic framework and main contents of this study by using the three methods: the first chapter, the development of the Oscar performing arts in the last hundred years, and the discovery of the innovation of the Oscar performing arts. The development of the performing arts has a developing process of keeping pace with the times, and the artist and the audience have a constant development process for the understanding and the value of the performing arts. in that Oscar image, most of the actor's performance is difficult to define with the existing symbol, star and experience, and their performance is not part of any show, and their performance follows the law of human nature, as a result of the large proportion of the performance. In order to distinguish it from the other performance paradigm, we've studied and studied the performance separately and defined it as an Oscar performance. The second chapter compares the performance of the Oscar with the performance of the symbol, the performance of the star and the performance of the experience. The defects of the star performance are obvious, the symbol performance and the experience performance are all from the drama art, so it is more suitable for the play stage performance, the Oscar performance is a performance suitable for the lens performance mechanism, is the essence and the model in the performance, the essence is an axiological performance, in ord to adhere to that reality of the art as the basic aesthetic measure. The third chapter shows that the performance of the actor is the master of the performance technique, the skill of the Oscar performance, the difference between the skills of the Oscar performance and other performances, and the unique skills of the Oscar performance. Oscar performance is mainly embodied in the three performance categories of action, expression and reading, and the Oscar performance, whether action, expression or word, can be summed up as true, is the high unity of the particularity and universality, because so, To show the true and universal human nature. The fourth chapter points out the aesthetic mechanism of the Oscar performance: first, from the direct and true to the objective real path; secondly, from the subjective to the objective real path. The path from the subjective real performance to the objective real performance has its limitation, from the visual and real performance to the objective real performance path is the most important main line of the Oscar performance. in general, that Oscar show always follow the principle of human nature, respect the aesthetic experience of the audience, keep pace with the times, innovate, attach great importance to the moral value of the performance, and always adhere to the universal aesthetic rule of the art.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J912
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