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中国抗战影视剧的“抗战”与“反战”维度研究

发布时间:2018-12-12 03:10
【摘要】:我国对抗日战争的影像书写经历了八十多年的发展历史,如今已经成为我国影视剧创作的一种重要类型,产生了大量的影视剧作品。但是当下很多抗战影视剧作品跟风混战、罔顾历史观的创作现状,引起了广泛质疑。西方很多国家对二战进行影像表现时都已经开始了反思,很多反战作品不断出现,而我国的抗战影视剧却少有反思创作和反战作品。因此,本文将为我国抗战影视剧的反战创作探路,促使我国的抗战影视剧“抗战”维度上升到“反战”维度上去。 本文将采用感性体验和理性分析相结合以及对比分析、个案分析等研究方法。全文共分为七个部分五个章节,在引言部分将对本论文研究的主要问题及国内外研究的现状进行总结梳理;第一章中国抗战题材影像书写的历史源流,将梳理我国抗战影视剧在三个历史时期的发展历程和主要特点;第二章中国抗战题材的“反战”建立及困难分析将对抗战、反战两个维度的内涵和关系进行剖析,并指出反战建立的阻碍因素。第三章中国抗战题材“反战”建立的努力方向将为我国抗战影视剧“反战”维度的建立指明方向;第四章全球视阈中抗战题材的“反战”表达将分析世界优秀反战影片的特点和长处,给我国的抗战影视剧创作提供借鉴;结语部分将对本文的核心要义进行提炼总结。 我国的抗战影视剧要有反战观念,揭露日本侵华战争的本质,揭露日本法西斯军国主义和种族主义的真实面目,,让观众在正确认识战争的基础上产生反对战争的普遍意识。在反战表达上我国抗战影视剧重视媒体的建构性介入力量,要改变“受害者”的弱者心态,也要提高影视剧创作者的思想空间,并积极的从世界优秀反战作品中汲取营养。
[Abstract]:The video writing of the War of Resistance against Japan in our country has experienced more than 80 years of development history. Now it has become an important type of film and television drama creation in our country, and has produced a large number of film and television drama works. But when a lot of War of Resistance movies and TV works melee, regardless of the history of the creation of the status quo, caused widespread doubt. Many western countries have already started to reflect on the image performance of World War II, many anti-war works appear constantly, but the anti-war movies and TV dramas in our country rarely reflect on the creation and anti-war works. Therefore, this article will explore the way of anti-war creation of Chinese War of Resistance movies and TV dramas, and promote the dimension of "Anti-Japanese War" to rise to the dimension of "Anti-War". This paper will adopt the combination of perceptual experience and rational analysis, as well as comparative analysis, case analysis and other research methods. The full text is divided into seven parts and five chapters. In the introduction part, the main problems of this paper and the current situation of domestic and foreign research will be summarized and combed. The first chapter is the historical origin of the Chinese War of Resistance against Japan theme and video writing, which will comb the development process and main characteristics of the Chinese War of Resistance movies and TV dramas in the three historical periods. The second chapter analyzes the connotation and relationship of the two dimensions of anti-Japanese war and anti-war, and points out the obstacles to the establishment of anti-war. The third chapter will point out the direction of the establishment of "anti-war" in China's anti-Japanese film and TV drama. The fourth chapter will analyze the characteristics and advantages of the excellent anti-war films in the world, and provide reference for the creation of the anti-war movies and TV dramas in our country; the conclusion will refine and summarize the core points of this paper. The anti-war movies and TV dramas in China should have anti-war concepts, expose the essence of Japan's war of aggression against China, expose the true features of Japanese fascist militarism and racism, and make the audience have a universal consciousness against war on the basis of a correct understanding of the war. On the expression of anti-war, our anti-war drama attaches importance to the constructive intervention of the media, changes the "victim" mentality of the weak, also improves the ideological space of the film and TV drama creators, and actively draws nutrition from the excellent anti-war works in the world.
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J905

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相关期刊论文 前3条

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