新世纪以来中国反法西斯题材电影研究
发布时间：2018-12-13 15:20
【摘要】：2015年8月15日是世界反法西斯战争胜利70周年,暨中国抗日战争胜利70周年纪念日,中国是最早卷入这场战争的国家,抗战14年,伤亡人数高达3500多万,日本法西斯战争给中国人民造成的灾难罄竹难书,所犯下的罪行不可饶恕。新世纪以来,中国反法西斯题材电影的创作,在之前抗日题材电影基础之上,由较为单纯的“侵略与反侵略”、“外敌入侵与家国复仇”等简单的二元对立的主体书写,逐渐过渡到全人类在法西斯战争之下,丧失生命、失去自由与尊严、以及对法西斯本身反人道的批判与反思纬度上,这一巨大转变在中国电影史上具有重要影响,它是伴随着新的政治经济环境和国际反法西斯要求而发展起来的,涌现出了一部分优秀作品。在整体创作上,虽数量不多,但在主题开掘、人物塑造、影像风格等角度与之前抗日题材电影相比有较大的突破。随着抗日题材电影创作的不断转型和创新,部分作品如《葵花劫》《五月八月》《东京审判》《南京!南京!》《金陵十三钗》《赛德克·巴莱》等影片,都产生了强烈的影响。本文基于前人研究成果的基础上,在综合近15年来相关抗日题材电影拍摄思路呈现的主要特点、中国在国际反法西斯同盟中重要地位的日益提升以及进入新世纪以来“反法西斯题材电影”概念的频繁使用等原因下,梳理新世纪以来“反法西斯题材电影”的发展,重点考察、总结在新的世界政治环境中,中国“反法西斯题材电影”创作背景及概况、创作特征、创作局限及创作启示。同时需要略作说明的是,鉴于“反法西斯题材电影”概念范畴较大,本论文所指的“中国反法西斯题材电影”仅从战争层面上解读抗日题材电影在创作中所体现的反思法西斯战争的电影。在空间上,本文的“中国”主要是指中国大陆,但是鉴于台湾电影《赛德克·巴莱》引起了巨大反响并取得了巨大成功的原因,在本论文中也稍作论述。香港和澳门则暂时阙如。
[Abstract]:August 15, 2015 marks the 70th anniversary of the victory of the world's anti-fascist war and the 70th anniversary of the victory of China's anti-Japanese war. China was the first country to get involved in this war. In the 14 years of the War of Resistance against Japan, the number of casualties reached more than 35 million. The Japanese fascist war caused untold suffering to the Chinese people and the crimes committed were unforgivable. Since the new century, the creation of Chinese anti-fascist films has been written on the basis of the previous anti-Japanese films by simple dualistic subjects such as "aggression and anti-aggression", "invasion of foreign enemies and revenge of the country" and so on. Gradually, the whole human race lost their lives, lost their freedom and dignity under the fascist war, and criticized and reflected on the fascism itself. This tremendous change had an important impact in the history of Chinese cinema. It developed with the new political and economic environment and international anti-fascist demands, and some excellent works emerged. In the whole creation, although the quantity is not many, but in the theme excavation, the character shaping, the image style and so on angle and so on the anti-Japanese theme movie has the big breakthrough. With the constant transformation and innovation in the creation of anti-Japanese films, some works such as "Sunflower robbery", "August of May", "Tokyo trial", "Nanjing"! Nanking! > the thirteen-hairpin of Jinling, Seedke Balai, etc., all had a strong influence. Based on the previous research results, this paper synthesizes the main characteristics of the relevant anti-Japanese films in the past 15 years. With the increasing importance of China in the international anti-fascist alliance and the frequent use of the concept of "anti-fascist film" since the beginning of the new century, the development of "anti-fascist theme film" since the new century has been combed. In the new world political environment, the background and general situation, characteristics, limitations and inspiration of the creation of anti-fascist films in China are summarized. At the same time, it is worth noting that, given the broad concept of "anti-fascist films", This paper refers to the Chinese anti-fascist film, which only interprets the anti-Japanese films reflected in the creation of anti-Japanese films from the war level. In space, "China" in this paper mainly refers to the mainland of China, but in view of the reason that the Taiwan film "Sedke Balai" has caused a huge response and has achieved great success, it is also discussed in this paper. Hong Kong and Macao are temporarily absent.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
本文编号：2376756
[Abstract]:August 15, 2015 marks the 70th anniversary of the victory of the world's anti-fascist war and the 70th anniversary of the victory of China's anti-Japanese war. China was the first country to get involved in this war. In the 14 years of the War of Resistance against Japan, the number of casualties reached more than 35 million. The Japanese fascist war caused untold suffering to the Chinese people and the crimes committed were unforgivable. Since the new century, the creation of Chinese anti-fascist films has been written on the basis of the previous anti-Japanese films by simple dualistic subjects such as "aggression and anti-aggression", "invasion of foreign enemies and revenge of the country" and so on. Gradually, the whole human race lost their lives, lost their freedom and dignity under the fascist war, and criticized and reflected on the fascism itself. This tremendous change had an important impact in the history of Chinese cinema. It developed with the new political and economic environment and international anti-fascist demands, and some excellent works emerged. In the whole creation, although the quantity is not many, but in the theme excavation, the character shaping, the image style and so on angle and so on the anti-Japanese theme movie has the big breakthrough. With the constant transformation and innovation in the creation of anti-Japanese films, some works such as "Sunflower robbery", "August of May", "Tokyo trial", "Nanjing"! Nanking! > the thirteen-hairpin of Jinling, Seedke Balai, etc., all had a strong influence. Based on the previous research results, this paper synthesizes the main characteristics of the relevant anti-Japanese films in the past 15 years. With the increasing importance of China in the international anti-fascist alliance and the frequent use of the concept of "anti-fascist film" since the beginning of the new century, the development of "anti-fascist theme film" since the new century has been combed. In the new world political environment, the background and general situation, characteristics, limitations and inspiration of the creation of anti-fascist films in China are summarized. At the same time, it is worth noting that, given the broad concept of "anti-fascist films", This paper refers to the Chinese anti-fascist film, which only interprets the anti-Japanese films reflected in the creation of anti-Japanese films from the war level. In space, "China" in this paper mainly refers to the mainland of China, but in view of the reason that the Taiwan film "Sedke Balai" has caused a huge response and has achieved great success, it is also discussed in this paper. Hong Kong and Macao are temporarily absent.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
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