新中国成立以来文化意识形态视野中的音乐电影
发布时间：2018-12-23 20:11
【摘要】：在社会的不断前进中,文化意识形态不断发生着变革,影响着中国音乐电影的创作。新中国成立初期,在意识形态一元化的格局影响下,音乐电影创作在收聚民心、巩固政权上发挥了重要作用。"文革"结束后,市场经济涌入与长期的国家文化形态一元化格局产生了强烈碰撞,音乐电影创作回归自我,具有纪实性美学的倾向。新世纪,国家的文化意识形态走向了多元化,意识形态与市场经济的碰撞产生了深刻的社会矛盾,为中国音乐电影创作提供了更有广度和深度的拓展空间。音乐电影作为意识形态与商品经济的双刃剑,要想实现其更好发展,我们只有紧跟时代的脉搏,从文化意识形态的角度上深层次挖掘社会矛盾,更好挖掘音乐电影创作的素材,创作出更多更优秀的音乐电影作品。
[Abstract]:With the development of society, the cultural ideology is changing constantly, which influences the creation of Chinese music film. In the early days of the founding of New China, under the influence of a unified ideology, music and film creation played an important role in gathering people's hearts and consolidating political power. " After the end of the Cultural Revolution, the influx of market economy and the unification of the national cultural form produced a strong collision, and the music and film creation came back to itself, with the tendency of documentary aesthetics. In the new century, the country's cultural ideology has moved towards pluralism, and the collision between ideology and market economy has produced profound social contradictions, which has provided a more extensive and deep expansion space for Chinese music and film creation. Music film, as a double-edged sword of ideology and commodity economy, in order to achieve its better development, we must closely follow the pulse of the times, dig into social contradictions from the angle of cultural ideology, and better tap the materials for music film creation. Create more and better music films.
【作者单位】： 郑州大学西亚斯国际学院;
【基金】：河南省科技计划项目“高校文化与城市文化的互动发展研究”(项目编号:152400410169)的阶段成果
【分类号】：J951
，
本文编号：2390200
[Abstract]:With the development of society, the cultural ideology is changing constantly, which influences the creation of Chinese music film. In the early days of the founding of New China, under the influence of a unified ideology, music and film creation played an important role in gathering people's hearts and consolidating political power. " After the end of the Cultural Revolution, the influx of market economy and the unification of the national cultural form produced a strong collision, and the music and film creation came back to itself, with the tendency of documentary aesthetics. In the new century, the country's cultural ideology has moved towards pluralism, and the collision between ideology and market economy has produced profound social contradictions, which has provided a more extensive and deep expansion space for Chinese music and film creation. Music film, as a double-edged sword of ideology and commodity economy, in order to achieve its better development, we must closely follow the pulse of the times, dig into social contradictions from the angle of cultural ideology, and better tap the materials for music film creation. Create more and better music films.
【作者单位】： 郑州大学西亚斯国际学院;
【基金】：河南省科技计划项目“高校文化与城市文化的互动发展研究”(项目编号:152400410169)的阶段成果
【分类号】：J951
，
本文编号：2390200
本文链接：https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2390200.html
