当下喜剧电影之喜剧精神研究

发布时间：2018-12-24 15:23

【摘要】：近年来,喜剧电影在中国电影市场中异军突起,接连创下了一系列票房奇迹,带动了整个电影产业的发展,但繁荣的背后却存在着艺术品质严重下滑的问题。一些当下大热的喜剧电影因为过度追求商业利益而忽略了电影本身的艺术价值,使影片呈现出低俗化、肤浅化的倾向,空有喜剧的形式却缺乏真正的喜剧精神,与优秀的喜剧电影相差甚远。针对这种现象本文从喜剧精神这一角度出发对当下喜剧电影进行了研究。首先本文对喜剧电影喜剧精神的内涵进行了界定,总结了有关喜剧精神的经典论述,提炼出喜剧精神的核心内涵并在此基础上引申出批判精神、超越意识和人文关怀这三个当代喜剧电影喜剧精神的新内涵。其次,本文以当代喜剧精神的新内涵为标尺分析当下喜剧电影喜剧精神缺失的具体表现。当下喜剧电影用虚拟的想象和犬儒的态度取代了批判精神、用游戏恶搞和感官刺激取代了超越精神、用以物为本代替了以人为本,用扭曲的价值观取代了真正的人文关怀。对于当下喜剧电影喜剧精神缺失这一现象,本文以狂欢化的大众文化为文化背景,从受制于利益驱动的电影制作者和追求娱乐至死的电影观众两方面来探究其原因。最后,本文选取了一些经典的优秀喜剧电影为例来探讨当下喜剧电影喜剧精神重构的具体方式。指出当下喜剧电影应该用勇于揭示社会问题、大胆批判社会问题的方式实现批判精神的重构,用反抗异化人性的力量、肯定人自我力量的方式实现超越意识的重构,用关注人的生存状态并用正确价值观引导人的方式实现人文关怀的重构。喜剧电影虽然以“笑”为主要特征,但不仅仅是用来消遣娱乐的工具,当下的喜剧电影在追求娱乐至死的同时也应注重提升影片的艺术价值,用喜剧精神填满其内在的空虚,真正意义上实现票房和艺术的双丰收。
[Abstract]:In recent years, comedy films have suddenly emerged in the Chinese film market, a series of box office miracles have been set one after another, which has driven the development of the entire film industry, but there is a serious decline in the artistic quality behind the prosperity. Some of the most popular comedy films have neglected the artistic value of the films because of their excessive pursuit of commercial interests, which makes the films show a tendency of vulgarization and shallowness, but lack the real spirit of comedy in the form of empty comedies. It's a long way from a good comedy film. In view of this phenomenon, this paper studies the comedy film from the angle of comedy spirit. Firstly, this paper defines the connotation of comedy spirit in comedy film, summarizes the classic exposition of comedy spirit, abstracts the core connotation of comedy spirit and extends the critical spirit on this basis. Transcending consciousness and humanistic concern are the three new connotations of comedy spirit in contemporary comedy films. Secondly, this paper analyzes the concrete manifestation of the comedy spirit deficiency in the present comedy film based on the new connotation of the contemporary comedy spirit. Nowadays comedy movies replace the critical spirit with virtual imagination and cynical attitude, replace the transcendental spirit with playful play and sensual stimulation, replace the people-oriented with material-oriented, and replace the real humanistic care with distorted values. As for the lack of comedy spirit, this paper takes the carnival mass culture as the cultural background and probes into the reasons from two aspects: the filmmakers who are restricted by the interests and the movie viewers who pursue entertainment to death. Finally, this paper chooses some classic comedy films as an example to explore the specific ways of reconstruction of comedy spirit. It is pointed out that the comedy movies should reconstruct the critical spirit by the way of bravely revealing social problems, boldly criticizing social problems, reconstructing the transcendental consciousness with the power of resisting alienation of human nature and affirming the power of human self. The reconstruction of humanistic care is realized by paying attention to the living state of human beings and guiding people with correct values. Although comedy film is characterized by "laugh", it is not only a tool for entertainment, but also the art value of the film should be promoted with comedy spirit to fill up its inner emptiness while pursuing entertainment to death. In a real sense, the box-office and the art of the double harvest.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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