《大鱼海棠》“言、象、意”的传播形态及意义研究
发布时间：2019-01-04 21:32
【摘要】：近年我国有多部动画电影取得了票房口碑双丰收的好成绩,在2016年7月8日上映的《大鱼海棠》可谓是一部里程碑式的动画电影,上映首日便打破了国产动画电影的票房纪录。《大鱼海棠》从构思到完成制作耗时12载,导演用极具梦幻般的风格讲述了少女与大鱼之间的浪漫故事,用多种不同的传统文化符号构建出了一个架空于现实的海底世界。《大鱼海棠》的创作灵感主要来自与庄子的《逍遥游》,其参考的我国古代典籍更是多达到十余本。同时《大鱼海棠》中的世界观、镜头画面、角色刻画、场景设置等多个方面无不体现出我国传统文化符号的魅力与内涵。本文将“言、象、意”的中国文化内涵作为研究的理论参照,对《大鱼海棠》进行探讨。以影片中“言”的内涵及表达特征,“象”的自然性与人造性特征的对照,蕴涵的传统文化之“意”为研究对象,诣在研究“言、象、意”的传播形态及意义。通过分析《大鱼海棠》中的我国传统文化符号,探讨影片所传递出的深刻内涵。根据“言、象、意”的研究脉络,本文将着重分为以下三个部分进行探讨。第一部分,在《大鱼海棠》情节的基础上,通过分析分析影片中具有的代表镜头以及语言表达,凸显出“言”的内涵及表达特征;第二部分,对《大鱼海棠》中的我国传统文化符号进行了梳理,并分为分三类:自然之“象”,主要包括鱼、海棠、水、中国红;人造之“象”,主要包括客家土楼、对联、龙与凤凰;人物之“象”,主要包括椿、湫、灵婆和鼠婆。第三部分,分别从浪漫风格、报恩情节、“天人合一”的思想、生死轮回观四个方面论述了影片中蕴涵的传统文化之“意”。《大鱼海棠》无疑为中国动画电影的创作与发展提供了宝贵经验。本论文从“言、象、意”角度出发作出的探讨,希望对当下的研究做点有益的尝试。
[Abstract]:In recent years, there have been many animated movies in China that have achieved a good box-office success. The "Big Fish Begonia" released on July 8, 2016, is a landmark animated movie. The opening day of the movie broke the box office record for a domestic animated film. "Big Fish Begonia" took 12 years to complete, and the director told the romantic story between a girl and a big fish in a fantastic style. Using many different traditional cultural symbols to construct a realistic undersea world. The creative inspiration of Big Fish Begonia comes mainly from Zhuangzi's "Happy Tour", and more than ten ancient books of our country are referred to. At the same time, the world outlook, lens picture, character portrayal, scene setting in "Big Fish and Begonia" all embody the charm and connotation of Chinese traditional culture symbol. In this paper, the Chinese cultural connotation of "speech, image and meaning" is taken as the theoretical reference for the study of "Begonia of the Big Fish". Taking the connotation and expressive characteristics of "speech" in the film, the contrast between the natural and artificial characteristics of "elephant" and the "meaning" of traditional culture as the object of study, the paper studies the communication form and significance of "words, images and meanings". By analyzing the Chinese traditional cultural symbols in Begonia, this paper discusses the profound connotation of the film. According to the research context of "speech, image and meaning", this paper will be divided into three parts. In the first part, on the basis of the plot of Big Fish and Begonia, through analyzing the representative lens and language expression in the film, the connotation and expression characteristics of "Yan" are highlighted. In the second part, the traditional cultural symbols in Begonia of Big Fish are sorted out and divided into three categories: natural "elephant", mainly including fish, begonia, water, Chinese red; Artificial "elephant", mainly including Hakka Tulou, couplet, dragon and Phoenix; characters "elephant", mainly including Chun, Qiu, Lingpo and mouse. The third part, from the romantic style, payback plot, "Heaven and Man in one" thought, This paper discusses the "meaning" of the traditional culture contained in the film from four aspects of the view of life and death. "Big Fish Begonia" undoubtedly provides valuable experience for the creation and development of Chinese animated films. This paper, from the point of view of words, images and meanings, hopes to make some useful attempts for the present research.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954
[Abstract]:In recent years, there have been many animated movies in China that have achieved a good box-office success. The "Big Fish Begonia" released on July 8, 2016, is a landmark animated movie. The opening day of the movie broke the box office record for a domestic animated film. "Big Fish Begonia" took 12 years to complete, and the director told the romantic story between a girl and a big fish in a fantastic style. Using many different traditional cultural symbols to construct a realistic undersea world. The creative inspiration of Big Fish Begonia comes mainly from Zhuangzi's "Happy Tour", and more than ten ancient books of our country are referred to. At the same time, the world outlook, lens picture, character portrayal, scene setting in "Big Fish and Begonia" all embody the charm and connotation of Chinese traditional culture symbol. In this paper, the Chinese cultural connotation of "speech, image and meaning" is taken as the theoretical reference for the study of "Begonia of the Big Fish". Taking the connotation and expressive characteristics of "speech" in the film, the contrast between the natural and artificial characteristics of "elephant" and the "meaning" of traditional culture as the object of study, the paper studies the communication form and significance of "words, images and meanings". By analyzing the Chinese traditional cultural symbols in Begonia, this paper discusses the profound connotation of the film. According to the research context of "speech, image and meaning", this paper will be divided into three parts. In the first part, on the basis of the plot of Big Fish and Begonia, through analyzing the representative lens and language expression in the film, the connotation and expression characteristics of "Yan" are highlighted. In the second part, the traditional cultural symbols in Begonia of Big Fish are sorted out and divided into three categories: natural "elephant", mainly including fish, begonia, water, Chinese red; Artificial "elephant", mainly including Hakka Tulou, couplet, dragon and Phoenix; characters "elephant", mainly including Chun, Qiu, Lingpo and mouse. The third part, from the romantic style, payback plot, "Heaven and Man in one" thought, This paper discusses the "meaning" of the traditional culture contained in the film from four aspects of the view of life and death. "Big Fish Begonia" undoubtedly provides valuable experience for the creation and development of Chinese animated films. This paper, from the point of view of words, images and meanings, hopes to make some useful attempts for the present research.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954
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