日本禅思想在小津安二郎晚期电影中的体现
发布时间：2019-01-06 09:04
【摘要】：小津安二郎是最具日本风格的电影导演,他一生指导的众多影片,特别是中晚期开始的以“嫁女”为主题的家庭伦理电影,都具有极强的个人导演风格。深受日本传统文化熏陶的他将自己的人生哲学融入到影片创作当中,尤其是晚期作品体现了更深层的文化底蕴。在他一生的电影创作中,从向美国好莱坞黄金时代的卓别林、刘别谦喜剧模仿,逐渐摸索出了以低视角、固定镜头和越轴镜头为代表的“小津式”拍摄手法和导演风格,1949年电影《晚春》被日本《电影旬报》评选为年度十佳影片第一位,个人风格也走向成熟,在世界影坛上备受声誉,成为了最能够代表并表现日本真实社会风貌的导演。世界影坛对小津的研究多着眼于“物哀”意识与“幽玄”美学,本文以日本禅为全新视角,针对小津安二郎1949年至1962年的晚期电影作品,从电影编剧、对白设计和情感内涵等方面,结合日本禅宗以及日本禅文化中相关要义和内涵,对其电影做一分析与阐述。
[Abstract]:Ichiro Kozin is the most Japanese-style film director. Many of the films he directed throughout his life, especially the family ethics films with the theme of "married Girl", all have a strong personal directing style. Deeply influenced by Japanese traditional culture, he incorporated his philosophy of life into his film creation, especially in his later works. In his life of film creation, from Chaplin and Liu Bi-qian 's comedy imitation to Chaplin in the golden age of Hollywood in the United States, he gradually found out the "Xiaojin" shooting technique and the directing style represented by low-angle, fixed and cross-axis shots. In 1949, the film "late Spring" was selected as the top ten best films of the year by the Japanese Movie newspaper, and its personal style has also matured, and it has become the most representative and representative director of Japan's real social features because of its high reputation in the world film world. The study of Ozu in the world has focused on the consciousness of "object mourning" and the aesthetics of "seclusion". This paper, from the perspective of Japanese Zen, focuses on the late movie works of Anjiro Kozin from 1949 to 1962, from the perspective of film screenwriter. In the aspects of white design and emotional connotation, combined with the meaning and connotation of Japanese Zen Buddhism and Japanese Zen culture, this paper makes an analysis and exposition of its films.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911
本文编号：2402614
[Abstract]:Ichiro Kozin is the most Japanese-style film director. Many of the films he directed throughout his life, especially the family ethics films with the theme of "married Girl", all have a strong personal directing style. Deeply influenced by Japanese traditional culture, he incorporated his philosophy of life into his film creation, especially in his later works. In his life of film creation, from Chaplin and Liu Bi-qian 's comedy imitation to Chaplin in the golden age of Hollywood in the United States, he gradually found out the "Xiaojin" shooting technique and the directing style represented by low-angle, fixed and cross-axis shots. In 1949, the film "late Spring" was selected as the top ten best films of the year by the Japanese Movie newspaper, and its personal style has also matured, and it has become the most representative and representative director of Japan's real social features because of its high reputation in the world film world. The study of Ozu in the world has focused on the consciousness of "object mourning" and the aesthetics of "seclusion". This paper, from the perspective of Japanese Zen, focuses on the late movie works of Anjiro Kozin from 1949 to 1962, from the perspective of film screenwriter. In the aspects of white design and emotional connotation, combined with the meaning and connotation of Japanese Zen Buddhism and Japanese Zen culture, this paper makes an analysis and exposition of its films.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911
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