当前位置:主页 > 文艺论文 > 影视论文 >

中国电影史“古装片”首发类型现象研究

发布时间:2019-01-09 10:35
【摘要】:通过对中国商业类型电影史的梳理,发现在民国时期、战后港台时期、新中国时期中古装片均是首发类型,因此古装片成为了中国电影值得关注和研究的对象,要弄清古装片为什么是商业类型电影史中的首发类型,首先就要从古装片是什么样的商业类型电影入手。本文过对古装片的定义、类型程式、情节模式进行解读,了解到丰富的已高度固化了的文学资源为古装片的摄制提供了保障,形成了饱和传播效应,在被古装片直接过继获取后,加以电影化的改塑,满足了观众的期待,成为了延续商业类型电影的主打类型。而古装片成为首发主打类型是必然还是偶然?它背后隐藏的机制到底是什么?还不得而知。带着这些疑问,本文对古装片进行了类型学解析,发现只是从历史的角度来考量是不够的,还要考虑到古装片本身具有的类型优势和其获得的票房、奖项及社会媒介的影响。随着历史与现实的发展,古装片被后来居上的其它电影类型所取代,为了谋求类型演变,古装片只有采取融合数字技术、奇观营造、改编西方文本等策略,来满足观众的需要,延续商业电影之路。
[Abstract]:By combing the history of Chinese commercial films, it is found that in the Republic of China period, the postwar period of Hong Kong and Taiwan, the New China period in the ancient costume films are all the first type, so ancient clothing films have become the object of attention and research in Chinese films. In order to find out why antiquated films are the first type in the history of commercial films, we must start with what kind of commercial movies are ancient clothes films. This paper interprets the definition, type program and plot mode of the ancient costume film, and finds out that the rich and highly solidified literature resources provide the guarantee for the production of the ancient costume film, and form the saturated propagation effect. After being acquired directly by the ancient clothing film, the film is changed to meet the expectations of the audience and become the main type of continuing commercial film. And is it inevitable or accidental that antiquated films become the first hit type? What is the hidden mechanism behind it? It is not known yet. With these questions, this paper analyzes the typology of ancient costume films, and finds that it is not enough to consider only from the historical point of view, but also to consider the genre advantages and the influence of box office, awards and social media. With the development of history and reality, the ancient costume films have been replaced by other film types that come from behind. In order to seek the evolution of the types, the ancient clothes films have to adopt the strategies of integrating digital technology, creating wonders, adapting western texts, and so on, to meet the needs of the audience. Continue the commercial film road.
【学位授予单位】:西南大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J905

【参考文献】

相关期刊论文 前10条

1 秦喜杰;;从投资角度研究中国电影产业的困境与机遇[J];北京电影学院学报;2005年06期

2 谢永均;;改革开放30年大陆喜剧片创作历程回顾[J];北京电影学院学报;2008年06期

3 路春艳;;中国类型电影的生存与发展[J];北京社会科学;2007年01期

4 陈瑜;;中国类型电影研究的几个问题[J];浙江传媒学院学报;2010年05期

5 应雄;《农奴》:叙事的张力[J];当代电影;1990年03期

6 史博公,凌燕;论喜剧片在中国电影发展中的地位及意义[J];当代电影;2003年05期

7 郦苏元,边静;对人性的低语和追问——吴永刚“孤岛”电影探微[J];当代电影;2004年05期

8 段运冬;《木兰从军》:隐喻与想象交融的影像坐标[J];当代电影;2005年03期

9 陈晓云;中国电影:类型建构与产业化发展[J];当代电影;2005年06期

10 丁亚平;;体验·关怀·直接的时代感——由1937—1945年电影的现实表现看中国电影现实主义传统的文化趋向[J];当代电影;2006年05期



本文编号:2405509

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2405509.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户f64dc***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com