贾樟柯电影的“寻找”叙事研究

发布时间：2019-01-12 17:04

【摘要】：从1995年的学生电影作品《小山回家》开始，贾樟柯在十余年间创作了《小武》、《站台》、《任逍遥》、《东》、《无用》、《世界》、《三峡好人》、《二十四城记》、《海上传奇》等十几部电影作品，并迅速崛起为新生代的领军人物和典型代表。这些作品均打上了深刻的贾氏烙印，一如既往地体现出对社会底层人物的关注、对转型时期社会变革的思考。 “寻找”是贾樟柯电影恒在的主题，“寻找”渗透到所有的生活领域和情感方式当中。贾樟柯电影文本的主人公们面临一系列社会、文化、环境的变化却找不到出路，故里在拆迁，，婚姻、亲戚等关系在异化，伴随这个变化的不确定的主题的，便是对于不变和确定性的寻找。各种叙事要素围绕着寻找而展开，“寻找”这一姿态本身成了他们唯一由自己掌控的行为。换句话说，贾樟柯电影作品中的主人公们用“寻找”结构着存在本身的意义。这也是贾樟柯通过他的镜头所传达出来的意义。围绕“寻找”展开的叙事研究，正是本文的关注点。论文共分为五部分：第一部分是相关概念梳理，简要介绍了当代中国的两次“寻找热”，以及寻找与其他母题之间的关系；第二部分集中分析了贾樟柯电影文本中围绕“寻找”的叙事特征；第三部分是对个人记忆式“寻找”的作品——故乡三部曲的分析；第四部分是对社会记忆式“寻找”的作品——《世界》、《三峡好人》的分析；第五部分对导演自身的“寻找”及其中的文化意义有所涉猎。本文以“寻找”作为研究贾樟柯电影文本的切入点，围绕这一贯穿贾樟柯所有电影作品的主题进行取舍，以期提供一种新的研究贾樟柯电影的视角。
[Abstract]:Starting with the 1995 student film "coming home from the hills", Jia Zhangke has created Xiao Wu, platform, Ren Xiaoyao, East >, useless, World, good people in the three Gorges, and City Records 24 in more than a decade, "Xiao Wu", "platform", "Ren Xiao Yao", "East >", "useless", "World", "good people in the three Gorges", < 24 City Records]. Legend of the Sea and more than a dozen film works, and rapidly emerged as a new generation leader and representative. These works are deeply branded by Jia, as always reflects the attention to the bottom of the society, the transformation of social thinking. "seek" is the theme of Jia Zhangke's film, and it permeates all fields of life and emotional style. The protagonists of Jia Zhangke's film are faced with a series of social, cultural and environmental changes, but they cannot find a way out. Is the search for immutability and certainty. All kinds of narrative elements revolve around search, which itself becomes their only behavior under their control. In other words, the protagonists in Jia Zhangke's films use "seek" to construct the meaning of existence itself. This is also Jia Zhangke through his lens conveyed the significance. The narrative research around search is the focus of this paper. The thesis is divided into five parts: the first part is related concepts combing, briefly introduces the two "search hot" in contemporary China, as well as the relationship between search and other motifs; The second part focuses on the narrative characteristics around "search" in Jia Zhangke's film text, the third part is the analysis of the personal memory-style "search" work, the hometown trilogy; The fourth part is an analysis of the works of social memory "search", "the World", "the good people of the three Gorges", and the fifth part dabbles in the director's "search" and its cultural significance. This paper regards "seek" as the starting point of studying Jia Zhangke's film text, and makes a choice around this theme which runs through all Jia Zhangke's film works, in order to provide a new angle of view for studying Jia Zhangke's films.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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