2000-2012年中国电视纪录片风格特征研究
发布时间：2019-01-21 21:10
【摘要】：新世纪以来,中国电视纪录片可谓是成绩斐然、高峰迭起,不论是在创作手法、思想内容、表达方式,还是文化形态、精神理念、审美价值上都较上个世纪有很大改善。然则欣喜之余可以发现,优秀作品鲜少,题材范围依然无法与国际比肩,纪录片产业亟待一条清晰的理论脉络作为指导。因此,对新世纪纪录片风格特征的梳理、对新旧时期纪录片风格差异研究、对影像作品风格变化因素的探寻显得尤为重要。这不仅对纪录片的重新分类有一定的帮助,而且能够打开纪录视野、开拓纪录新风,帮助中国电视纪录片产业多元健康发展。 本文运用文献综述、案例分析、统计分析的方法,首先对电视纪录片风格概念进行了解读,具体探讨了中外纪录片风格形成过程、表现形式及影响因素；接着论述了2000-2012年纪录作品题材、叙事、抒情三个方面的艺术风格特征和中心文化、弄堂文化、江南文化、齐鲁文化、岭南文化风格特征,提出了风格与艺术创作、审美需求、社会观念、收视率之间的关系；然后文章探究了中国现阶段纪录片的国际地位、未来发展之路及前景展望,并对中外纪录片创作风格进行了简要对比,提出应当以交融、开放、多元的创作风格应对国际形势；最后对新世纪电视纪录片风格走向进行总结,归纳出2000-2012年中国电视纪录片丰富的艺术风格和鲜明的文化风格的具体特征。
[Abstract]:Since the new century, Chinese TV documentaries have made great achievements and peaks, both in terms of creative techniques, ideological content, expression methods, cultural forms, spiritual concepts and aesthetic values, all of which have been greatly improved compared with the last century. However, we can find that there are few excellent works, and the range of subjects can not be compared with that of the international, and the documentary industry urgently needs a clear theoretical context as a guide. Therefore, it is particularly important to comb the characteristics of documentary style in the new century, to study the difference of documentary style in the new and old period, and to explore the factors of the change of the style of the image works. This will not only help the reclassification of documentaries, but also open up the field of record, open up the new trend of record, and help the diversified and healthy development of China's TV documentary industry. This article uses the literature review, the case analysis, the statistical analysis method, first has carried on the explanation to the television documentary film style concept, has discussed the Chinese and foreign documentary style formation process, the manifestation form and the influence factor concretely; Then it discusses the artistic style characteristics and the central culture, the Jiangnan culture, the Qilu culture, the Lingnan culture of the three aspects of the subject matter, the narrative and the lyricism of the recorded works from 2000 to 2012, and puts forward the style and artistic creation. The relationship between aesthetic demand, social concept and ratings; Then the article probes into the international status, the way of the future development and the prospect of the documentary film in China at present, and makes a brief contrast to the creation style of the Chinese and foreign documentaries, and puts forward that the creative style should be mixed, open and pluralistic to deal with the international situation; Finally, the author summarizes the trend of TV documentary style in the new century, and concludes the specific characteristics of the rich artistic style and distinctive cultural style of Chinese TV documentary from 2000 to 2012.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J952
本文编号：2413046
[Abstract]:Since the new century, Chinese TV documentaries have made great achievements and peaks, both in terms of creative techniques, ideological content, expression methods, cultural forms, spiritual concepts and aesthetic values, all of which have been greatly improved compared with the last century. However, we can find that there are few excellent works, and the range of subjects can not be compared with that of the international, and the documentary industry urgently needs a clear theoretical context as a guide. Therefore, it is particularly important to comb the characteristics of documentary style in the new century, to study the difference of documentary style in the new and old period, and to explore the factors of the change of the style of the image works. This will not only help the reclassification of documentaries, but also open up the field of record, open up the new trend of record, and help the diversified and healthy development of China's TV documentary industry. This article uses the literature review, the case analysis, the statistical analysis method, first has carried on the explanation to the television documentary film style concept, has discussed the Chinese and foreign documentary style formation process, the manifestation form and the influence factor concretely; Then it discusses the artistic style characteristics and the central culture, the Jiangnan culture, the Qilu culture, the Lingnan culture of the three aspects of the subject matter, the narrative and the lyricism of the recorded works from 2000 to 2012, and puts forward the style and artistic creation. The relationship between aesthetic demand, social concept and ratings; Then the article probes into the international status, the way of the future development and the prospect of the documentary film in China at present, and makes a brief contrast to the creation style of the Chinese and foreign documentaries, and puts forward that the creative style should be mixed, open and pluralistic to deal with the international situation; Finally, the author summarizes the trend of TV documentary style in the new century, and concludes the specific characteristics of the rich artistic style and distinctive cultural style of Chinese TV documentary from 2000 to 2012.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J952
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