论国内纪录片创作中的数字技术应用

发布时间：2019-01-27 20:34

【摘要】：纵观国内纪录片创作的发展历程,从客观反映到虚拟生成,从单一纪录到多元呈现,纪录片艺术从来没有停止创新的脚步。进入数字化技术时代,纪录片创作更是遭遇了前所未有的冲击。数字技术的应用,既改变了纪录片原有的创作形式——它把镜像的现实艺术与虚拟的世界相融合,无中生有、虚实相交,促进视觉艺术空前发挥到了极致,又极大地丰富了纪录片创作的表现手法——数字技术的诞生、成熟及其应用,培育、滋养了纪录片创作的土壤,其地位不能小视。本文试图从技术应用的角度去分析国内的纪录片创作,阐释它关联于数字技术应用的功用与偏失、意义与问题,随后提出对策与建议。全文分为四个部分,行文顺序大体上是:提出问题→分析问题→解决问题。第一部分是绪论,提纲挈领的简要交代选题的背景及研究现状,选题目的、意义与创新性,研究方法和研究思路。第二部分是史论部分,全面解析国内纪录片创作中的数字技术,包括数字技术的类型与功能,数字技术与纪录片题材的关系,国内纪录片创作中常见的几种数字技术。第三部分包含第三、四章,分别探讨数字技术应用对国内纪录片创作的积极、消极影响。第三章从积极面阐述数字技术对纪录片创作的功用与意义,即:丰富纪录片创作手法、降低创作的专业门槛、推动纪录美学的发展,以及满足社会大众的文化需求。第四章着眼于消极面,论述数字技术在纪录片创作中的问题,分别论述冲击真实性(纪实性)、娱乐化趋向、滥用导致流俗等问题。第四部分是结论与思考,查漏补缺、推敲、校正的同时,尝试提出相应的对策与建议。各大门类艺术的发展历程显示:任何技术或手段的出现及其应用,往往伴随着特定的社会需求和文化诉求。数字技术广泛应用于(国内的)纪录片创作绝非偶然,恰恰是当代视觉文化转型和影视娱乐化发展的必然结果。不难想象,在数字化的时代背景下,纪录片创作将回应时代需求,不断革新与进步,不断为视觉文化的制作、传播做出贡献。当然,我们也应该清醒的认识到,技术始终是工具,思想才是灵魂。由于纪录片创作中的观念、认知、价值及创作者自身素质等诸多因素存在差异,数字技术的应用对(国内)纪录片创作的影响将是一个循序渐进的过程,也是一个不断认识和试错、修正的过程。只有驾驭技术、超越技术,我们才可能真正的“有所不为而后可以有为”。
[Abstract]:Throughout the development of domestic documentary creation, from objective reflection to virtual generation, from a single record to multiple presentation, documentary art has never stopped the pace of innovation. Entering the digital technology age, documentary creation has encountered an unprecedented impact. The application of digital technology has not only changed the original creative form of documentary film-it combines the realistic art of the mirror image with the virtual world, creates nothing, intersects the virtual reality, and promotes the visual art to be brought into full play in an unprecedented way. It also greatly enriches the expression technique of documentary creation-the birth, maturity and application of digital technology, nurturing and nourishing the soil of documentary creation, and its status cannot be underestimated. This paper tries to analyze the domestic documentary creation from the angle of technology application, explain the function and deviation, significance and problem of the digital technology application, and then put forward the countermeasures and suggestions. The full text is divided into four parts, the order of the text is: put forward the problem and analyze the problem and solve the problem. The first part is the introduction, brief introduction of the background and research status, purpose, significance and innovation, research methods and research ideas. The second part is the history theory part, which comprehensively analyzes the digital technology in the domestic documentary creation, including the type and function of the digital technology, the relationship between the digital technology and the subject matter of the documentary, and several common digital technologies in the domestic documentary creation. The third part includes the third chapter and the fourth chapter, respectively discusses the digital technology application to the domestic documentary creation positive, the negative influence. The third chapter expounds the function and significance of digital technology to documentary creation from the positive side, that is, to enrich documentary creation techniques, to lower the professional threshold of creation, to promote the development of documentary aesthetics, and to meet the cultural needs of the public. The fourth chapter focuses on the negative side, discusses the digital technology in documentary creation, discusses the impact of authenticity (documentary), entertainment trends, abuse leading to vulgar and other issues. The fourth part is the conclusion and thinking, checking and filling, examining and correcting, trying to put forward the corresponding countermeasures and suggestions at the same time. The development of various kinds of art shows that the emergence and application of any technology or means are often accompanied by specific social needs and cultural demands. It is no accident that digital technology is widely used in documentary creation. It is the inevitable result of the transformation of contemporary visual culture and the development of film and television entertainment. It is not difficult to imagine that under the background of digital times, documentary creation will respond to the needs of the times, innovate and progress constantly, and make contributions to the production and dissemination of visual culture. Of course, we should also soberly realize that technology is always the tool, and the mind is the soul. Because there are differences in the concept, cognition, value and the quality of the creators in documentary creation, the application of digital technology will be a gradual process of documentary creation. It is also a process of constant recognition and trial and error correction. Only by mastering technology and surpassing it can we truly do something wrong and then do something.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J952

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