中国生态电影的美学解读

发布时间：2019-02-11 09:51

【摘要】：中国经济的快速发展带来了令国人难以承受的环境之殇：大气污染、水污染事件频发,大量珍稀物种灭绝,生态系统退化……同时,中国民众还遭遇了前所未有的精神危机：人们内心焦虑、彷徨、失去信仰,社会整体道德水平出现滑坡。面对着中国社会环境和精神的双重危机,一些具有忧患意识的中国导演开始反思和觉醒,他们怀着“用光影保护生态环境、挽救精神危机”的信念,拍摄出了一部部感人至深的生态电影。本文的研究对象是中国生态电影。“生态电影”是近几年来刚出现的一种电影类型称谓,国内对它的研究也刚刚起步。本文首先分析了生态电影的兴起背景,简要介绍了中西方生态电影的发展历程。在对生态电影这一新的电影类型的发生、发展进行了一番梳理之后,本文对生态电影作出了界定。本文的重点包括两个方面,一方面是对中国生态电影美学意蕴的分析；另一方面是对中国生态电影艺术表现的研究。在对中国生态电影美学意蕴进行分析的过程中,本文总结出了中国生态电影所蕴含的三种美学意蕴：和谐之美,生命之美和诗意栖居之美。这一部分的分析结合中国生态电影的具体作品进行,其中,中国生态电影的代表作《可可西里》被作为重要案例予以详细的解读。中国生态电影的发展还不成熟,目前存在一定问题是必然的。在对中国生态电影视听表现上存在的不足加以分析之后,本文借鉴国外优秀生态电影的成功经验提出了具有针对性的改进建议。面对着愈演愈烈的生态危机,有越来越多的中国电影人开始加入到生态电影的拍摄队伍中来,也有越来越多的观众开始关注生态电影、喜爱生态电影,相信中国生态电影会有一个很好的发展前景。
[Abstract]:The rapid development of China's economy has brought unbearable environmental damage to China: air pollution, frequent water pollution incidents, extinction of a large number of rare species, and ecosystem degradation. At the same time, the Chinese people also encountered an unprecedented spiritual crisis: people's inner anxiety, loss of faith, a decline in the overall moral level of society. Faced with the dual crisis of social environment and spirit in China, some Chinese directors with a sense of suffering began to reflect on and awaken, with the belief that "protect the ecological environment with light and shadow, save the spiritual crisis". A moving ecological film was made. The research object of this paper is Chinese ecological film. Eco-film is a kind of title that has just appeared in recent years, and the domestic research on it has just started. This paper first analyzes the background of the rise of ecological film, and briefly introduces the development process of Chinese and western ecological movies. After combing the emergence and development of ecological film, this paper defines ecological film. This paper focuses on two aspects, one is the analysis of the aesthetic implication of Chinese ecological film, the other is the study of the artistic expression of Chinese ecological film. In the course of analyzing the aesthetic implication of Chinese ecological film, this paper summarizes the three aesthetic connotations of Chinese ecological film: the beauty of harmony, the beauty of life and the beauty of poetical dwelling. The analysis of this part is combined with the concrete works of Chinese ecological film, in which the representative work of Chinese ecological film, Hoh Hexili, is interpreted in detail as an important case. The development of Chinese ecological film is not mature, there are some problems are inevitable. Based on the analysis of the deficiencies in the audio-visual performance of ecological films in China, this paper puts forward some suggestions for improvement based on the successful experience of foreign excellent ecological films. In the face of a growing ecological crisis, more and more Chinese filmmakers begin to join the ecological film shooting team, and more viewers begin to pay attention to ecological movies and love ecological movies. Believe that Chinese ecological film will have a very good development prospects.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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