当前位置:主页 > 文艺论文 > 影视论文 >

新时期以来电影中的湘籍开国元勋形象研究

发布时间:2019-02-12 07:57
【摘要】:新时期以来,随着时代的转型、银幕形象塑造禁区的解放以及电影艺术工作者不断的探索与创新,,一批批散发出艺术魅力、洋溢着革命激情、再现峥嵘革命岁月的电影作品在电影艺术界掀起了一股影响深远的红色浪潮。而内涵丰富、源远流长的湖湘文化在20世纪孕育了众多影响深远、独具个性魅力的湖湘人士,湘籍开国元勋作就是其中一个极具代表性的群体。随着电影艺术的发展,毛泽东、彭德怀、刘少奇、贺龙、陈赓等湘籍开国元勋形象相继走入观众的视线,走进观众的情怀中,成为电影银幕上的一个重要表现对象,汇成一股独特的文化现象。这些湘籍开国元勋凭着自己艰辛卓越的奋斗将自己深深地嵌入历史的长河中,而电影艺术工作者则通过自己的探索与实践让他们在聚光灯下一一展现自己的风采与独特魅力。在他们身上蕴含着丰富深刻的社会内涵与特殊的审美规定性,观众可以从不同的角度对湘籍开国元勋形象进行评价。 电影艺术界对湘籍开国元勋形象的塑造也经历了一个发展变化的过程,在不同的历史时期电影中塑造的湘籍开国元勋形象有着不同的特点,经历了偶像符号、世俗化与琐碎化、共性与个性相融合、形神兼备这样几个阶段,呈现出鲜明的历史演变。并且,新时期以来银幕上的开国元勋形象也逐渐呈现出不同于文学作品中人物形象塑造的独特艺术魅力,电影艺术工作者对湘籍开国元勋形象的塑造逐渐进行了艺术性创造。在艺术真实与历史真实的统一、共性色彩与个性色彩的融合,尤其是电影声音、电影色彩等艺术手法的运用方面得到了很大的发展,使得开国元勋形象变得更加的生动形象、多元立体。此外,湘籍开国元勋形象身上呈现出鲜明的湖湘文化精神,对新时期以来电影中湘籍开国元勋形象的研究与分析,不仅仅有利于推动此类影片的创作和发展,拉近观众与开国元勋之间的距离,而且在给观众带来审美愉悦的同时,无形中升华了观众的精神境界,重塑了当代人的价值观。
[Abstract]:Since the new era, with the transformation of the times, the liberation of screen image shaping restricted area and the constant exploration and innovation of film artists, a lot of artistic charm has been exuded, filled with revolutionary passion. The reappearance of Zheng-Rong revolutionary years of film works in the film art world set off a far-reaching red wave. The culture of Huxiang, which has a rich connotation and has a long history in the 20th century, has given birth to many people with profound influence and unique charisma. The Founding Fathers of Hunan nationality is one of the most representative groups. With the development of film art, the images of Mao Zedong, Peng Dehuai, Liu Shaoqi, He Long, He Long and the Founding Fathers of Hunan nationality successively entered the audience's sight, entered the audience's feelings, and became an important object of expression on the screen of the film. Into a unique cultural phenomenon. The Founding Fathers of Hunan nationality deeply embed themselves in the long stream of history by their own hard and outstanding struggle, while the film artists let them show their charm and unique charm one by one in the spotlight through their own exploration and practice. There are rich and profound social connotations and special aesthetic provisions in them, and the audience can evaluate the image of the founding fathers of Hunan nationality from different angles. The film art circles have also experienced a process of development and change in shaping the image of the Founding Fathers of Hunan nationality. The images of the Founding Fathers of Hunan nationality created in different historical periods have different characteristics, such as idolatry symbols, secularization and trivialization. The common character and the individuality merge, the shape and spirit have such several stages, presents the distinct historical evolution. Moreover, since the new period, the image of the founding fathers on the screen has gradually presented a unique artistic charm, which is different from the portrayal of characters in literary works, and the film artists have gradually created the image of the founding fathers of Hunan nationality. In the unity of artistic reality and historical reality, the fusion of common color and individual color, especially the application of film sound, film color and other artistic techniques, the image of the founding fathers became more vivid. Multi-dimensional. In addition, the image of Hunan Founding Yuan presents a distinct spirit of Huxiang culture. The study and analysis of the image of Hunan Founding Yuan in movies since the new period is not only conducive to promoting the creation and development of such films. Drawing the distance between the audience and the Founding Fathers, and bringing aesthetic pleasure to the audience, sublimating the spiritual realm of the audience and reshaping the values of contemporary people.
【学位授予单位】:湖南科技大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J905

【参考文献】

相关期刊论文 前10条

1 王乐群;崇高:重大革命历史题材影片的审美取向——兼评革命领袖银幕形象的塑造[J];大庆社会科学;1992年02期

2 朱定峰;;方言:塑造电影人物形象的有效工具[J];电影文学;2007年14期

3 李霜;;浅谈电影音乐的美学特质[J];电影文学;2008年22期

4 李晓宁;李东风;;浅析色彩在国产大片中的运用[J];电影文学;2010年09期

5 杨海军;;析《建国大业》的电影音乐[J];电影文学;2010年10期

6 宫科;;电影色彩的审美意义[J];电影文学;2011年05期

7 徐沛华;;音乐在影视作品中的作用与重要性[J];电影文学;2011年16期

8 林春曙;;解读电影《建国大业》音乐的魅力[J];电影文学;2012年01期

9 尹力;朱毅飞;;从《铁人》看尹力导演的艺术追求[J];电影新作;2009年04期

10 翟俊杰;告别红土地《金沙水拍》导演回顾[J];电影艺术;1995年02期



本文编号:2420232

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2420232.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户19f77***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com