中国女性主义电影批评的研究（2009-2013）
发布时间：2019-02-13 12:51
【摘要】：女性主义电影批评作为电影批评的一个重要方法,近年在中国电影批评实践中得到重视与广泛运用。本文在占有文献基础上,依据关注问题进行分类,归纳出五年间(2009-2013)中国女性主义电影批评为三个主要面向:女性形象、性别意识与女性主义表达。其中女性形象分析主要从精神分析、意识形态和社会学三个维度进行批评;性别意识批评以女性意识与两性意识为主导;女性主义表达批评则集中在女性话语表达、女性书写、女性叙事、女性主义表达困境四个方面。此外,也有女性主义电影批评新的议题出现如生态女性主义电影批评、电影的女性主义美学批评。
[Abstract]:As an important method of film criticism, feminist film criticism has been paid attention to and widely used in the practice of Chinese film criticism in recent years. On the basis of literature, this paper classifies the five years (2009-2013) Chinese feminist film criticism into three main aspects: female image, gender consciousness and feminist expression. The analysis of female image is mainly from three dimensions of psychoanalysis, ideology and sociology, and the criticism of gender consciousness is dominated by female consciousness and gender consciousness. Feminist criticism focuses on four aspects: female discourse expression, female writing, female narrative and feminist expression dilemma. In addition, there are some new topics of feminist film criticism, such as ecological feminist film criticism, film feminist aesthetic criticism.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905
本文编号：2421562
[Abstract]:As an important method of film criticism, feminist film criticism has been paid attention to and widely used in the practice of Chinese film criticism in recent years. On the basis of literature, this paper classifies the five years (2009-2013) Chinese feminist film criticism into three main aspects: female image, gender consciousness and feminist expression. The analysis of female image is mainly from three dimensions of psychoanalysis, ideology and sociology, and the criticism of gender consciousness is dominated by female consciousness and gender consciousness. Feminist criticism focuses on four aspects: female discourse expression, female writing, female narrative and feminist expression dilemma. In addition, there are some new topics of feminist film criticism, such as ecological feminist film criticism, film feminist aesthetic criticism.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905
【参考文献】
相关期刊论文 前10条
1 邓晓川;中国八、九十年代女性电影的叙事策略[J];北京电影学院学报;1998年01期
2 贾斌武;;电影《神女》的女性主义解读[J];长沙师范专科学校学报;2011年04期
3 刘欢;;博弈与融合——电影《人在纽约》中的生态女性主义探寻[J];大家;2012年10期
4 丘静美;西方女权电影理论与批评:介绍与分析[J];当代电影;1988年06期
5 远婴;女权主义与中国女性电影[J];当代电影;1990年03期
6 陈晶;;论女性电影的几种批评策略[J];当代电影;2010年12期
7 李显杰，，修倜;论电影叙事中的女性叙述人与女性意识[J];当代电影;1994年06期
8 戴锦华;不可见的女性：当代中国电影中的女性与女性的电影[J];当代电影;1994年06期
9 牛卫红;;失落的女性世界——1990年代以来中国女性影视文化分析[J];当代文坛;2010年05期
10 曾忆梦;"女性主义与新时期影视"研究综述[J];东莞理工学院学报;2005年02期
本文编号：2421562
本文链接：https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2421562.html
