贾樟柯电影中的“山西味道”及成因

发布时间：2019-02-20 21:13

【摘要】：百年中国电影经历辉煌、低谷到再次崛起,发展到今天,似乎进入一个市场繁荣的阶段,但华语电影同时陷入内外交困的境地:外部好莱坞商业大片时代的巨大冲击,内部文艺电影良莠不齐,创作者的创作热情遭受冷遇,中国电影迎来了“阵痛期”……困境中坚持下来的是那些“做梦”的电影人,越是在困境,越能激发出他们变革的勇气。贾樟柯在经历了二十几年电影界的摸爬滚打,从“十年地下”转入体制内,让我们看到了他为电影造梦,为底层争夺话语权所付出的自我牺牲,这份艰辛和坚守是我选题的原因之一。本文以贾樟柯电影研究为出发点,以“山西味道”的独特地域的影像表达为依据,从山西地域特征、人文心理特征、贾樟柯个人成长历程等不同角度探究贾樟柯“山西味道”影像的成因及表现。山西是我的家乡,吕梁是我的故土,因此我更能深切体会山西这片土地孕育出的“山西味道”的影像并有了进一步研究贾樟柯电影的冲动。这是我选题的主要原因。本论文将分两章阐述贾樟柯的创作源泉及其创作特征:第一章论述了贾樟柯导演创作的山西影像——“山西味道”的表现手法。“味道”是一种隐喻的用法,实际上是指贾樟柯电影创作的一种美学特性和风格。这既是贾樟柯对故乡人文关怀的不能释怀以及对纪实美学的执着追求,而且更是贾樟柯与众不同的个性以及屹立于世界电影史梦想的显现。而“山西”既是生于斯长于斯的故土——人、事、景、物、方言和乡情等等,更是符号化的叙事策略和影像灵魂。贾樟柯将“山西小县城”——汾阳拿给世界看,利用对县城这一特定空间的选择和处理来联结整个社会的现实空间,展示的是转型期真实的中国。第二章主要论述了“山西味道”这一传统的环境熏陶影响对导演贾樟柯是决定性作用,对于贾樟柯来说,他的出生、生长的地方——山西汾阳,就成为他创作的源泉和灵感来源,也成为他言说的主题和情感释放的艺术世界的载体,他在电影创作中所表现的主题内容、思想情感、审美情趣无不打上“山西味道”的深深烙印,成为他电影的底色。
[Abstract]:A hundred years of Chinese films have experienced brilliant, low and rising again, and today, they seem to have entered a stage of market prosperity, but Chinese movies are also trapped in the situation of domestic and foreign affairs: the tremendous impact of the era of Hollywood commercial blockbusters. Internal literature and art film intermingled, the creator's creation enthusiasm suffered a cold reception, Chinese film ushered in a "labor pain period." It is the dreamers who persevere in the dilemma, and the more they are in trouble, the more they inspire their courage to change. Jia Zhangke has gone through more than 20 years in the film industry, moving from "ten years underground" to the system, showing us the self-sacrifice he paid for his dreams for films and for the bottom layer to fight for the right to speak. The hardship and persistence is one of the reasons why I choose this topic. This article takes Jia Zhangke's film research as the starting point, takes the image expression of the unique region of "Shanxi taste" as the basis, from the Shanxi regional characteristic, the humanities psychology characteristic, Jia Zhangke's personal growth process and other different angles explore the causes and manifestations of Jia Zhangke's Shanxi taste image. Shanxi is my hometown, Lv Liang is my native land, so I can deeply understand the Shanxi "Shanxi flavor" image and have the impulse to further study Jia Zhangke movies. This is the main reason why I choose this topic. This paper will be divided into two chapters to elaborate Jia Zhangke's creative source and creative characteristics: the first chapter discusses Jia Zhangke's creation of Shanxi image-"Shanxi taste" expression. Taste is a metaphorical usage, which actually refers to a kind of aesthetic characteristic and style of Jia Zhangke's film creation. This is not only Jia Zhangke's unbridled concern for the humanities in his hometown and his persistent pursuit of documentary aesthetics, but also Jia Zhangke's distinctive personality and the appearance of his dream standing in the world film history. Shanxi is not only the native land of people, things, scenery, dialects and country feelings, but also the symbolic narrative strategy and image soul. Jia Zhangke showed Fenyang, a small county town in Shanxi Province, to the world, using the choice and treatment of this particular space to connect the real space of the whole society, showing the real China in the transition period. The second chapter mainly discusses the influence of the traditional environmental influence on the director Jia Zhangke. For Jia Zhangke, the place where he was born and grown is Fenyang, Shanxi. As a source of inspiration and source of inspiration for his creation, as well as the carrier of the artistic world of his speech and emotion, the subject content, thought and emotion that he has shown in his film creation, Aesthetic taste on the "Shanxi flavor" deeply imprinted, became his film background color.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911

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