香港警匪片的叙事创新研究——以《寒战》系列电影为例

发布时间：2019-03-02 21:31

【摘要】：正一、香港警匪片的定义对香港警匪片的定义,要追溯到对警匪片的理解。警匪片虽然有一定历史,也佳作颇多,但相关学者对警匪片的定义却各执一词,至今仍未统一。张希在对香港黑帮电影的研究中总结道:警匪片就是黑帮片的另一种说法~([1]);索亚斌在《香港动作片的美学风格》中将香港警匪片归类为香港动作片的亚类型,认为按主题内容可以将香港动作片划分为功夫片、武侠片、枪战警匪三个亚类~([2]);张长在《杜琪峰警匪
[Abstract]:First, the definition of Hong Kong police bandit film goes back to the understanding of the Hong Kong police bandit film. Although there is a certain history of police and bandits films, there are many excellent works, but the definition of police and bandits films by relevant scholars is different, which has not been unified yet. Zhang Xi concluded in a study of Hong Kong gangster films: police gangster films are another way of saying gangster films ~ ([1]); In "Aesthetics style of Hong Kong Action Film", Soyabin classifies Hong Kong police and bandits as subtypes of Hong Kong action films, and thinks that Hong Kong action films can be divided into three subcategories: kung fu film, martial arts film and gunman bandit according to the theme content. Zhang Chang is < Duchey Peak Police bandits.
【作者单位】：贵州省文联文化产业中心;云南师范大学;
【分类号】：J905

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