21世纪美国艺术家传记电影研究

发布时间：2019-03-05 09:45

【摘要】：传记电影作为一个颇受关注和重视的电影类型,它在历史上曾经辉煌,在当代也获得了突飞猛进的发展。尤其是在西方电影注重真实的文化背景下,美国传记电影的发展在近年来有着量的突破和质的飞跃。艺术家传记电影作为传记电影的一个重要的分支,艺术家传记影片传承了传记电影的纪实性,同时也饱有独特的艺术魅力。美国作为传记电影出品的大国,自21世纪以来,拍摄的传记电影数量庞大、品质优越。自2000年至2016年间,共拍摄传记电影八十余部,其中二十多部影片获得国际大奖。之一时期的美国艺术家传记电影呈现出丰富的表现形式和艺术形态。创作思路上不以虚构博噱头,坚持以事实为依据,将艺术家置于真实的时代背景和文化背景中进行重塑。同时,传记电影的创作者在对传主理想信念、人生故事、心理世界的呈现时,创作技法更加成熟,取材角度更加多元。本文一共分为五个部分对21世纪美国艺术家传记电影进行研究。第一章绪论部分。首先,论述了选题的背景和意义,主要阐明了为什么选择21世纪的美国艺术家传记电影作为研究的对象;其次,对“艺术家”、“传记电影”这些概念进行了定义;最后,简要的分析了当下关于传记电影的研究主要方向和研究中存在的空缺。第二章集中论述了21世纪美国艺术家传记电影的美学特征。首先,从纪实性美学的角度阐明艺术家传记电影,需要再现真实的历史和真实的人物。其次,从艺术化的表现方面表明,艺术家传记电影无论是在传主的选择、内容选取和视听艺术的处理上都要展现艺术性。最后,表明在现代的传记电影发展中,内化——心理化是传记电影的重要特点。第三章、第四章、第五章对21世纪美国艺术家传记电影,进行了具体的分析。从传主的选择、题材的选取、叙事策略和视听语言方面着手,将这一时期美国艺术家传记电影的创作规律、艺术特征进行了全面分析和深度挖掘。结语部分,通过总结这一时期美国艺术家传记电影的优点,反观中国传记电影、艺术家传记电影创作的困境和不足。期望本国的传记电影能提升艺术水平,发展的更好。
[Abstract]:Biographical film, as a film type of concern and attention, has been brilliant in history and has been developed by leaps and bounds in contemporary times. Especially under the realistic cultural background of western movies, the development of American biographies has made a breakthrough and a qualitative leap in recent years. As an important branch of the biographical film, the artist biographical film inherits the documentary nature of the biographical film and has the unique artistic charm at the same time. As a big country of biographical films, America has produced a great number of biographies since the 21st century. From 2000 to 2016, more than 80 biographies were filmed, more than 20 of which won international awards. Biographical films of American artists in one period presented rich forms of expression and artistic form. In the way of creation, the artist is remolded in the real background of the times and culture, not on the basis of false creation gimmicks, and on the basis of facts. At the same time, the creators of biographical films are more mature and diverse in their creative techniques when they present their ideals and beliefs, life stories and psychological world. This paper is divided into five parts to study the biographical films of American artists in the 21 ~ (st) century. The first chapter is introduction. First of all, it discusses the background and significance of the topic, mainly explains why the 21st century American artists biographical film is chosen as the object of study, secondly, it defines the concepts of "artist" and "biographical film", and explains why the biographical film of American artists in the 21st century is chosen as the research object. Finally, this paper briefly analyzes the main research directions and gaps in the study of biographical films. The second chapter focuses on the aesthetic characteristics of American artists' biographies in the 21 ~ (st) century. First of all, from the perspective of documentary aesthetics, the artist's biographical film needs to reproduce the real history and real characters. Secondly, from the aspect of artistic expression, the artists' biographies should show artistry in the selection of the master, the selection of the content and the treatment of the audio-visual art. Finally, it shows that internalization-psychology is an important feature of biographies in the development of modern biographies. Chapter three, chapter four and chapter five analyze the biographical films of American artists in the 21 ~ (st) century. Starting from the selection of the master, the selection of the subject matter, the narrative strategy and the audio-visual language, this paper makes a comprehensive analysis and in-depth exploration of the creation laws and artistic features of the American artists' biographies during this period. The conclusion part summarizes the advantages of American artists' biographies in this period, on the contrary, the difficulties and shortcomings of Chinese biographies and artists' biographies. We hope that the biographical films of our country can improve the artistic level and develop better.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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