押井守动画艺术研究
发布时间：2019-04-20 07:46
【摘要】：押井守是日本动画界一位不可多得的大师级动画导演,他的作品大多基调暗冷,画面写实,影片的主题多为对科技高速发展的质疑和对未来人类生存状态的焦虑。虽然他的作品偏重个人观念的表达,但是押井守依然是一位具有票房号召力的商业动画导演,他的影片影响力遍及全球,他在影片中采用的数字技术成为了电脑动画的应用典范。作为一名动画电影导演,押井守在电影理论界并没有得到足够的重视,也没有太多的研究者去对其本身及作品作出深入的探究,在国内,研究动画导演的案例主要还是集中在更加主流的日本导演宫崎骏身上,即使有些论著涉及到押井守也只是针对其具体的某部电影,某种技法的研究,因此本文希望能够通过从押井守的成长经历,创作历程,以及主要作品入手,对他的艺术风格、剧作特点、思想观念等进行全方位的整体性研究,努力对押井守的动画电影做出更加全面的解读。
[Abstract]:Matsui is a rare master animation director in the field of Japanese animation. Most of his works are dark and cold in tone and realistic in the picture. The theme of the film is mostly questioning the rapid development of science and technology and anxiety about the future state of human existence. Although his work focuses on the expression of personal ideas, he is still a commercial animation director with the appeal of the box office, and his films are influential all over the world. The digital technology he used in the film became an example of the application of computer animation. As an animated film director, Lioui has not received enough attention in the film theory field, and there are not many researchers to make in-depth research on its own and its works, in China. The case study of animation directors is mainly focused on the more mainstream Japanese director MiyazakiHayao, even if some of the works are related to the protection of a specific film, a certain kind of technical research. Therefore, this paper hopes to be able to carry out a comprehensive and holistic study of his artistic style, characteristics of drama, ideology and so on through his growth experience, creative process, and main works. Try to make a more comprehensive interpretation of the animation film.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954
本文编号：2461421
[Abstract]:Matsui is a rare master animation director in the field of Japanese animation. Most of his works are dark and cold in tone and realistic in the picture. The theme of the film is mostly questioning the rapid development of science and technology and anxiety about the future state of human existence. Although his work focuses on the expression of personal ideas, he is still a commercial animation director with the appeal of the box office, and his films are influential all over the world. The digital technology he used in the film became an example of the application of computer animation. As an animated film director, Lioui has not received enough attention in the film theory field, and there are not many researchers to make in-depth research on its own and its works, in China. The case study of animation directors is mainly focused on the more mainstream Japanese director MiyazakiHayao, even if some of the works are related to the protection of a specific film, a certain kind of technical research. Therefore, this paper hopes to be able to carry out a comprehensive and holistic study of his artistic style, characteristics of drama, ideology and so on through his growth experience, creative process, and main works. Try to make a more comprehensive interpretation of the animation film.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954
【参考文献】
相关期刊论文 前2条
1 熊涛;;寻找梦幻岛 日本动画电影的文化特质研究[J];北京电影学院学报;2006年05期
2 刘琼;浮世绘:虚浮世界的艺术[J];世界文化;2005年09期
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