中国微电影文本研究

发布时间：2019-04-24 07:58

【摘要】：随着现代生活节奏的加快,人们更加倾向于碎片化的传播方式,微博、微小说的流行将人们带入了微时代,而视听并用的微电影也日益受到了人们的青睐。2010年是微电影元年,微电影的发展速度是人们始料未及的。基于网络平台的制作和播出,微电影为众多创作者提供了较低的创作门槛,制作的短周期、表达的随意性都使微电影的传播拥有广泛的受众群体。微电影是互联网时代传统电影的妥协,作为一种依托于新媒体传播平台产生的新电影艺术形式,微电影开创了一种新的影视叙事方式,其主题选择、人物塑造、画面语言、叙事方式等都有不同于传统电影的特殊之处。然而,纵观时下的微电影,虽然在当下的发展中有强劲的生命力,却不可避免地存在着文本上的缺陷,内容质量也难免良莠不齐。微电影如何在机遇和挑战并存的现实情境下实现更好的发展,这是我们不得不关注的问题。本文将对时下有代表性的中国微电影文本进行深入分析,主要分为五章论述。首先从微电影的发展背景、概念入手,第一章主要论述微电影的主题和题材,基于其受众需求和播放平台的特点,题材选择具有生活化、话题性的特点,主题则倾向于对感情、梦想、人性美的诠释。第二章则从人物的个性特征和人物的造型特点两个方面分析微电影的人物塑造。第三章从视听语言方面深入解剖微电影,首先分析其画面语言,基于自身的特点,倾向于选择特写和近景镜头；其次分析声音艺术,微电影中人物话语虽然简洁却善用音乐营造气氛、抒发感情。第四章分析微电影的叙事方式,对微电影规避宏大叙事、关注小情绪、叙事节奏紧凑等极具个性的独特文本特点进行探究。第五章旨在探究微电影发展泡沫所呈现出的内容碎片化、过度商业化、主题同质化和浅薄化等文本方面的缺陷,从而探讨如何提高微电影的艺术品格,促进微电影良性发展,为其今后文本创作和发展提出建议。
[Abstract]:With the acceleration of the pace of modern life, people are more inclined to the way of dissemination of fragmentation, Weibo, the popularity of micro-fiction has brought people into the micro-era, and the use of audio-visual micro-film is increasingly popular with people. 2010 is the first year of micro-film, The speed of development of micro-movies is unexpected. Based on the production and broadcast of network platform, micro-film provides a low threshold for many creators, the short period of production, and the arbitrariness of expression make the dissemination of micro-film have a wide audience. Micro-film is the compromise of traditional film in the Internet age. As a new film art form based on the new media communication platform, micro-film has created a new film and television narrative mode, its theme choice, character shaping, picture language, and so on. The narrative style is different from the traditional film. However, throughout the current micro-movies, although there is strong vitality in the development of the present, but inevitably there are defects in the text, the quality of the content is inevitably intermingled. It is a problem that we have to pay attention to how to achieve better development of micro-movies in the reality of both opportunities and challenges. This paper will make an in-depth analysis of the current representative Chinese micro-film text, mainly divided into five chapters. First of all, starting with the development background and concept of micro-film, the first chapter mainly discusses the theme and subject matter of micro-film, based on its audience needs and the characteristics of the broadcast platform, the theme selection has the characteristics of life and topic, while the theme tends to be emotional. Dream, the interpretation of the beauty of human nature. The second chapter analyzes the character shaping of the micro-film from two aspects: the personality characteristics and the modeling characteristics of the characters. The third chapter deeply dissects the micro-film from the aspect of audio-visual language. Firstly, it analyzes the picture language, and based on its own characteristics, tends to choose close-up and close-up lens. Second, the analysis of sound art, micro-film character talk although concise but good use of music to create an atmosphere, express feelings. The fourth chapter analyzes the narrative mode of micro-film, and probes into the unique text characteristics of micro-film, such as avoiding grand narration, paying attention to small emotion, compact narrative rhythm and so on. The fifth chapter aims to explore the defects in the content fragmentation, excessive commercialization, theme homogenization and shallow text presented by the bubble of micro-film development, so as to explore how to improve the artistic character of micro-film and promote the benign development of micro-film. Put forward suggestions for its future text creation and development.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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