金庸武侠电视剧的翻拍现象研究
发布时间：2019-04-27 07:24
【摘要】：武侠小说在中国有着悠久的历史,自春秋战国时期至21世纪的今天,武侠作品从未从我们的视野里消失过。中国人喜爱武侠,喜爱的是武侠中的尚武重义的侠客精神,喜欢的是武侠作品“在传奇里寻找普通人,在普通人里寻找传奇”的传奇叙事观。新中国建立后,中国的武侠进入了短暂的萧条期,随着金庸、古龙、梁羽生的作品出现,带给了武侠作品新的生机。这一时期的武侠作品,区别于传统武侠小说,因此,被称作“新武侠”小说。在这样的背景之下,20世纪70年代末开始,在港台兴起了一波金庸作品翻拍热,仅TVB(香港无线)就在20年间将金庸几乎全部的小说改编为电视剧搬上电视荧幕两遍之多。进入21世纪,金庸武侠电视剧的翻拍在中国大陆兴起,形成了新的风气。2013年底,部于正工作室出品的《新笑傲江湖》和一部由浙江华策出品的《新天龙八部》,又一次将金庸剧推上了舆论的风口浪尖。新的翻拍模式,新的翻拍理念,让受众看到了不同于以往的金庸武侠电视剧。在这一轮轮不断翻拍背后,体现的是社会文化从精英文化向大众文化过渡,随后草根文化崛起的特点,是消费主义和后现代主义的思潮影响着翻拍中的变化。而同时,也让我们能够看出,具有传播属性的电视剧,在商品和作品中权衡时,最终还是需要更多的关注商业价值。
[Abstract]:Chivalrous arts novels have a long history in China. From the Spring and Autumn period to the 21 ~ (th) century, the martial arts works have never disappeared from our field of view. Chinese people love martial arts, love the chivalrous spirit of martial arts, like the martial arts works "looking for ordinary people in legend, looking for legends in ordinary people" legendary narrative view. After the founding of the people's Republic of China, the martial arts of China entered a short period of depression, with the emergence of Jin Yong, Gu long, Liang Yuisheng's works, brought new vitality to the martial arts works. This period of martial arts works, different from the traditional martial arts novel, so it is called the New Warrior novel. Against this background, in the late 1970s, a wave of reproductions of Jin Yong's works began to rise in Hong Kong and Taiwan. In 20 years alone, TVB (Hong Kong Wireless) adapted almost all of Jin Yong's novels into TV dramas and put them on television twice. Into the 21st century, the remake of Jin Yong's martial arts TV series rose in mainland China, forming a new atmosphere. At the end of 2013, the New The Smiling銆丳roud Wanderer produced by the Ministry of Zhengzheng Studio and the New The Demi-Gods & Semi-Devils produced by Zhejiang Huatze, Once again, Jinyong's play was pushed to the top of public opinion. The new remake mode, the new remake concept, let the audience see different from the previous Jin Yong martial arts TV series. Behind the remake of the wheel is the transition of social culture from elite culture to popular culture, and the characteristic of the rise of grass-roots culture is that the trend of thought of consumerism and post-modernism influences the change of remake. At the same time, it also allows us to see that TV dramas with dissemination properties need to pay more attention to commercial value when weighing goods and works.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2466799
[Abstract]:Chivalrous arts novels have a long history in China. From the Spring and Autumn period to the 21 ~ (th) century, the martial arts works have never disappeared from our field of view. Chinese people love martial arts, love the chivalrous spirit of martial arts, like the martial arts works "looking for ordinary people in legend, looking for legends in ordinary people" legendary narrative view. After the founding of the people's Republic of China, the martial arts of China entered a short period of depression, with the emergence of Jin Yong, Gu long, Liang Yuisheng's works, brought new vitality to the martial arts works. This period of martial arts works, different from the traditional martial arts novel, so it is called the New Warrior novel. Against this background, in the late 1970s, a wave of reproductions of Jin Yong's works began to rise in Hong Kong and Taiwan. In 20 years alone, TVB (Hong Kong Wireless) adapted almost all of Jin Yong's novels into TV dramas and put them on television twice. Into the 21st century, the remake of Jin Yong's martial arts TV series rose in mainland China, forming a new atmosphere. At the end of 2013, the New The Smiling銆丳roud Wanderer produced by the Ministry of Zhengzheng Studio and the New The Demi-Gods & Semi-Devils produced by Zhejiang Huatze, Once again, Jinyong's play was pushed to the top of public opinion. The new remake mode, the new remake concept, let the audience see different from the previous Jin Yong martial arts TV series. Behind the remake of the wheel is the transition of social culture from elite culture to popular culture, and the characteristic of the rise of grass-roots culture is that the trend of thought of consumerism and post-modernism influences the change of remake. At the same time, it also allows us to see that TV dramas with dissemination properties need to pay more attention to commercial value when weighing goods and works.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
【参考文献】
相关期刊论文 前2条
1 陈钢;精英文化的衰落与大众文化的兴起[J];南京师大学报(社会科学版);2001年04期
2 孙长军;后现代主义与大众文化[J];信阳师范学院学报(哲学社会科学版);2003年06期
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