中国（广州）国际纪录片节终评影片题材类型及评价体系研究

发布时间：2019-05-24 19:14

【摘要】：自2010年国家新闻出版广电总局颁发《关于促进纪录片产业发展的若干意见》以来,我国纪录片产业发展迅速,在影片的数量、质量以及制播主体等方面皆有不小的进步。但由于历史原因,中国纪录片长期以来受西方主流纪录片评价标准的影响,在一定时期内,这些标准为我国纪录片行业的发展和进步提供了借鉴的土壤和平台。我们也应该清晰的认识到,纪录片所包含着天然的文化性和民族性,使得完全依照西方主流纪录片评价标准来评价国产纪录片,无异于“削足适履”。中国(广州)国际纪录片节是国内唯一具备纪录片投融资、交易功能的国家级专业纪录片节展,也在近几年成长为亚洲地区规模最大的专业纪录片节展,在节展评优过程中体现的中国式的纪录片价值评价体系正在形成,这种评价体系的核心就体现在纪录片的题材上面。基于对近三年里(2014-2016年)中国(广州)国际纪录片节终评入围影片的题材进行归类、分析和研究,理清现阶段国内外优秀纪录片题材选择的类型和特点。根据影片评审的结果导向,总结出节展的评优环节中具有中国特色的题材价值评价标准:主流价值观的多元化表达、普遍性与民族性的统一、人文精神的故事化体现。最后从各级电视台、民营文化公司以及独立制片人等纪录片制作机构的视角出发针对中国纪录片题材发展提出以下建议:纪录片的美学属性和主流价值观的传播并不矛盾,增强纪录片题材的多样化和国际传播力需要国家层面的大力扶持和引导;加强国际视角,积极参与国际合作的同时需要注意民族文化和人文内涵才是国产纪录片的核心价值,社会力量需要以创新和开放来开拓市场,发掘潜能。
[Abstract]:Since the State Administration of Press, publication, Radio, Film and Television issued some opinions on promoting the Development of documentary Industry in 2010, the documentary industry in China has developed rapidly, and has made great progress in the quantity, quality and main body of film production and broadcasting. However, due to historical reasons, Chinese documentaries have been influenced by the evaluation standards of mainstream documentaries in the West for a long time. In a certain period of time, these standards provide a reference soil and platform for the development and progress of China's documentary industry. We should also clearly realize that documentaries contain natural culture and nationality, so that the evaluation of domestic documentaries according to the evaluation criteria of mainstream documentaries in the West is tantamount to "cutting their feet". China (Guangzhou) International documentary Festival is the only national professional documentary festival with documentary investment and financing and trading function in China, and has also grown into the largest professional documentary festival in Asia in recent years. The value evaluation system of Chinese documentary, which is embodied in the process of festival evaluation, is taking shape, and the core of this evaluation system is reflected in the subject matter of documentary. Based on the classification, analysis and research of the subjects of the finalists of China (Guangzhou) International documentary Festival in the past three years (2014-2016), this paper clarifies the types and characteristics of the choice of outstanding documentary themes at home and abroad at the present stage. According to the result guidance of film evaluation, this paper summarizes the evaluation criteria of theme value with Chinese characteristics in the evaluation link of festival exhibition: the pluralistic expression of mainstream values, the unity of universality and nationality, and the storytelling embodiment of humanistic spirit. Finally, from the perspective of TV stations at all levels, private cultural companies and independent producers, this paper puts forward the following suggestions for the development of documentary themes in China: the aesthetic attributes of documentaries and the dissemination of mainstream values are not contradictory. Strengthening the diversification of documentary themes and international communication requires strong support and guidance at the national level. Strengthening the international perspective and actively participating in international cooperation at the same time, we should pay attention to the national culture and humanistic connotation is the core value of domestic documentaries, social forces need to innovate and open up the market and explore their potential.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J952

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