“十七年”电影中社会记忆的建构与民族国家认同
发布时间：2019-08-02 10:00
【摘要】：新中国成立之初,经历了战争洗礼的中国社会到处都是断壁残垣,百废待兴。新生政权对社会记忆的构建在很大程度上是结合了当时社会的政治语境,遵循着政府的政策导向,这也影响着新中国"十七年"电影的创作。对于这个时期的电影艺术工作者而言,任何对过去社会记忆的生成和改写都是为了确立新的国家意识形态、保障政治权威的有力手段,从而达到广大民众对民族国家认同的目的。
[Abstract]:At the beginning of the founding of the people's Republic of China, the Chinese society, which had experienced the baptism of the war, was littered with ruins. To a large extent, the construction of the social memory of the new regime combines the political context of the society at that time and follows the policy orientation of the government, which also affects the creation of the films of the "Seventeen years" in New China. For the film artists in this period, any generation and rewriting of the social memory of the past is a powerful means to establish a new national ideology and guarantee political authority, so as to achieve the purpose of the majority of the people's identity with the nation-state.
【作者单位】： 武汉大学艺术学院;
【基金】：国家社会科学基金项目“文学视域下的知青影视研究”(13BZW156)
【分类号】：J909.2
本文编号：2522041
[Abstract]:At the beginning of the founding of the people's Republic of China, the Chinese society, which had experienced the baptism of the war, was littered with ruins. To a large extent, the construction of the social memory of the new regime combines the political context of the society at that time and follows the policy orientation of the government, which also affects the creation of the films of the "Seventeen years" in New China. For the film artists in this period, any generation and rewriting of the social memory of the past is a powerful means to establish a new national ideology and guarantee political authority, so as to achieve the purpose of the majority of the people's identity with the nation-state.
【作者单位】： 武汉大学艺术学院;
【基金】：国家社会科学基金项目“文学视域下的知青影视研究”(13BZW156)
【分类号】：J909.2
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