消费谋杀：电影《芝加哥》中的快乐
发布时间：2023-04-22 13:34
作为好莱坞的一种经典类型电影,歌舞片一直深受大众欢迎,尤其是电影《芝加哥》更是在当年夺得了奥斯卡的最佳影片。作为一部歌舞片获得这样的奖项其实并不多见,电影背后深刻的讽刺意味更是令人深省。然而目前整体对于它的研究却并不是很多。本文将从弗洛伊德的心理分析中的本我,自我和超我出发,结合现在的消费社会背景分析快乐在电影中的发展。在消费社会中,物质生活的丰裕让人们有了更多的选择,人们也不再仅仅满足于基本的物质需求而是有了更多不必须的欲望。如同鲍德里亚所说,在消费社会人们消费的不再是物品而是符号,是符号背后的意义。人们开始从符号中获取快乐,甚至快乐本身也变成了可消费的商品。同时,由于信息和媒介的可消费性,人们的生活也发生了翻天覆地的变化。媒体为了提供能吸引人的信息并不会在意报道的真实性和社会道德,人们的生活也因此开始被媒体操控。在电影《芝加哥》中,这种消费社会的作用更是夸大到人们消费谋杀,消费谋杀者。人们完全被本我的欢乐所支配。因此本文旨在探究以下3个问题,第一个问题:欢乐原则是什么以及人们的欢乐在消费社会中是如何发展的;第二个问题是关于电影《芝加哥》中的欢乐是如何变成商品被消费的?最后一个问题是...
【文章页数】：61 页
【学位级别】：硕士
【文章目录】：
ACKNOWLEDGEMENTS
ABSTRACT
摘要
CHAPTER ONE INTRODUCTION
1.1 Introduction of the Movie Chicago
1.2 A Literature Review
1.3 Theoretical Framework
1.4 Significance of the Research and Research Questions
1.5 Analysis Procedures
CHAPTER TWO CONTXTUALIZING PLEASURE IN CHICAGO
2.1 Contextualizing the Psychology for Pleasure: Id and Ego and Superego
2.1.1 Id, Ego and Superego
2.1.2 Relationship between Id and Ego and Superego
2.2 Contextualizing the Environment in Movie Chicago
2.2.1 Jazz Age
2.2.2 Consumer Society
CHAPTER THREE EXPERIENCING PLEASURE IN MOVIE CHICAGO
3.1 Original Pleasure of Human
3.1.1 Vent Anger by Murdering
3.1.2 Indifferent to Death
3.2 Development of Pleasure in Consumer Society
3.2.1 Pursuit of Material Satisfaction
3.2.2 Pursuit of Fame
3.3 Commodifying Pleasure
3.3.1 Purchasing Pleasure
3.3.2 Consuming murderers
CHAPTER FOUR LEGALISED PLEASURE IN TEH MOVIE CHICAGO
4.1 Legalized Pleasure through Media
4.1.1 Distorting Truth
4.1.2 Dazzling the Judges
4.2 Exempt from Murdering
4.3 Reflections on Modern Society
CHAPTER FIVE CONCLUSION
WORKS CITED
本文编号：3797741
【文章页数】：61 页
【学位级别】：硕士
【文章目录】：
ACKNOWLEDGEMENTS
ABSTRACT
摘要
CHAPTER ONE INTRODUCTION
1.1 Introduction of the Movie Chicago
1.2 A Literature Review
1.3 Theoretical Framework
1.4 Significance of the Research and Research Questions
1.5 Analysis Procedures
CHAPTER TWO CONTXTUALIZING PLEASURE IN CHICAGO
2.1 Contextualizing the Psychology for Pleasure: Id and Ego and Superego
2.1.1 Id, Ego and Superego
2.1.2 Relationship between Id and Ego and Superego
2.2 Contextualizing the Environment in Movie Chicago
2.2.1 Jazz Age
2.2.2 Consumer Society
CHAPTER THREE EXPERIENCING PLEASURE IN MOVIE CHICAGO
3.1 Original Pleasure of Human
3.1.1 Vent Anger by Murdering
3.1.2 Indifferent to Death
3.2 Development of Pleasure in Consumer Society
3.2.1 Pursuit of Material Satisfaction
3.2.2 Pursuit of Fame
3.3 Commodifying Pleasure
3.3.1 Purchasing Pleasure
3.3.2 Consuming murderers
CHAPTER FOUR LEGALISED PLEASURE IN TEH MOVIE CHICAGO
4.1 Legalized Pleasure through Media
4.1.1 Distorting Truth
4.1.2 Dazzling the Judges
4.2 Exempt from Murdering
4.3 Reflections on Modern Society
CHAPTER FIVE CONCLUSION
WORKS CITED
本文编号：3797741
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