从后殖民主义理论视角看中国动漫民族形象之塑造

发布时间：2018-02-07 11:48

本文关键词： 后殖民主义理论中国动漫民族形象　出处：《学术交流》2013年10期 　论文类型：期刊论文

【摘要】：后殖民主义理论揭示了西方殖民主义国家依托经济、文化手段对东方前殖民地国家进行带有殖民色彩的建构与渗透,为文艺批评提供了新的视角。后殖民主义意识主体化自身、客体化对方的二元论思想,在美、日、中三国的动漫作品之间产生了复杂的关系。文化生产和传播占据优势的国家,往往试图透过动漫角色彰显自身形象,在一定程度上巩固了对其他民族文化形象的压抑或贬低。中国动漫为完成重塑、推广带有主体精神与文化特色的民族形象的任务,更好地展现中华民族的文化自觉和文化自信,就必须深刻认识国外动漫作品人物、故事背后的后殖民主义因素;同时,吸收其对于本民族文化形象塑造的成功经验,警惕那些形形色色贬低中华民族、带有意识形态偏见的文化渗透,从而指导自身的创作实践,创造出符合民族文化与精神的动漫形象。
[Abstract]:The theory of post colonialism reveals that the western colonial countries construct and infiltrate the former colonial countries of the East with the help of economic and cultural means, which provides a new angle of view for literary criticism. The dualism of objectifying each other has created a complex relationship among the anime works of the United States, Japan and China. Countries with dominant cultural production and dissemination often try to show their image through the characters of anime. To a certain extent, it has consolidated the repression or belittling of the cultural image of other nationalities. In order to complete the task of remolding and popularizing the national image with the main spirit and cultural characteristics, Chinese animation can better show the cultural consciousness and cultural self-confidence of the Chinese nation. We must have a deep understanding of the post-colonial factors behind the characters and stories of foreign anime works; at the same time, we must absorb their successful experience in shaping the cultural image of our nation, and be alert to those who degrade the Chinese nation in all kinds of ways. Cultural infiltration with ideological bias, thus guiding their own creative practice, creating a cartoon image in line with national culture and spirit.
【作者单位】：中国传媒大学动画与艺术学院;南京艺术学院传媒学院;
【基金】：南京艺术学院课题资助项目“泛动画背景下的新媒体独立动画研究”
【分类号】：J954

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