宫崎骏动画电影中的生态意识

发布时间：2018-03-17 09:57

本文选题：环保主义　切入点：生态意识　出处：《重庆师范大学》2010年硕士论文　论文类型：学位论文

【摘要】： 随着人类文明进入二十一世纪的第一个十年,生态问题早已成为全球炙手可热的话题之一。人类与自然的关系正逐渐变得紧张,人已尝到了自然报复的恶果。在新的世纪,人们在发展经济的同时开始关注环保、生态平衡,于是出现了“低碳”这个名词。人类应如何维持生态平衡、如何保持与自然的良性循环,在日本动画大师宫崎骏的作品中,也许可以得到一点启示。宫崎骏在他的动画电影中注入了深厚的人文关怀,尤其是他的生态意识和环保主义,给他的动画作品打上了鲜明的宫崎印记。其作品意蕴深远、引人深思。在美国迪斯尼动画大片兴起并迅速抢占电影市场的今天,宫崎骏的动画独树一帜,如一股清流缓缓浸润着人们的灵魂。通过研究宫崎骏的作品,可以感受到他对艺术执着地追求。他的良知与坚守使他的动画电影在众多日美动画电影中脱颖而出,并在全球获得赞誉无数。优秀的作品是经得起时间考验的,宫崎骏从上世纪八十年代投身动画开始,其作品到现在都被广大动画迷和专家奉为经典。本文正是在这样一个大背景下,从宫崎骏动画电影的生态意识切入,研究宫崎骏本人的生态观,以及其生态观在作品中的体现。本文首先综述宫崎骏动画电影的基本思想,主要归类为强烈的人文关怀、反战情绪,以及对人类自身生存状态的思考,为第二章的研究做铺垫。第二章紧接第一章的问题,深入探讨宫崎骏对人与自然关系的困惑与反思。宫崎骏电影的魔幻色彩、清新自然的美学风格、悲天悯人的感伤情怀,构成了宫崎氏电影的独特美学魅力;作品中的生态美学思想是使其电影独具魅力的重要因素。但做出美好作品的宫崎骏本人却是一个矛盾者。他热爱、敬畏自然,对人类社会充满失望,他希望杂草能接管世界的愿望表明他是一位自然中心主义者。但现实的压力,商业化的运作模式,却让他不得不选择折衷的方式,给自己的作品画上完满的句号。因此宫崎骏又是一位折衷的悲观主义者。他的矛盾与挣扎、忧思与执着,构建了一个富有深意且意蕴悠长的宫崎世界。最后一章着重讨论宫崎骏动画电影对中国动画电影的发展有何新的启示。中国动画电影起步不晚,曾经辉煌,但现状堪忧。本章从内容和艺术两方面以中国动画现状对比宫崎骏的动画,联系传统来谈如何吸取他的启示,将中国动画再次推向辉煌。
[Abstract]:As human civilization enters the first decade of 21th century, ecological problems have long become one of the hottest topics in the world. The relationship between human beings and nature has become increasingly tense, and people have experienced the consequences of natural revenge. In the new century, People began to pay attention to environmental protection and ecological balance while developing economy, so the term "low carbon" appeared. How to maintain ecological balance, how to keep a virtuous circle with nature, in the works of Japanese animation master MiyazakiHayao. It may be a bit of a revelation. MiyazakiHayao has injected deep humanistic concern into his animated films, especially his ecological consciousness and environmentalism, which has marked his animation works with distinct Miyazaki imprint. His works have profound implications. Thought-provoking. In the United States Disney animation blockbuster rise and quickly seize the film market today, MiyazakiHayao's animation is unique, such as a clear stream slowly infiltrating the soul of people. Through the study of MiyazakiHayao's works, one can feel his persistent pursuit of art. His conscience and persistence have made his animated films stand out among many Japanese-American animated films. And has won countless accolades around the world. Excellent works stand the test of time, and MiyazakiHayao has been involved in animation since -20s. His works have been regarded as classics by the majority of animation fans and experts. It is against this background that this paper studies MiyazakiHayao's own ecological outlook from the ecological consciousness of MiyazakiHayao's animated films. This paper first summarizes the basic ideas of MiyazakiHayao's animated films, which are mainly classified as strong humanistic concern, anti-war sentiment, and thinking about the living state of human beings themselves. The second chapter is about the problems in the first chapter, and discusses MiyazakiHayao's perplexity and reflection on the relationship between man and nature. The magical color of MiyazakiHayao's film, the fresh and natural aesthetic style, the sentimental feelings of the human being. The unique aesthetic charm of Miyazaki's films; the ecological aesthetics in his works is an important factor to make his films unique. But MiyazakiHayao himself, who makes beautiful works, is a contradiction. He loves and fears nature. Disappointed in human society, he wanted weeds to take over the world, showing him to be a natural-centrism. But the pressure of reality, the commercial way of working, forced him to choose a compromise. Therefore, MiyazakiHayao is a tradeoff pessimist. His contradictions and struggles, worries and persistence, build a profound and meaningful Miyazaki world. The last chapter focuses on what new enlightenment MiyazakiHayao animated films have on the development of Chinese animated films. But the present situation is worrying. This chapter compares MiyazakiHayao's animation with the current situation of Chinese animation from two aspects of content and art, discusses how to absorb his inspiration from tradition, and pushes Chinese animation to glory again.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J954

【引证文献】