美国动画电影本文特征研究

发布时间：2018-03-24 02:03

本文选题：迪斯尼　切入点：动画　出处：《曲阜师范大学》2009年硕士论文

【摘要】： 进入21世纪,在文化全球化的语境中,美国动画电影凭借先进的技术、创新的理念和成熟的产业化制作享誉全球,动画电影已经成为美国举足轻重的类型片,动漫产业已经成为美国重要的支柱产业。而中国动画电影在创造昔日的辉煌后却陷入沉寂,与美国动画产业相比较,中国动画产业在各方面都存在着有目共睹的差距,而最根本的是在动画创作的理念上,因此本论文从借鉴学习的角度选取40余部美国经典动画影片,通过本文分析的方法对其进行详细解读,同时分析了“中国学派”动画电影的魅力所在,通过对90年代后中美动画电影本文特征对比来探讨中国动画电影的差距,以期能够对中国动画电影的制作带来一点启迪,能为中国动画电影的理论体系增砖添瓦。本论文运用传播学、影视心理学、影视美学和语言学的相关理论,采用案例分析法和比较分析法对选取的美国动画影片进行本文分析。论文第一章从文化转换、美国精神的体现、观众定位、童话情结以及情感招牌的角度对美国动画电影的题材进行探讨;第二章从动画人物的性格、双人及多人搭档、动画人物造型等方面对动画人物的特征进行详细解读;第三章从绘画风格、CG技术、场景、色彩、动画音乐、动画配音、人物语言等特征进行分析;第四章从戏剧化结构、蒙太奇剪辑及叙事角度来分析美国动画电影的叙事方式特征;第五章首先陈述了中国动画电影的发展史,然后对“中国学派”动画电影的民族化特征进行详细解读,最后对90年代后中美动画电影本文特征进行对比,深入探讨中国动画电影在创作理念上存在的差距。通过对美国动画电影的本文分析得出,美国动画电影的成功在于准确地把握了电影观众的期待心理,即定向期待和创新期待。美国动画电影中纯真的友情,真挚的爱情,浓浓的亲情,善必胜恶的真理,大团圆的结局,煽情的故事情节,快乐的生活理念,无处不在的童心以及人文关怀使现实中人们无法实现的理想愿望通过银幕上的梦幻世界得以实现,使观众的定向期待得到满足;而大胆的创意,精湛的CG技术,时尚亮丽的服装、美轮美奂、壮观的场景,可爱逗趣的人物造型以及丰富多变的镜头语言使观众耳目一新,极大地满足了观众的视觉快感和创新期待。因此,中国动画电影要重振昔日辉煌,除了要深入挖掘中华民族丰富的文化资源外,还必须深谙观众心理,与时代同行,只有这样我们才能走出低谷再创辉煌。
[Abstract]:In the 21st century, in the context of cultural globalization, American animation film has become a pivotal type of film in the United States because of its advanced technology, innovative ideas and mature industrial production. Animation industry has become an important pillar industry in the United States. But the Chinese animation industry has fallen into silence after creating the former glory. Compared with the American animation industry, the Chinese animation industry has a visible gap in all aspects. And the most fundamental is in the concept of animation creation, so this paper selects more than 40 American classic animation films from the perspective of learning, through this analysis of the method of detailed interpretation, At the same time, this paper analyzes the charm of the "Chinese School" animation film, and discusses the gap between the Chinese and American animation films by comparing the characteristics of this article after the 1990s, in order to bring some enlightenment to the production of the Chinese animation film. It can add bricks and tiles to the theoretical system of Chinese animated films. This paper uses the theories of communication, film and television psychology, film aesthetics and linguistics to analyze the selected American animated films by case analysis and comparative analysis. The embodiment of American spirit, audience orientation, fairy tale complex and emotional signboard to explore the theme of American animated films. Chapter two from the character of animated characters, double and multi-person partner, The third chapter analyzes the characteristics of animation characters from the aspects of painting style CG technology, scene, color, animation music, animation dubbing, character language and so on. The fifth chapter states the history of the development of Chinese animation film, and then explains the nationalization characteristics of the "Chinese school" animation film in detail. Finally, this paper compares the characteristics of Chinese and American animation films after 1990's, and probes into the gap in the creative concept of Chinese animation films. Through the analysis of the American animation film, it is concluded that the success of the American animation film lies in accurately grasping the expectation psychology of the movie audience, that is, the directed expectation and the innovation expectation. The thick affection, the truth that the good will prevail the evil, the happy ending, the emotional story plot, the happy life idea, The omnipresent childlike heart and the humanity concern enable the reality people to realize the ideal desire which cannot be realized through the screen dream world, causes the audience's directed expectation to be satisfied; but the bold creativity, the consummate CG technology, Stylish clothes, beautiful, spectacular scenes, lovely and funny characters and rich and varied lens language make the audience fresh and fresh, and greatly meet the audience's visual pleasure and innovative expectations. In order to revive the former glory, the Chinese animation film must not only dig into the rich cultural resources of the Chinese nation, but also deeply understand the audience psychology and walk with the times. Only in this way can we get out of the trough and create the glory again.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J905

【引证文献】