现代漫画语言分析研究

发布时间：2018-04-20 17:51

本文选题：现代漫画语言 + 传统漫画　；参考：《西安工程大学》2013年硕士论文

【摘要】：上世纪四十年代，漫画家手冢治虫在《新宝岛》中将电影手法引入漫画，创造了一种全新的漫画形式，现如今大量漫画作品里不同景别、角度、机位的镜头感不可否认的来自于《新宝岛》的革新。在不断的发展和完善中逐渐形成了一种具有全新漫画语言的现代漫画。现代漫画语言融合了电影语言并配合分镜开创了页内分格的形式，镜头语言、蒙太奇技巧和分格的排版，对叙事技巧、人物刻画进行了更深刻的挖掘和表达。现代漫画已经开始影响当代人特别是青少年的审美意识和审美趣味，这种影响是通过现代漫画阅读潜移默化的。尤其是在当今的漫画大国日本，现代漫画作为一个重要的文化产业，几乎和文学、影视等处在同等重要地位，无论在商业性上还是在意识形态上都有不容忽视的重要作用。现代漫画作为一个较为完善的表现形式，其自身必然有特殊的语言规律和符号规律。如何分析其语言形式，应当成为当前现代漫画发展的一个理论重点。因此，笔者着眼于当前现代漫画在动漫产业中所处的弱势地位，从漫画的起源入手，进一步区分传统漫画与现代漫画以及传承关系，并通过讲解的方式，结合文献资料和漫画作品分析现代漫画语言的构成元素和表现形式，试图解释“什么是现代漫画”“其表现形式究竟如何”“现代漫画的语言和符号规律”等最基本问题，进一步剖析了现代漫画的文学性、艺术性以及审美趣味。为漫画研究提供除产业研究外的另一视角，，希望为现代漫画的视觉实现提供理论依据和创作指导，也期望对中国当前的动漫产业的完善有所进益。
[Abstract]:In the 1940s, cartoonist Osamu Tezuka introduced film techniques into comics, creating a completely new form of comics. Nowadays, a large number of comic works are based on different scenes and angles. The camera sense of the seat undeniably comes from the innovation of the New Treasure Island. In the process of continuous development and perfection, a new language of comics has been gradually formed. Modern comic language combines film language and creates the form of in-page space, lens language, montage technique and typography, and makes a more profound excavation and expression of narrative techniques and characterization. Modern comics have begun to affect the aesthetic consciousness and aesthetic taste of contemporary people, especially teenagers, and this influence is imperceptible through the reading of modern comic books. Especially in Japan, the modern comics, as an important cultural industry, is almost as important as literature, film and television, and plays an important role in both commercial and ideological aspects. Modern comic as a relatively perfect form of expression, its own must have a special law of language and symbol law. How to analyze its language form should be a theoretical focus in the development of modern comics. Therefore, the author focuses on the weak position of modern comics in the animation industry, starting with the origin of comics, and further differentiating the relationship between traditional and modern comics and inheritance, and through the way of explanation. Based on the literature and comics works, this paper analyzes the elements and forms of modern comic language, and tries to explain the most basic problems, such as "what is modern comics" and "how to express them" and "the laws of language and symbol of modern comics". It further analyzes the literariness, artistry and aesthetic taste of modern comics. This paper provides another perspective for comics research in addition to industrial research, hoping to provide theoretical basis and creative guidance for the visual realization of modern comics, and also expects to improve the current animation industry in China.
【学位授予单位】：西安工程大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.2

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