关于小林善纪《战争论》的批判研究

发布时间：2018-05-30 05:34

本文选题：小林善纪 + 《战争论》　；参考：《天津理工大学》2011年硕士论文

【摘要】：小林善纪,日本当代著名漫画家和社会思想家,1953年出生于福冈县大野城市。1976年,小林善纪获得第11届手XZ奖和第4届赤XZ奖。小林借此出道,其后在《周刊少年jump》上连载了《东大一直线》和《东大快进击》等作品。1986年,他在《月刊corocoro Comic》上连载的《天才少爷茶魔》大受欢迎。1989年,《天才少爷茶魔》获得第34届小学馆漫画奖。1992年,小林开始连载以实事为题材的政治漫画《傲慢主义宣言》。1996年,他以理事的待遇进入“新历史教科书制作委员会”,2002年又退出该会。随后,小林创办了《我主义》杂志。此外,小林还担任“大东亚青年塾”的名誉塾长。自此之后,小林的作品思想倾向出现明显变化,他顽固坚持篡改历史的主张,并斥责“自虐史观”。《新·傲慢主义宣言Special战争论》(简称《战争论》),是小林善纪的一部漫画作品集。从1995年9月开始,该《战争论》(特别册)在杂志《Sapio》(小学馆)上连载。这套漫画由3卷本所构成,它超越了各个年龄阶层,在社会上引起了强烈的反响和争论,成为畅销书。小林通过漫画作品,向读者传达感官的冲击和具有“说服力”的观点。他鼓吹与大多数人相反的历史观,污蔑当代的日本历史教育是“自虐行为”。小林的《战争论》是一部美化日本对外侵略战争的漫画作品,在日本右翼艺术家的作品中极具典型性和代表性。日本战败后,右翼分子一直在美化“大东亚战争”,并伺机而动。随着时间的推移,当代人对战争的印象越来越模糊,这种美化侵略战争的形势愈演愈烈。小林善纪是日本当代右翼的代表人物,他利用动漫这种新式媒体,竭力宣扬日本军国主义思想。与其它文学艺术形式相比,动漫能够给读者更直观的冲击力和感染力。比起其它文学艺术形式,动漫迷的范围也更为宽广,不了解历史的青少年很容易被其所误导。当那段悲剧历史的见证人都逝去后,这些年轻人们正活跃于日本社会的各个领域和阶层。到了那个时候,否定历史或鼓吹侵略有理论的右翼思想就会蔓延开来,而且很有可能形成一股邪恶的风气,并逐步取代民主主义思想,成为日本社会的主流思想。因此,我们必须要向当代人乃至后世揭示历史的真相并批判谬误的思想观点。我认为,这项工作是十分必要的。本论文主要由以下几个部分构成:“简介作者和《战争论》”、“对《战争论》论据的批判”、“对《战争论》论点的批判”以及“对篡改历史主义思想的批判”、等等。笔者在先行研究的基础上,深入研究小林善纪《战争论》,具体分析批判其中错误的历史认识。梳理日本右翼篡改历史主义思潮形成的过程,最后强调指出这种思潮对社会尤其是青少年的危害性,并预测其发展变化的趋势。
[Abstract]:Kobayashi, a famous contemporary cartoonist and social thinker in Japan, was born in Ono City, Fukuoka Prefecture in 1953. In 1976, Kobayashi won the 11th hand XZ Award and the 4th Red XZ Award. Kobayashi took this opportunity to make his debut, and later serialized the first straight Line of Dongda and the Fast forward strike of Dongda in jump, a weekly juvenile. In 1986, In 1989, he won the 34th Primary School Cartoon Award. In 1992, Kobayashi began to serialize the political comic book "Pride Manifesto" on the subject matter. In 1996, Kobayashi began to serialize the political comic book "the Declaration of Pride". He became a member of the New History textbook production Committee, and withdrew in 2002. Later, Kobayashi founded the "ego" magazine. In addition, Kobayashi also served as the honorary head of the Great East Asian Youth School. Since then, Kobayashi's ideological tendency has changed obviously, he stubbornly insists on the idea of tampering with history and denounces "the historical view of self-abuse". The Declaration of Neo-Pride, Special War, is a collection of Kobayashi's comic books. Since September 1995, the War Theory (special volume) has been serialized in the magazine "Sapio" (Elementary School Pavilion). The 3-volume series, which transcends all ages and has generated strong social repercussions and controversy, has become a bestseller. Through comics, Kobayashi conveys sensory impact and persuasive views to readers. He preached a view of history contrary to that of the majority, vilifying contemporary Japanese history education as "self-abuse." Kobayashi's "War Theory" is a cartoon work which beautifies Japan's war of aggression against foreign countries. It is typical and representative in the works of Japanese right-wing artists. After Japan's defeat, the right-wing has been glorifying the Great East Asia War and waiting for it. As time went on, the impression of war became more and more blurred, and the situation of beautifying the war of aggression intensified. Kobayashi is a representative of Japan's contemporary right-wing, he uses animation as a new media, trying to promote Japanese militarism. Compared with other forms of literature and art, animation can give readers a more intuitive impact and appeal. Compared with other forms of literature and art, the scope of fanatics is wider, and young people who do not understand history are easily misled by it. When witnesses of that tragic history passed away, these young people were active in all spheres and classes of Japanese society. At that time, the right-wing ideology that negates history or preaches the theory of aggression will spread, and it is very likely that an evil atmosphere will form and gradually replace the democratic ideology and become the mainstream of Japanese society. Therefore, we must reveal the historical truth to present and later generations and criticize fallacious ideas. I think this work is very necessary. This thesis is composed of the following parts: "brief introduction to the author and" War Theory "," critique of the argument "," criticism of the argument "and" criticism of tampering with the idea of historicism ", and so on. On the basis of the first research, the author deeply studies Kobayashi's "War Theory", and analyzes and criticizes the wrong historical understanding. This paper combs the process of Japanese right-wing tampering with the trend of historicism, and points out the harmfulness of this trend of thought to the society, especially to the teenagers, and predicts the trend of its development and change.
【学位授予单位】：天津理工大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：I313

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