90年代上海想象：中产阶级文化想象与书写
发布时间：2018-11-04 18:51
【摘要】：20世纪80年代以来,中国社会市场经济迅速发展,城市化进程突飞猛进,这一变化为城市文学书写与研究奠定了基础。一大批上海文学作品与电影图像、广告媒体、文化产业等一起建构90年代上海想象,形成一种90年代中产阶级的文化想象与书写风潮。本论文以“90年代上海想象”为主要研究对象,以文化政治学的立场着重分析和探究90年代上海想象的特性,探究中产阶级的文化想象与书写。论文绪论部分阐述论题的选题意义、研究现状以及本论文的研究创新点。正文部分将分三章论述： 第一章论述文化语境与中产阶级文化想象及其关系。90年代城市化进程日益加剧,市场主义意识形态取代国家权威政治意识形态,消费主义文化兴盛促使新富人阶层诞生。一大批上海文学作品与电影、绘画、音乐等视觉艺术一起阐释中产阶级文化想象。90年代中产阶级不再是一个单纯的概念,而是一个具有社会认同感的阶级,阶级群体在小说、报刊等媒介作用下形成一个政治文化想象共同体。消费主义文化的兴盛促使90年代中产阶级更加追求时尚消费、品牌消费,在这种对物质的过分追求中却逐渐迷失了个性,不得不选择妥协忍让的守成姿态。90年代上海想象与自20年代以来的上海想象有了新的表述与突破,书写者们更加倾心于中产阶级的文化想象与书写。 第二章阐述90年代上海想象的呈现方式,探寻中产阶级的文化认同。阶级的形成与社会和文化认同方面的性别、种族等范畴密切相关。论文将从中产阶级社会性别想象、城市想象和生活想象三个维度建构90年代上海想象,寻求中产阶级文化的社会认同感。 第三章探讨90年代上海想象的中产阶级文化想象方式。以90年代上海文学作品为例,用怀旧方式,以辉煌的历史证明其文化渊源；用回避方式,抹去血腥的、残酷的上海形象,为中产阶级营造一个精致、优雅的上海；用“他者”建构方式,在西方发达国家为代表的中产阶级文化中建构一种“他者”眼中的中国的中产阶级文化想象。 结语部分阐释中产阶级合法性叙事与文化价值诉求。90年代上海想象符合中产阶级审美趣味,追寻中产阶级历史意识,为中产阶级合法性叙事和表达自身的文化价值诉求提供了载体。缓解了群体的集体身份认同焦虑,引起了其他社会阶层对中产阶级生活方式及其文化的关注和思考,揭示了现代社会背后所隐藏的深层次的文化矛盾。
[Abstract]:Since the 1980s, China's social market economy has developed rapidly and the process of urbanization has advanced by leaps and bounds. This change has laid a foundation for the writing and research of urban literature. A large number of Shanghai literary works and film images, advertising media, cultural industry and so on together construct the 1990s Shanghai imagination, forming a kind of middle-class cultural imagination and writing trend in the 1990s. This thesis takes Shanghai Imagination in the 1990s as the main research object, analyzes and explores the characteristics of Shanghai Imagination in the 1990s from the standpoint of cultural politics, and probes into the cultural imagination and writing of the middle class. The introduction part of the thesis expounds the significance of the topic, the status quo of the research and the innovation of this paper. The text will be divided into three chapters: the first chapter discusses the cultural context and the middle class cultural imagination and its relationship. The culture of consumerism flourished and promoted the birth of the new rich class. A large number of Shanghai literary works, together with visual arts such as movies, paintings, music, etc, explain the cultural imagination of the middle class. In the 1990s, the middle class was no longer a simple concept, but a class with a sense of social identity. The class group was in the novel. Under the action of the media such as newspapers and periodicals, a political and cultural imagination community is formed. The flourishing culture of consumerism prompted the middle class to pursue fashion consumption and brand consumption in the 1990s, but gradually lost their individuality in this kind of excessive pursuit of material. The imagination of Shanghai in the 1990s and the imagination in Shanghai since the 1920s have made a new statement and breakthrough, and the writers are more interested in the cultural imagination and writing of the middle class. The second chapter expounds the presentation of Shanghai's imagination in the 1990's and explores the cultural identity of the middle class. Class formation is closely related to gender and race in social and cultural identity. This paper will construct the social identity of the middle class culture from the three dimensions of middle class social gender imagination, city imagination and life imagination. The third chapter discusses the middle-class cultural imagination of Shanghai in 1990 s. Taking Shanghai literary works of the 1990s as an example, using nostalgia and brilliant history to prove its cultural origin, erasing the bloody and cruel image of Shanghai by avoiding it, creating a delicate and elegant Shanghai for the middle class. In the middle class culture represented by western developed countries, we construct a kind of middle class cultural imagination of China in the eyes of other people. The conclusion part explains the narrative of middle class legitimacy and the demand of cultural value. The imagination of Shanghai in the 1990s accords with the aesthetic taste of the middle class and pursues the historical consciousness of the middle class. It provides a carrier for the middle class to narrate its legitimacy and to express its own cultural values. It alleviates the collective identity anxiety of the group, causes other social strata to pay close attention to the middle class life style and its culture, and reveals the deep cultural contradiction hidden behind the modern society.
【学位授予单位】：湖北大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：I206.7
本文编号：2310828
[Abstract]:Since the 1980s, China's social market economy has developed rapidly and the process of urbanization has advanced by leaps and bounds. This change has laid a foundation for the writing and research of urban literature. A large number of Shanghai literary works and film images, advertising media, cultural industry and so on together construct the 1990s Shanghai imagination, forming a kind of middle-class cultural imagination and writing trend in the 1990s. This thesis takes Shanghai Imagination in the 1990s as the main research object, analyzes and explores the characteristics of Shanghai Imagination in the 1990s from the standpoint of cultural politics, and probes into the cultural imagination and writing of the middle class. The introduction part of the thesis expounds the significance of the topic, the status quo of the research and the innovation of this paper. The text will be divided into three chapters: the first chapter discusses the cultural context and the middle class cultural imagination and its relationship. The culture of consumerism flourished and promoted the birth of the new rich class. A large number of Shanghai literary works, together with visual arts such as movies, paintings, music, etc, explain the cultural imagination of the middle class. In the 1990s, the middle class was no longer a simple concept, but a class with a sense of social identity. The class group was in the novel. Under the action of the media such as newspapers and periodicals, a political and cultural imagination community is formed. The flourishing culture of consumerism prompted the middle class to pursue fashion consumption and brand consumption in the 1990s, but gradually lost their individuality in this kind of excessive pursuit of material. The imagination of Shanghai in the 1990s and the imagination in Shanghai since the 1920s have made a new statement and breakthrough, and the writers are more interested in the cultural imagination and writing of the middle class. The second chapter expounds the presentation of Shanghai's imagination in the 1990's and explores the cultural identity of the middle class. Class formation is closely related to gender and race in social and cultural identity. This paper will construct the social identity of the middle class culture from the three dimensions of middle class social gender imagination, city imagination and life imagination. The third chapter discusses the middle-class cultural imagination of Shanghai in 1990 s. Taking Shanghai literary works of the 1990s as an example, using nostalgia and brilliant history to prove its cultural origin, erasing the bloody and cruel image of Shanghai by avoiding it, creating a delicate and elegant Shanghai for the middle class. In the middle class culture represented by western developed countries, we construct a kind of middle class cultural imagination of China in the eyes of other people. The conclusion part explains the narrative of middle class legitimacy and the demand of cultural value. The imagination of Shanghai in the 1990s accords with the aesthetic taste of the middle class and pursues the historical consciousness of the middle class. It provides a carrier for the middle class to narrate its legitimacy and to express its own cultural values. It alleviates the collective identity anxiety of the group, causes other social strata to pay close attention to the middle class life style and its culture, and reveals the deep cultural contradiction hidden behind the modern society.
【学位授予单位】：湖北大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：I206.7
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