左手与右手交锋——穿越维多利亚时代的10部经典爱情电影

发布时间：2018-12-20 18:32

【摘要】：理智,一块人类区别于其他生命的广告牌情感,这则广告中惟一不掺假的信息自从人成为人,就毫不羞涩地给自己脸上贴了一张“思想”的标签,以示高级。进化的艰难让人类原始情感的火苗忽而掩天蔽日、忽而奄奄一息;生存的无奈则使众多源于人性劣根顾虑、思量与心机有了一个美丽的名字——理智。千万年来,理智与情感的交锋在千万颗心的舞台上演绎出种种阴晴圆缺的悲喜剧,至今不曾谢幕。在世界宗教、哲学和艺术史上都留有浓墨重彩的欧洲大陆,早在文艺复兴时期的意识形态中就萌芽出了对理智与情感的探讨,如培根、莎士比亚的思想和文学。但那时神权还在多数人心中占据上都留有浓墨重彩的欧洲大陆,早在文艺复兴时期的意识形态中就萌芽出了对理智与情感的探讨,如培根、莎士比亚的思想和文学。但那时神权还在多数人心中占据统治地位,其探讨也只是在边缘上朦胧的浅尝辄止。直到17世纪中叶,随着卢梭等人倡导的浪漫主义思潮的泛滥,人们才真正开始用歌、舞、诗、文来挑战禁欲主义和神权;其后的维多利亚时代,一批天才的艺术家们更是把这种挖掘人性底层矿藏的工作推向了高潮。理智与情感的交锋不仅是在大师们笔下人物的心中进行,同时也在创作者之间展开。这是一场没有胜利者的战斗,它不但推动了社会的进步和人性的健全,同时也给污浊的工业文明时代留下了无数靓丽的花边。本文欲截取这出大戏的一个片段,试图以解析10部反映维多利亚时代欧洲风情的经典名片来呈现这种交锋的激烈场景。或许这种作法本身就是不理智的,情感与理智仿佛是人举刀的左手和持剑的右手,它们的交锋是一种无法回避的悲哀。而下列10部电影中所涉及的情感与理智均有模棱两可的内容:情感包含爱、恨、亲、恶等发乎于心的所有东西;理智则有法理、公理、机智、诡诈等不同类别。许多事,不亲涉其中是难以体会的,一如孟先生所言:子非鱼、子非我。我们无法回到那个女士用快扇扇子表示独身、用扇子完全张开表示爱的维多利亚的时代,我们只好在电影中去感受谁比谁更爱、谁比谁更无奈。如果你不愿缠纠于烦人的情仇与难解的爱憎中,你尽可以欣赏英格兰的山、意大利的海、法国的乡村和俄罗斯的宫殿。仁者乐山、智者乐水,你可以既乐山又乐水,何乐不为呢?
[Abstract]:Reason, a billboard emotion that distinguishes human beings from the rest of life, the only unadulterated message in this advertisement, ever since man became a human being, has been unabashedly affixed to his face with a label of "thought" as a sign of exaltation. The difficulty of evolution causes the fire of human primitive emotion to hide the sun and die suddenly; the helplessness of existence causes many people to have a beautiful name, reason. For thousands of years, the battle between reason and emotion on the stage of tens of millions of hearts deduce all kinds of tragicomedy. In the history of world religion, philosophy, and art, the continent of Europe, with its rich splendor, sprouted in the ideology of the Renaissance to explore reason and emotion, such as Bacon, Shakespeare's thought and literature. But the continent of Europe, where theocracy was still in the minds of most, sprouted into the ideology of the Renaissance to explore reason and emotion, such as Bacon, Shakespeare's ideas and literature. But at that time theocracy was still dominant in most people's minds, and its discussion was only vaguely superficial on the margins. It was not until the middle of the 17th century that people began to challenge asceticism and theocracy with songs, dances, poems and texts with the flood of Romantic thoughts advocated by Rousseau and others. In the Victorian era, a group of talented artists culminated in the mining of the bottom of humanity. The battle between reason and emotion is not only in the minds of the masters, but also among the creators. This is a battle without winners, it not only promoted the progress of society and the integrity of human nature, but also to the dirty industrial civilization era left countless beautiful lace. This paper attempts to intercept a segment of the play and try to present this fierce scene by analyzing 10 classic business cards that reflect the European customs of the Victorian era. Perhaps this practice itself is irrational, emotion and reason as if the sword of the left hand and the sword of the right hand, their confrontation is an unavoidable sorrow. And there is ambiguity between emotion and reason in the following 10 films: emotion contains everything from love, hate, affinity, evil, etc.; reason has different categories such as jurisprudence, axiom, wit, deceit, etc. Many things, do not get involved in them is difficult to understand, as Mr. Meng said: son is not a fish, son is not me. We couldn't go back to the Victorian era when the lady used a fast fan to express celibacy, and a fan completely opened to show love, and we had to feel who loved more and who was more helpless in the movies. If you don't want to get caught up in annoying feuds and inexplicable detestation, you can enjoy the mountains of England, the sea of Italy, the countryside of France, and the palaces of Russia. The benevolent person happy mountain, the wise person happy water, you can both happy mountain and the happy water, why not do not?
【分类号】：J97

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