居延汉简字体风格研究

发布时间：2018-01-16 19:22

本文关键词：居延汉简字体风格研究　出处：《河北师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：1963年，启功先生的《古代字体论稿》正式出版，这标志着汉字字体学初步建立,开始了汉字字体学的理论和实践研究。2000年，“启功《古代字体论稿》汉字字体学术研讨会”召开，汉字字体学正式建立并且重新得到学者们的关注。王宁先生读了《古代字体论稿》之后，对启功先生的字体理论进行了具体的说明。她概括启功先生的字体理论为四个方面：“字体的渐变性”、“字体风格形成的原因及其多样性”、“字体名实之间的不对应性”、“字体风格描写的可操作性”①。她还总结出“笔势”、“笔态”、“笔意”、“结字”、“转折”、“行气”②等六个字体风格的重要属性。 20世纪30年代，居延汉简出土以后，得到世界各国学者的广泛关注和研究。居延汉简文字可以说是体现了从小篆到隶书、草书、行书、楷书等字体的重要的文字过渡时期。因此，居延汉简对我们研究隶变基本完成后的文字结构、字体构成和字体风格具有重要价值。本文试以启功先生和王宁先生的字体理论为基础，结合书法学的研究的出发点和研究成果，对居延汉简文字的字体风格和成因进行系统性的分析和研究。借鉴书法学的研究内容，如书写工具、载体、运笔、行气、章法、艺术追求等等，将一些明确的书法术语应用到汉字字体学的研究中。因为汉字字体学在这领域的研究还不够，描写字体风格的术语也相对缺乏。我们从行笔、结字、笔意三个方面分析和描写居延汉简的字体风格。在动态的书写中观察文字的笔势、笔态，我们可以看到蚕头雁尾的横画，生动的波挑，明显的方折，，以及不少圆转的笔画，这是由于字的草书化、快速化而形成的。偶尔会有一些非常长的粗肥垂笔出现在居延汉简中。文字整体呈现出率意，自然，粗放，洒脱的风格。至于笔意、重心、摆布、布白、体势、行气等方面也有独特的风格。文章分析了居延汉简文字的书写时代、书写地域、书写者、书写的用途、书写的工具和书写的载体等等。采用对比的研究方法，将不同的时代、地域、作书者、书写工具、书写载体的文字材料进行对比，研究居延汉简在这些因素影响下形成的独特的丰富的字体风格。总之，通过研究字体风格的各种属性，总结出的居延汉简文字的字体风格具有多样性，自由、粗率、豪放的特点尤为突出。无论是在中国汉字史还是书法史上，居延汉简文字都写成了璀璨的辉煌的一页。
[Abstract]:In 1963, the official publication of Mr. Qi Gong's draft of Ancient fonts, which marked the initial establishment of Chinese font science, began the theoretical and practical study of Chinese character font. 2000. The academic Symposium of Qi Gong on Ancient fonts and Chinese characters was held, and the study of Chinese characters was formally established and received the attention of scholars. After Mr. Wang Ning read the manuscript on Ancient fonts. This paper gives a concrete explanation of Qi Gong's font theory. She generalizes the font theory of Mr. Qi Gong in four aspects: "the gradual variation of font", "the reasons for the formation of font style and its diversity". She also summed up "style", "pen state", "pen meaning", "completion", "turning point". Key attributes of six font styles, such as "line qi" 2. In 1930s, after the unearthed bamboo slips of Juyan Han Dynasty, the scholars all over the world paid close attention to them. The characters of the bamboo slips of Juyan Han Dynasty can be said to embody the characters from Xiaozhuan to official script, cursive script and running script. Therefore, Juyan Han Bamboo slips have studied the basic structure of the script after the completion of the scribe transformation. Font composition and font style are of great value. This paper is based on the font theory of Mr. Qi Gong and Wang Ning, combined with the starting point and research results of calligraphy. This paper makes a systematic analysis and research on the font style and the causes of the characters in Juyan's Han bamboo slips, and draws lessons from the research contents of calligraphy, such as writing tools, carriers, carrying pen, line of spirit, formality, artistic pursuit, and so on. Some definite calligraphy terms are applied to the study of Chinese character font science. Because the study of Chinese character font science in this field is not enough, the term describing font style is also relatively lacking. In the dynamic writing, we can see the horizontal painting of silkworm head and goose tail, vivid wave pick, obvious square fold. As well as a lot of round strokes, this is due to the cursive character, rapid formation. Occasionally there will be some very long thick vertical pen appears in Juyan Han slips. The text as a whole shows the rate of meaning, natural, extensive. Free and easy style. As for the pen, center of gravity, manipulation, white cloth, body, line, and other aspects of the unique style. This article analyzes the writing era, writing area, writers, writing purposes of Juyan Han bamboo slips. The tools of writing and the carrier of writing and so on. By using comparative research methods, the text materials of different times, regions, book makers, writing tools and writing carriers are compared. This paper studies the unique rich font style formed by the influence of these factors. In a word, by studying the various attributes of the font style, the font style of the text of the Juyan Chinese slips is diversified, free and coarse. Both in the history of Chinese characters and in the history of calligraphy, Juyan's Chinese bamboo slips have become a brilliant page.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：H123

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