《美丽中国之西藏篇》中多模态隐喻与转喻对语篇意义的构建

发布时间：2018-02-14 09:45

本文关键词： 多模态隐喻转喻意义构建　出处：《东北师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：隐喻和转喻作为一种思维及认知方式是对世界概念化的重要手段。从认知的角度，对于隐喻及转喻的传统研究主要集中在言语层面，着重探讨隐、转喻的类型及其对意义的构建。然而，非言语符号，比如图像、声音、手势在大多数情况下可以传递比语言更精准的意义。国内学者从认知语言学角度，对隐喻和转喻的本质及类型的研究已经成熟，然而鲜少聚焦于多模态话语中隐、转喻的互动来构建语篇意义。近几年，多模态语篇的研究迅速发展，从研究的角度看，主要分为系统功能语言学角度和认知语言学角度，研究的语类多为广告、漫画及宣传片等。从认知语言学的角度对多模态语篇的研究多数集中在对多模态隐喻的识别与描述，较少涉及纪录片中隐、转喻的类型及对语篇意义的构建。本文以Lakoff的概念隐喻、转喻理论以及Ruiz de Mendoza和Diez Velasco隐、转喻互动理论为基础，整合Charles Forceville在多模态隐、转喻方面的最新研究成果，以大型纪录片《美丽中国之西藏篇》为语料，旨在研究纪录片中的多模态隐喻和转喻的类型以及意义是如何通过多模态隐、转喻的类型及其各个模态而构建的。本文采用定量与定性的方法，从认知机制出发，采用描述、识别、解释再讨论的步骤对所选择的语料进行系统分析，拟回答如下问题：（1）在该多模态语篇中，存在哪些类型的多模态隐喻及转喻？（2）在该语篇中，语篇意义是如何通过多模态隐、转喻及其模态构建的？研究发现，首先，纪录片中主要出现的多模态隐喻包括实体隐喻，，主要有“人”隐喻和“容器”隐喻；概念隐喻，包括“家”隐喻，“和谐”隐喻，“战斗”隐喻，“旅行”隐喻和方位隐喻，包括“上”和“前方”隐喻。其次，多模态转喻的类型主要集中在部分代替整体这一类，具体指个体代替整体、特征属性代表事物、次事件代表复杂事件和普通民众代替某一特定职业群体。最后，语篇意义的构建主要通过如下四种模式来完成：第一，模态间的互动保证了单一多模态隐、转喻意义的传递；第二，隐、转喻之间的互动确保意义被传递；第三，隐喻的认知连贯功能保证了语篇意义的构建；第四，独立的转喻能够传递意义。
[Abstract]:Metaphor and metonymy, as a way of thinking and cognition, are important means to conceptualize the world. The type of metonymy and its construction of meaning. However, non-verbal symbols, such as images, sounds and gestures, can in most cases convey more precise meanings than language. The study of the nature and types of metaphor and metonymy has matured, but rarely has it focused on the implicit and metonymy interactions in multi-modal discourse to construct textual meaning. In recent years, the study of multimodal discourse has developed rapidly. From the perspective of research, it can be divided into systemic functional linguistics and cognitive linguistics. From the perspective of cognitive linguistics, the study of multimodal discourse focuses on the recognition and description of multimodal metaphors, less on the types of metaphor in documentaries and on the construction of textual meaning. Based on Lakoff's conceptual metaphor, metonymy theory, Ruiz de Mendoza and Diez Velasco concealment and metonymy interaction theory, this paper integrates the latest research results of Charles Forceville in multi-modal concealment and metonymy, and takes the large-scale documentary "Tibet in Beautiful China" as the corpus. The purpose of this paper is to study the types and meanings of multi-modal metaphors and metonymy in documentaries, which are constructed by means of multi-modal concealment, metonymy types and their various modes. This paper uses quantitative and qualitative methods, starting from cognitive mechanism, using the steps of description, identification and explanation to systematically analyze the selected corpus, and intends to answer the following questions:. What types of multimodal metaphors and metonymy exist in the multimodal discourse? (2) in this text, how is the meaning of the text constructed through multi-modal concealment, metonymy and its modes? First of all, the main multi-modal metaphors in documentaries include substantive metaphors, mainly "human" metaphors and "container" metaphors, conceptual metaphors, and conceptual metaphors. It includes "home" metaphor, "harmonious" metaphor, "battle" metaphor, "travel" metaphor and orientation metaphor, including "upper" and "forward" metaphors. In particular, the individual replaces the whole, the characteristic attribute represents the thing, the secondary event represents the complex event and the ordinary people replace a certain professional group. Finally, the construction of the discourse meaning is accomplished by the following four modes: first, the second event represents the complex event and the ordinary people take the place of a particular professional group. The interaction between modes ensures the transmission of metonymy meaning in a single multi-modal manner; secondly, the interaction between metonymy ensures that meaning is transferred; thirdly, the cognitive coherence function of metaphor ensures the construction of textual meaning; 4th. Independent metonymy can convey meaning.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：H15

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