文感的认知文体学研究

发布时间：2018-03-14 18:01

本文选题：文感　切入点：文本　出处：《苏州大学》2012年硕士论文　论文类型：学位论文

【摘要】：本文试图从认知文体学的角度探讨texture这一术语的本质含义。在本文中，texture的定义是文本特征的主观感受，指的是读者在阅读文本的过程中,通过与文本之间的互动产生的感触。本文作者将texture一词翻译成“文感”。 Texture，作为语言学和文学领域非常重要的概念,吸引了该领域国内外的学者的关注。但是，迄今为止，对于texture这一概念还没有系统、深入的研究，大多数学者提出了很宽泛的概念，或者在研究其他问题时，稍带提到texture这一概念。大多数学者从系统功能语言学的角度来认识这一概念，认为texture是文本自身的特征（HallidayHasan，1976），而只有少数一些学者从认知语言学的角度来解释这一概念，认为文本本身并不能构成texture，而是文本和读者共同作用形成texture。本文从认知文体学的角度，系统、深入研究texture这一概念。从这个角度看，texture指的是读者在与文本互动过程中产生的感触。从这一定义可以看出，产生文感需要两个重要的因素：文本和读者。只有当文本的自身特征与读者所付出的努力达到最佳匹配时，才能产生较好的文感，否则产生的文感较弱。文感呈现于三种形式：共鸣，指的是阅读之后长久存在读者头脑中的一种格调或者氛围；感觉或者同情，指的是当读者更深入和文本互动时产生的感触；认同或者抵抗，指的是读者与文本所表达的内容或者刻画的人物产生感情上的认同，或者产生一种抵抗的情绪。
[Abstract]:This paper attempts to explore the essential meaning of the term "texture" from the perspective of cognitive stylistics. In this paper, the definition of "texture" is the subjective feeling of the text characteristics, which refers to the reader in the process of reading the text. Through the interaction with the text, the author translates the word "texture" into "literary feeling". As a very important concept in the field of linguistics and literature, Texturehas attracted the attention of scholars both at home and abroad. However, up to now, most scholars have put forward a very broad concept for the concept of texture, which has not been systematically and deeply studied. Or in studying other issues, mention the concept of texture a little bit. Most scholars have come to understand the concept from the perspective of systemic functional linguistics. The author holds that texture is the characteristic of the text itself, but only a few scholars interpret the concept from the perspective of cognitive linguistics. It is believed that the text itself is not a texture, but a texture formed by the text and the reader. From the perspective of cognitive stylistics, this paper systematically studies the concept of texture. From this point of view, texture refers to the readers' feelings in the process of interacting with the text. It takes two important factors to produce literary sense: text and reader. Only when the text's own characteristics and the reader's efforts reach the best match, can a better sense of text be produced. Otherwise, the resulting sense of the text is weak. The sense of the text is presented in three forms: resonance, which refers to a style or atmosphere that has existed in the reader's mind for a long time after reading, feeling or sympathy, which refers to the feeling produced when the reader interacts more deeply with the text; Identification or resistance refers to the emotional identification or resistance between the reader and the characters expressed in the text.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：H052

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