《伊豆舞女》中的加译技巧

发布时间：2018-04-23 01:11

本文选题：伊豆舞女 + 日汉翻译　；参考：《吉林大学》2012年硕士论文

【摘要】：加译又称增译、增补翻译、增词翻译，是一种很常见的翻译变通手段,是双语转换中必然会用到的翻译技巧之一，在日译汉中运用得尤为广泛。关于加译技巧，在各类翻译教程中都有介绍。此外也前辈学者对加译进行了考察研究。本文在总结归纳这些先行研究后，主要参考陶振孝教授对加译的分类方法，将《伊豆舞女》日译汉中的加译现象分为四大类，结合原文与两种译文之间的对比分析，对加译的内容、效果进行考察与研究。《伊豆舞女》是川端康成早期作品，讲述了一名高中生独自在伊豆旅游时邂逅一位小舞女的故事，用清新哀婉的笔调描写了少男少女间纯洁而朦胧的爱情。小说不仅在日本国内受到读者的追捧，翻译成多国文字介绍到世界各地后也深受各国读者的喜爱。在中国《伊豆舞女》译本主要有：侍桁译本、高慧勤译本、叶渭渠唐月梅译本、蒋家义译本以及林少华译本。本文选取叶渭渠译本及林少华译本为研究对象，考察日译汉中加译手法的运用。结论大致如下: 第一、出于两种语言结构差异上做出的加译，称为结构性加译。结构性加译是最基本最普遍的加译方法。结构性加译还可以细分为加译人称代词，加译数量词，加译动词三种情况。第二、出于译文表达上的逻辑需要做出的加译就是逻辑性加译。一般有加译指示代词和加译连词两种情况。在翻译日语的定语尤其是长定语句时，在定语前增补上一个指示代词，可以使上下文关系更加密切，句子的层次、条理更加清晰。加译连词，可以使句子间关系更加紧密、连贯，文章更具逻辑性、条理性。第三、为了使句子表达顺畅，不引起歧义而添加的用以说明和补充的词语，称为说明性加译。适当的添加解释性的词句，有利于化解句子中的“障碍点”，帮助读者挖掘文中的深处含义，减少读者理解句子意义时的困难。第四、翻译过程中，对译文的一些译词加以修饰的，增加语言文字色彩的加译就是修饰性加译。修饰性加译是出于审美需要做出的加译，但是加译必须把握好度。所加译的修饰词，必须是建立在忠实原文的基础上。加译中要注意尽量保持原文的风格。
[Abstract]:Addition translation, supplementary translation, word addition translation is a very common translation alternative means, is one of the translation skills that must be used in bilingual translation, especially in Japanese translation in Chinese and Chinese. Additional translation techniques are introduced in various translation tutorials. In addition, previous scholars have made a study of Canadian translation. After summing up these previous studies, this paper mainly refers to Professor Tao Zhenxiao's classification method of the added translation, classifies the phenomenon of the Japanese translation of "Yidou Dance Girl" into four categories, and analyzes the contrast between the original text and the two kinds of translation. The content and effect of the translation are investigated and studied. Yidou Dancing Girl is an early work of Kawabata Kangcheng, which tells the story of a high school student meeting a little dancer while traveling alone in Yidou, and describes the pure and hazy love between boys and girls in a fresh and mournful style. The novel is not only popular with readers in Japan, but also loved by readers all over the world. In China, the main translations of "Yidou Dancing Girl" are: Shi Chuan, Gao Hui-qin, Ye Wei-qu Tang Yue-mei, Jiang Jia-yi and Lin Shao-hua. This paper takes Ye Weiqu and Lin Shaohua as the research objects to investigate the use of Chinese and Canadian translation techniques in Japanese translation. The conclusions are as follows: First, the structure of the two languages due to structural differences in the addition of translation, called structural translation. Structural plus translation is the most basic and universal method of translation. Structural addition can also be subdivided into three cases: personal pronouns, quantifiers and verbs. Second, for the sake of logic in the expression of translation, the added translation is logical plus translation. There are two kinds of cases: additive translation of demonstrative pronouns and additive translation of conjunctions. When translating Japanese attributives, especially long definite sentences, adding the last demonstrative pronoun before the attributive can make the context closer, the sentence level and the structure clearer. With the addition of conjunctions, the relationship between sentences is closer and more coherent, and the article is more logical and coherent. Third, in order to make the sentence express smoothly and do not cause ambiguity, the words used to explain and supplement are called explanatory plus translation. The proper addition of explanatory words will help to resolve the "obstacle points" in the sentence, help the reader to dig out the deep meaning of the text, and reduce the difficulty for the reader to understand the meaning of the sentence. Fourth, in the process of translation, some translation words are modified. Modified plus translation is a kind of aesthetic addition, but it must be well understood. The modifier must be based on the faithful original text. Attention should be paid to keeping the style of the original text as far as possible.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：H059

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