朝鲜族女性诗的词汇研究

发布时间：2018-08-27 06:27

【摘要】：本论文系统地分析了80、90年代朝鲜族女性诗人诗作品中的词汇特点,同时对80、90年代诗语的特征和特殊辨别性进行了分析。由此分析、考察了其辨别性所带来的时代意义,并考究了女性诗的特性。本论文研究的意义是, 第一,对少数民族-朝鲜族诗词的语言学分析；第二,在社会变革期,诗人们对80、90年代时代的回应或受容辨别性的分析；第三,此特点和诗词的辨别性对今后分析“女性诗的特性”或者“朝鲜族女性诗的特性”时有所帮助。将“女性诗词汇的计量学特征和分析”以历史性研究方法,对80、90年代的时代背景和状况进行了分析。在“诗的计量学特性”的“词类分布”的分析中,女性诗依存于名词,属于“名词型”,是固着于对象的“体词型”,形成了“简洁性”的文章。在“高频率诗语”的分析中,‘我’占的比例最大,而带有社会性的‘我们’却很小。还有在“诗语的词类频率分析”中,以“名词”,“代词”,“动词”,“形容词”为主进行了分析。以名词居多的诗词缺乏表现抒情性,80年代的诗与“现代诗”相比较而言,更多地表现为名词性,90年代诗词中,使用频率最多的‘山’,往往作为诗的象征来表现精炼性,这些是可取的。代词中‘我’出现的频率最多。动词中‘走’出现的频率最多。在80、90年代,动词‘走’都是动词高频率词汇。这是因为80、90年代的女性诗人通过带有方向性的词如移动、走动、搬动来表现了行动的前进。这与当时自发的移民数量的剧增不无关系。但值得一提的是,其相对动词‘来’在高频率动词中都没有跻身第50位。从这一点看,‘走’更像是不曾预想‘来’的‘走’ 第四,形容词中,带有否定意义的形容词出现的比较少。在“联系诗语频率特性”的分析中出现频率最多的是‘-不了’。排在第二位的分别是80年代的‘你-我’和90年代的‘我-你’。在“类型分类频率的特性”中,分析对80、90年代的自然物的直接意象,或者自然物通过其空间、时间的意象使用的意义结果表明。第一,花的使用频率最多。第二,植物的意象和动物的意象分别在80年代和90年代诗词中使用频率比较高。对比显示90年代是动态的,且富有活力。第三,通过自然物而使用的直接性意象词汇频率在80年代整体中占据的比率大。第四,通过自然物的空间意象使用在90年代比较频繁。第五,感官诗语频率中视觉语在80、90年代占据了70%。而现代诗则更为重视会话性意象或因素。80年代中的‘蓝’,90年代中的‘白’各占据了首位。触觉语、听觉语紧随其后,占据了第二位。第六,嗅觉语和味觉语出现的频率较低。诗乃文学之花,如同敏感的味蕾,反映着当时的时代特点。80、90年代的女性诗,尤为突出地表现了当时社会的悲痛情怀和迫切愿望。
[Abstract]:This paper systematically analyzes the lexical features in the poetry works of Korean women poets in the 1980s and 1990s, and analyzes the characteristics and special discriminations of poetry in the 1980s and 1990s. From this analysis, it examines the significance of the times brought about by its discrimination, and explores the characteristics of female poetry. The significance of this thesis is as follows: first, the linguistic analysis of the poems of the ethnic minority-Korean nationality; secondly, in the period of social change, the poets' response to the 1980s and 1990s or the discrimination of tolerance; Third, this feature and the discrimination of poetry will help to analyze the characteristics of female poetry or Korean women's poetry in the future. Based on the historical research method, the paper analyzes the background and situation of the 1980s and 1990s in Metrological Features and Analysis of female Poetry Vocabulary. In the analysis of the "distribution of parts of speech" in the Metrology of Poetry, female poetry depends on nouns, belongs to noun type, and is a "body word type" which is fixed on the object, and forms the article of "conciseness". In the analysis of High-frequency Poems, I accounts for the largest proportion, while the sociality of us is very small. In the part of speech Frequency Analysis of Poems, Noun, pronoun, verb and adjective are analyzed. The lack of lyricism in poetry with nouns. Compared with "modern poetry", poetry in 1980's is more often used as a symbol of poetry than in "modern poetry". These are desirable. I appear most frequently in pronouns. Of the verbs,'go 'appears the most frequently. In the 1980 s and 1990 s, the verb 'walking' was a high-frequency verb word. This is because the female poets of the 1980s and 1990s expressed the progress of action through directional words such as moving, and moving. This had something to do with the surge in the number of spontaneous immigrants at the time. But it is worth mentioning that its relative verb 'come' does not rank 50 th among high-frequency verbs. From this point of view, walking is more like an unexpected one. Fourth, there are fewer adjectives with negative meanings in adjectives. In the analysis of the frequency characteristics of associative poetry, the most frequent phenomenon is that it is impossible to get rid of it. In the second place are the 'you-me' and the'I-you'in the 1980 s and the 90 s, respectively. In "the characteristics of Type Classification Frequency", this paper analyzes the direct images of natural objects in the 1980s and 1990s, or the significance of the use of natural objects through their space and time images. First, flowers are used the most frequently. Secondly, plant images and animal images are frequently used in poetry in 1980s and 1990s, respectively. The contrast shows that the 1990 s were dynamic and dynamic. Thirdly, the frequency of direct image words used through natural objects occupied a large proportion in the 1980s as a whole. Fourthly, the spatial images of natural objects were used frequently in the 1990 s. Fifth, visual language occupied 70% of the sensory poetry frequency in the 1980 s and 1990 s. Modern poetry pays more attention to conversational imagery or factors. Tactile language, followed by auditory language, occupied the second place. Sixth, olfactory language and taste language appear less frequently. Poetry is a flower of literature, like a sensitive taste bud, reflecting the characteristics of the times at that time.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：H219

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