隐喻的现代审美文化意义探究

发布时间：2018-10-09 20:32

【摘要】：西方人对隐喻问题的研究自从两千多年前的古希腊时期就已经开始，随着社会的发展和文明的进步，隐喻问题逐渐得到人们的重视，有关隐喻的研究也经历了几次重要的转向。发展至今，隐喻已经不仅仅是一种单纯的语言修辞方式，而是渐渐演化成为一种强有力的文化现象，正指引着人们的思维，让人们在大地上诗意地栖居，并沟通了各个学科之间的相互联系。当今社会科技理性的泛滥给人们的生存带来了诸多困扰，人们的精神和肉体都倍受煎熬。因此，“现代性”这一自启蒙时期以来便一路引领着人类走向理性和主体性的思潮，也曾经一度受到了人们的质疑和误解。但是，理性异化乃是人类自身的社会体制发展不健全所导致的结果，并不能把当代的诸多问题都归罪于理性和“现代性”思潮。正如哈贝马斯所倡导的那样，在“新理性”的图景下，“现代性”应该被人们重新正视，“现代性”并不是“理性霸权”的代名词，而是应当成为一种当代人看待事物的正确立场。这种“现代性”的立场主张人们应该从更加完整全面的角度来把握世界，因此理性的霸权逐渐瓦解，，人文学科重新受到人们的重视。现代性立场在文化领域的渗透导致了人们审美观念的转变，维特根斯坦的分析美学就对传统的理性美学提出了坚决的批判。而隐喻问题在人类审美文化活动中的作用也逐渐崭露头角，卡西尔认为隐喻思维是人类的原始诗性思维，是后来理性思维形成和发展的基础，隐喻思维与人类共生共存，对人类审美文化的形成和发展起着重要作用；而在海德格尔的存在论美学当中，隐喻在人类的文化生存层面也起着重要的作用，是人类得以在大地上诗意栖居的重要因素，并一路指引着人类通往澄明之境。隐喻不但在人们的审美文化活动和文化生存当中都有着重要的意义，而且在学术领域还沟通了各个学科之间的交互联系，在利科的解释学当中，隐喻就完美地串联起了修辞学、语义学和哲学，促进了学科理论之间的相互融合，促进了文化的发展，这就是隐喻的文化学意义。在文化学广阔的视角下，隐喻作为一种文化现象沟通了历史与现代，促进了隐喻研究在历史层面与多学科层面的交互融合，使隐喻有了成为一门独立学科的潜质，有了更为广阔和深远的文化意义。
[Abstract]:The study of metaphor in the West has begun since the ancient Greek period more than two thousand years ago. With the development of society and the progress of civilization, people pay more and more attention to metaphor, and the study of metaphor has undergone several important turns. Up to now, metaphor is not only a simple rhetorical way of language, but also a powerful cultural phenomenon, which is guiding people's thinking and allowing people to live poetically on the earth. And the communication between the various disciplines. Nowadays, the overflowing of scientific and technological rationality has brought many troubles to people's existence, and people's spirit and body are all suffering. Therefore, "modernity", a trend of thought that has led mankind to rationality and subjectivity since the enlightenment period, was once questioned and misunderstood by people. However, rational alienation is the result of the unsound development of human's own social system, and many contemporary problems can not be blamed on the trend of reason and "modernity". As Habermas advocated, under the prospect of "new reason", "modernity" should be re-faced, "modernity" is not synonymous with "rational hegemony". Rather, it should be the correct position of contemporary people to look at things. This "modernity" position advocates that people should grasp the world from a more complete and comprehensive point of view, so the rational hegemony gradually disintegrates, and the humanities subject receives people's attention again. The penetration of modernity in the cultural field leads to the transformation of people's aesthetic concepts. Wittgenstein's analytical aesthetics makes a firm criticism of the traditional rational aesthetics. The role of metaphor in human aesthetic and cultural activities is also gradually emerging. Cassier holds that metaphorical thinking is the primitive poetic thinking of human beings and the basis for the formation and development of rational thinking. Metaphor thinking coexists with human beings. It plays an important role in the formation and development of human aesthetic culture, and in Heidegger's existential aesthetics, metaphor also plays an important role in the survival of human culture. And guide mankind all the way to the clarity of the state. Metaphor not only plays an important role in people's aesthetic and cultural activities and cultural existence, but also communicates the interaction between various disciplines in the academic field. In Leko's hermeneutics, metaphor perfectly links up rhetoric. Semantics and philosophy promote the fusion of discipline theory and the development of culture, which is the cultural meaning of metaphor. From the broad perspective of culturology, metaphor, as a cultural phenomenon, communicates history and modernity, promotes the interaction between the study of metaphor at the historical level and the multi-disciplinary level, and makes metaphor have the potential to become an independent subject. Has a broader and more profound cultural significance.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：H05

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