汉语与传统中国画通约性研究
发布时间：2018-11-01 15:01
【摘要】：汉语与中国传统绘画虽属不同门类,但却存在相似相通之处,从文化发生学的角度来看,两者存在着内在、有机的联系,具有一定的通约性。从中国文化的其他样式——传统国画入手可反观汉语的建构特点,寻找汉语与国画的相似共通之处,通过对两者共性的分析,从一个全新的角度把握汉语的内部特征,体味汉语的独特魅力,此研究在一定意义上触及汉语的灵魂。 本文选取了汉语与国画共有的六个层面——“具象”“意合”“虚实”“呼应”“视角”“线性结构”为研究对象进行研究,以传统国画为介入点,从语言学的角度剖析汉语的内在特点和不明之处,共分为五大部分。 第一部分绪论主要介绍选题的价值和意义、研究现状以及研究的薄弱环节和需要解决的问题,同时介绍了论文的研究内容及方法。 第二部分通过具象观和意合观这两个相对的角度分析汉语的神形兼备,首先分析汉语的画意性特征和国画式表现手法,突出汉语的“形”,然后分析汉语的意合特性和超常表达,突出汉语的“神”。 第三部分探讨汉语中的虚实观和呼应观,首先通过有形之虚分析汉语中的虚实结合,然后通过无形之虚分析汉语中特有的省略,最后分析汉语多元化的呼应体制。 第四部分探讨汉语的视角和线性结构,首先分析“散点视”在汉语中的具体体现,然后以“竹式结构”为喻分析汉语中特有的线性组合,最后通过语序阐述线性结构的灵活多变。 第五部分是结论部分,将论文所探讨的主要内容进行总结,说明论文的研究价值,并提出仍需进一步讨论的问题。
[Abstract]:Although Chinese and Chinese traditional painting belong to different categories, but there are similarities, from the point of view of cultural genesis, the two have internal, organic links, and have certain universality. Starting with other styles of Chinese culture-traditional Chinese painting, we can look back at the characteristics of Chinese construction, look for the similarities between Chinese and Chinese painting, and grasp the internal characteristics of Chinese from a new angle through the analysis of their commonalities. This study touches on the soul of Chinese in a certain sense by appreciating the unique charm of Chinese. This paper selects six common layers of Chinese and Chinese painting as the object of study, taking traditional Chinese painting as the intervention point, taking the traditional Chinese painting as the intervention point, and taking the traditional Chinese painting as the intervention point, which is "concrete", "parataxis", "virtual reality", "echo", "angle of view" and "linear structure" as the research object. From the perspective of linguistics, there are five parts in the analysis of the inherent characteristics and ambiguities of Chinese. The first part of the introduction mainly introduces the value and significance of the topic, the current research situation, the weak links of the research and the problems to be solved. At the same time, it introduces the research contents and methods. The second part analyzes the spirit and form of Chinese through the two relative angles of concrete view and parataxis view. Firstly, it analyzes the characteristics of Chinese painting meaning and the expression of Chinese painting style, highlighting the "form" of Chinese. Then, the parataxis and supernormal expression of Chinese are analyzed to highlight the "God" in Chinese. The third part discusses the concept of virtual reality and echo in Chinese. Firstly, it analyzes the combination of reality and reality in Chinese through the virtual of tangible, then analyzes the specific ellipsis in Chinese through the virtual of invisible, and finally analyzes the system of echo in Chinese. The fourth part discusses the visual angle and the linear structure of Chinese, first analyzes the concrete embodiment of "scattered point" in Chinese, then uses "bamboo structure" as a metaphor to analyze the unique linear combination in Chinese. Finally, the flexibility of linear structure is explained by word order. The fifth part is the conclusion part, which summarizes the main contents of the paper, explains the research value of the paper, and points out the problems that need to be discussed further.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：H13;J212
本文编号：2304275
[Abstract]:Although Chinese and Chinese traditional painting belong to different categories, but there are similarities, from the point of view of cultural genesis, the two have internal, organic links, and have certain universality. Starting with other styles of Chinese culture-traditional Chinese painting, we can look back at the characteristics of Chinese construction, look for the similarities between Chinese and Chinese painting, and grasp the internal characteristics of Chinese from a new angle through the analysis of their commonalities. This study touches on the soul of Chinese in a certain sense by appreciating the unique charm of Chinese. This paper selects six common layers of Chinese and Chinese painting as the object of study, taking traditional Chinese painting as the intervention point, taking the traditional Chinese painting as the intervention point, and taking the traditional Chinese painting as the intervention point, which is "concrete", "parataxis", "virtual reality", "echo", "angle of view" and "linear structure" as the research object. From the perspective of linguistics, there are five parts in the analysis of the inherent characteristics and ambiguities of Chinese. The first part of the introduction mainly introduces the value and significance of the topic, the current research situation, the weak links of the research and the problems to be solved. At the same time, it introduces the research contents and methods. The second part analyzes the spirit and form of Chinese through the two relative angles of concrete view and parataxis view. Firstly, it analyzes the characteristics of Chinese painting meaning and the expression of Chinese painting style, highlighting the "form" of Chinese. Then, the parataxis and supernormal expression of Chinese are analyzed to highlight the "God" in Chinese. The third part discusses the concept of virtual reality and echo in Chinese. Firstly, it analyzes the combination of reality and reality in Chinese through the virtual of tangible, then analyzes the specific ellipsis in Chinese through the virtual of invisible, and finally analyzes the system of echo in Chinese. The fourth part discusses the visual angle and the linear structure of Chinese, first analyzes the concrete embodiment of "scattered point" in Chinese, then uses "bamboo structure" as a metaphor to analyze the unique linear combination in Chinese. Finally, the flexibility of linear structure is explained by word order. The fifth part is the conclusion part, which summarizes the main contents of the paper, explains the research value of the paper, and points out the problems that need to be discussed further.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：H13;J212
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