关联理论视角下的海派清口言语幽默艺术探究
发布时间：2018-12-17 14:16
【摘要】：周立波的“海派清口”是在保留和传承上海本地的单口滑稽的说、学、做、唱风格的前提下，以一种清新智慧的表现形式，，传播一种快乐的思维方式和幽默人生态度的言语艺术。与传统相声加入一些创新元素的郭德刚相声不同，它在汲取上海本地的单口滑稽、北京单口相声和香港“栋笃笑”等曲艺表演形式精华的基础上，已跳出了上海滑稽戏的圈子；与依赖色情笑话、“荤口”、“粗口”的二人转等纯商业演出也不同，它是运用后现代主义元素，紧贴时事、财经和民生，并将其娱乐化的“清口”。2008年推出的《笑侃30年》、《笑侃大上海》和《我为财狂》等“盘点系列”，以及凤凰卫视推出的《壹周立波秀》系列，是其主要的表现舞台。 论文在收集所有周立波“海派清口”影像资料和文字资料的基础上，从关联理论的视角审视“海派清口”言语幽默机制的形成以及制造其言语幽默的语用策略和修辞策略。论文认为，形成“海派清口”言语幽默的机制包括：运用最大关联与最佳关联的碰撞、运用明示信息刺激隐含的意图、通过额外努力创造额外效应等。其产生幽默效果的语用策略包括：利用话语内容与形式的“不和谐”、利用词语歧义、语音混杂以及词语合并后再缩写等。其制造有效的言语幽默的修辞策略包括：结合具体语言材料，采用心理期望之突然扑空式、经验与现实之矛盾冲突式以及情感郁积之巧妙释放式等。 从关联理论的视角对周立波海派清口言语幽默的形成机制与制造策略的研究，是一种新的研究视角，它可以拓宽了关联理论应用的范围。其研究成果在既对观众更好地欣赏海派清口的言语幽默有所帮助，也对海派清口作品的创作以及相关言语幽默艺术作品的创作具有一定的指导和启示作用。
[Abstract]:Zhou Libo's "Shanghai School Qing Kou" is a fresh and intelligent form of expression on the premise of retaining and inheriting the local Shanghai sing-mouth funny saying, learning, doing and singing style. The art of communication of a happy way of thinking and a humorous attitude towards life. Unlike the traditional crosstalk with some innovative elements, Guo Degang has jumped out of the circle of Shanghai farce on the basis of absorbing the local comedy of Shanghai, the essence of Beijing crosstalk and Hong Kong's "Dong Tu-xiao" etc. It is also different from pure commercial performances such as relying on pornographic jokes, "dirty mouth" and "rough talk". It uses post-modernist elements to keep abreast of current events, finance and people's livelihood. "Qingkou", which is entertaining, is the main stage of its performance, such as "laugh and laugh 30 years", "laugh big Shanghai" and "I am a financial frenzy", and Phoenix Satellite TV's "one Zhou Libo Show" series is its main performance stage. On the basis of collecting all the images and characters of Zhou Libo's "Shanghai School Qingkou", this paper examines from the perspective of relevance theory the formation of the mechanism of verbal humor and the pragmatic and rhetorical strategies to make it. The paper holds that the mechanism of forming the verbal humor of "Shanghai School Qingkou" includes the collision between maximum relevance and optimal relevance, the use of explicit information to stimulate the implied intention, and the creation of additional effects through extra efforts. The pragmatic strategies to produce humorous effects include the use of disharmony between the content and form of discourse, the use of lexical ambiguity, phonetic confounding and the combination of words and abbreviations. The rhetorical strategies to produce effective verbal humor include: combining the specific language materials, adopting the sudden emptiness of psychological expectation, the conflict between experience and reality, and the skillful release of emotion accumulation, etc. From the perspective of relevance theory, the research on the formation mechanism and manufacturing strategy of Zhou Libo's Qing Kou verbal humor is a new perspective, which can broaden the scope of relevance theory application. The research results not only help the audience to appreciate the speech humor of the Shanghai School of Qing Dynasty, but also have some guidance and enlightenment function on the creation of the Shanghai School Qing mouth works and the related works of verbal humor.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：H13
本文编号：2384303
[Abstract]:Zhou Libo's "Shanghai School Qing Kou" is a fresh and intelligent form of expression on the premise of retaining and inheriting the local Shanghai sing-mouth funny saying, learning, doing and singing style. The art of communication of a happy way of thinking and a humorous attitude towards life. Unlike the traditional crosstalk with some innovative elements, Guo Degang has jumped out of the circle of Shanghai farce on the basis of absorbing the local comedy of Shanghai, the essence of Beijing crosstalk and Hong Kong's "Dong Tu-xiao" etc. It is also different from pure commercial performances such as relying on pornographic jokes, "dirty mouth" and "rough talk". It uses post-modernist elements to keep abreast of current events, finance and people's livelihood. "Qingkou", which is entertaining, is the main stage of its performance, such as "laugh and laugh 30 years", "laugh big Shanghai" and "I am a financial frenzy", and Phoenix Satellite TV's "one Zhou Libo Show" series is its main performance stage. On the basis of collecting all the images and characters of Zhou Libo's "Shanghai School Qingkou", this paper examines from the perspective of relevance theory the formation of the mechanism of verbal humor and the pragmatic and rhetorical strategies to make it. The paper holds that the mechanism of forming the verbal humor of "Shanghai School Qingkou" includes the collision between maximum relevance and optimal relevance, the use of explicit information to stimulate the implied intention, and the creation of additional effects through extra efforts. The pragmatic strategies to produce humorous effects include the use of disharmony between the content and form of discourse, the use of lexical ambiguity, phonetic confounding and the combination of words and abbreviations. The rhetorical strategies to produce effective verbal humor include: combining the specific language materials, adopting the sudden emptiness of psychological expectation, the conflict between experience and reality, and the skillful release of emotion accumulation, etc. From the perspective of relevance theory, the research on the formation mechanism and manufacturing strategy of Zhou Libo's Qing Kou verbal humor is a new perspective, which can broaden the scope of relevance theory application. The research results not only help the audience to appreciate the speech humor of the Shanghai School of Qing Dynasty, but also have some guidance and enlightenment function on the creation of the Shanghai School Qing mouth works and the related works of verbal humor.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：H13
【参考文献】
相关期刊论文 前8条
1 王丹,王晓红;关联理论及其应用[J];齐齐哈尔大学学报(哲学社会科学版);2005年01期
2 涂靖;幽默的关联理论阐释[J];四川外语学院学报;2003年05期
3 丁舒珊;;从《壹周立波秀》看后现代元素在娱乐脱口秀中的运用[J];视听纵横;2010年04期
4 冉永平;论关联理论的社会维度[J];外国语(上海外国语大学学报);2002年03期
5 赵振宇;熊茵;;周立波“海派清口”的评论特性及其启示[J];现代传播(中国传媒大学学报);2010年11期
6 罗志勇;;浅谈周立波海派清口的语言艺术特色[J];现代语文(语言研究版);2010年09期
7 傅丽莉;;从合作原则的违反分析周立波海派清口的幽默[J];语文学刊;2010年16期
8 鲁雪莉;;论周立波的“海派清口”艺术[J];戏剧文学;2010年02期
相关会议论文 前1条
1 张霖;;幽默言语认知语用新解——关联理论与概念整合:孰是孰非[A];福建省外国语文学会2009年年会暨学术研讨会论文集[C];2009年
相关硕士学位论文 前1条
1 张海云;关联理论下的幽默话语——幽默的认知解释[D];北京语言文化大学;2003年
本文编号：2384303
本文链接：https://www.wllwen.com/wenyilunwen/hanyulw/2384303.html
