从解构主义互文性理论角度分析《舞者之心》的翻译实践

发布时间：2019-03-12 20:15

【摘要】：源于二十世纪六十年代的解构主义给翻译研究带来了新的视角,是翻译理论研究的热门话题之一。本文选取解构主义互文性理论作为理论支点来分析笔者的翻译实践,也可以看作以翻译实践为例来印证理论。解构主义互文性理论强调文本的开放性,译作是原作生命的延续,在翻译过程中译者同时担当三重身份——读者、阐释者、作者,这使译者能够在翻译中发挥主体性。论文拟就以上几个方面对笔者的翻译实践《舞者之心》进行详细而深入的分析。本文第一部分为引言；第二部分简析解构主义互文性理论,并从译作与原作关系和译者身份两方面简析解构主义互文性理论对译者主体性的意义；第三部分是从解构主义互文性理论谈翻译实践《舞者之心》,这是分析实践和理论关系的部分,在第三部分中,本论文主要的理论依据是解构主义互文性理论,特别是它对于译作与原作关系的理论观点,以及它对于译者身份的理论观点,还有它对于译者主体性的理论观点,从这三个层面出发来分析实践,得出笔者自己的一些思考；论文第四部分得出结论,解构主义互文性理论不仅是有意义的翻译理论,也同时具有实践意义,它能够帮助译者解决实践问题。
[Abstract]:Deconstructionism, which originated in the 1960s, brings a new perspective to translation studies and is one of the hot topics in translation studies. This paper chooses the deconstructionist intertextuality theory as the theoretical fulcrum to analyze the author's translation practice, and it can also be regarded as an example of translation practice to confirm the theory. The deconstructionism intertextuality theory emphasizes the openness of the text, and the translation is the continuation of the original work. In the process of translation, the translator acts as a triple identity-reader, interpreter and author, which enables the translator to play the role of subjectivity in translation. This paper intends to make a detailed and in-depth analysis of the author's translation practice Dancer's Heart in the above aspects. The first part is the introduction, the second part is the analysis of the deconstruction intertextuality theory, and the significance of the deconstruction intertextuality theory to the translator's subjectivity from the two aspects of the relationship between the translation and the original work and the translator's identity. The third part is from the deconstruction intertextuality theory, which is the part of analyzing the relationship between practice and theory. In the third part, the main theoretical basis of this thesis is the deconstructionism intertextuality theory, which is based on the theory of deconstructionism intertextuality. In particular, its theoretical views on the relationship between the translation and the original works, its theoretical views on the translator's identity, as well as its theoretical views on the translator's subjectivity, analyze the practice from these three levels, and draw some thoughts of the author's own. The fourth part of the thesis concludes that the deconstruction intertextuality theory is not only a meaningful translation theory, but also has practical significance, which can help the translator to solve practical problems.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：H059

【相似文献】