郭德纲相声“现挂”语言特色研究
发布时间：2019-06-20 11:34
【摘要】：“现挂”是相声表演术语，指相声演员在表演时见景生情，临时抓哏取笑而组织的即兴语言，恰当的“现挂”语言常常兼具针对性、精巧性、趣味性，具有有意想不到的效果。“现挂”在相声表演中也就是演员根据演出的实际情况，在适宜的情境里，联系当时当地发生的事件，现场进行的即兴发挥。传统相声表演中，“现挂”往往是取得现场演出成功的重要一环，凭借演员的聪明才智，往往收到意想不到的艺术效果。近些年，“草根演员”郭德纲及其相声逐渐走进人们视野，受到许多人的欢迎，随之也引起了许多学者的广泛关注，并对其相声从各方面进行了一系列的研究。而郭德纲相声表演过程中经常运用的精彩“现挂”，体现了郭德纲的语言驾驭能力。幽默灵活的“现挂”语言已成为郭德纲相声的一大特色，可以说正是因为有了一段段精彩的“现挂”，才成就了今天家喻户晓的郭德纲相声。本文以郭德纲相声的“现挂”语言为研究对象，采用语料分析的方法，主要从修辞学和语用学的角度，对通过网络视频摘录整理的110余段一万五千余字“现挂”语言材料进行归类，并从应用语言学角度作细致的分析研究，总结出郭德纲“现挂”语言的艺术特色，分析郭德纲“现挂”精彩的原因，和对传统相声艺术生存发展的启示，同时提出其“现挂”语言对日常交际语言，播音主持语言及小品语言使用的一些借鉴。 全文共分五部分，除绪论和结语，第二到第四部分是全文的重点所在。 绪论部分简要论述“现挂”的起源及选题理由、研究意义，并对相关问题的前人成果和研究现状进行较为系统和全面的概括梳理，为文章的展开作一个铺垫。 第一章对郭德纲的“现挂”语言进行分类。本章以郭德纲“现挂”目的为纲，主要从主题内容上，对暖场“现挂”，应对突发状况“现挂”和讽刺调侃“现挂”三个类型的语料进行分析，从而形成一个对郭德纲“现挂”类型的整体把握。 第二章从语用学方面对语料进行分析研究。本章以语用学理论为指导，分别从合作原则和礼貌原则两个大方面对语言材料进行分析，，并归纳出其中的语用原理。 第三章从话语承接的角度，根据具体语料分析，总结概括出郭德纲“现挂”最常用的话语承接手段。 第四章从语料库的建立和语言格角度，分析郭德纲“现挂”能力的形成原因。 结语对本文整体结构和创新之处进行总结，提出文章的缺陷和不足之处，并对本课题的前景进行展望。
[Abstract]:"present" is a term for crosstalk performance, which refers to the impromptu language in which crosstalk actors see scene and make fun of each other during the performance. The appropriate "hanging" language is often targeted, ingenious and interesting, and has unexpected effects. "present" in crosstalk performance, that is, according to the actual situation of the performance, in the appropriate situation, contact the local events at that time, the scene of impromptu play. In the traditional crosstalk performance, "hang up" is often an important part of the success of the live performance, with the intelligence of the actors, often receive unexpected artistic effects. In recent years, Guo Degang, a grassroots actor, and his crosstalk have gradually entered people's horizons, which have been welcomed by many people, and have also attracted extensive attention of many scholars, and have carried out a series of studies on crosstalk from all aspects. The wonderful "present" often used in Guo Degang's crosstalk performance reflects Guo Degang's language control ability. Humorous and flexible "present" language has become a major feature of Guo Degang's crosstalk. It can be said that it is precisely because of a wonderful "hanging" that Guo Degang's crosstalk, which is well known today, has become a household name. This paper takes Guo Degang's "hanging" language as the research object, adopts the method of corpus analysis, mainly from the perspective of rhetoric and pragmatics, classifies more than 15000 words of "hanging" language materials through online video excerpts, and makes a detailed analysis and research from the point of view of applied linguistics, sums up the artistic characteristics of Guo Degang's "hanging" language, and analyzes the wonderful reasons for Guo Degang's "hanging" language. And the enlightenment to the survival and development of traditional crosstalk art, at the same time, this paper puts forward some references for the use of "present" language for daily communication language, broadcast hosting language and sketch language. The full text is divided into five parts, in addition to the introduction and conclusion, the second to fourth parts are the focus of the full text. The introduction part briefly discusses the origin and the reason of choosing the topic, the significance of the research, and makes a systematic and comprehensive summary of the previous achievements and research status of the related issues, so as to pave the way for the development of the article. The first chapter classifies Guo Degang's "present" language. This chapter takes Guo Degang's purpose of "hanging" as the outline, mainly from the theme content, to "hang up" in the warm field, to deal with the sudden situation "hanging" and satirizing "hanging" three types of corpus analysis, so as to form an overall grasp of Guo Degang's "hanging" type. The second chapter analyzes and studies the corpus from the aspect of pragmatics. Guided by pragmatic theory, this chapter analyzes language materials from two aspects: cooperative principle and politeness principle, and sums up the pragmatic principles. The third chapter summarizes Guo Degang's most commonly used means of discourse acceptance from the point of view of discourse acceptance and according to the analysis of specific corpus. The fourth chapter analyzes the reasons for the formation of Guo Degang's ability to hang up from the point of view of corpus establishment and language case. The conclusion summarizes the overall structure and innovation of this paper, puts forward the defects and shortcomings of the article, and looks forward to the prospect of this topic.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：H15
本文编号：2503188
[Abstract]:"present" is a term for crosstalk performance, which refers to the impromptu language in which crosstalk actors see scene and make fun of each other during the performance. The appropriate "hanging" language is often targeted, ingenious and interesting, and has unexpected effects. "present" in crosstalk performance, that is, according to the actual situation of the performance, in the appropriate situation, contact the local events at that time, the scene of impromptu play. In the traditional crosstalk performance, "hang up" is often an important part of the success of the live performance, with the intelligence of the actors, often receive unexpected artistic effects. In recent years, Guo Degang, a grassroots actor, and his crosstalk have gradually entered people's horizons, which have been welcomed by many people, and have also attracted extensive attention of many scholars, and have carried out a series of studies on crosstalk from all aspects. The wonderful "present" often used in Guo Degang's crosstalk performance reflects Guo Degang's language control ability. Humorous and flexible "present" language has become a major feature of Guo Degang's crosstalk. It can be said that it is precisely because of a wonderful "hanging" that Guo Degang's crosstalk, which is well known today, has become a household name. This paper takes Guo Degang's "hanging" language as the research object, adopts the method of corpus analysis, mainly from the perspective of rhetoric and pragmatics, classifies more than 15000 words of "hanging" language materials through online video excerpts, and makes a detailed analysis and research from the point of view of applied linguistics, sums up the artistic characteristics of Guo Degang's "hanging" language, and analyzes the wonderful reasons for Guo Degang's "hanging" language. And the enlightenment to the survival and development of traditional crosstalk art, at the same time, this paper puts forward some references for the use of "present" language for daily communication language, broadcast hosting language and sketch language. The full text is divided into five parts, in addition to the introduction and conclusion, the second to fourth parts are the focus of the full text. The introduction part briefly discusses the origin and the reason of choosing the topic, the significance of the research, and makes a systematic and comprehensive summary of the previous achievements and research status of the related issues, so as to pave the way for the development of the article. The first chapter classifies Guo Degang's "present" language. This chapter takes Guo Degang's purpose of "hanging" as the outline, mainly from the theme content, to "hang up" in the warm field, to deal with the sudden situation "hanging" and satirizing "hanging" three types of corpus analysis, so as to form an overall grasp of Guo Degang's "hanging" type. The second chapter analyzes and studies the corpus from the aspect of pragmatics. Guided by pragmatic theory, this chapter analyzes language materials from two aspects: cooperative principle and politeness principle, and sums up the pragmatic principles. The third chapter summarizes Guo Degang's most commonly used means of discourse acceptance from the point of view of discourse acceptance and according to the analysis of specific corpus. The fourth chapter analyzes the reasons for the formation of Guo Degang's ability to hang up from the point of view of corpus establishment and language case. The conclusion summarizes the overall structure and innovation of this paper, puts forward the defects and shortcomings of the article, and looks forward to the prospect of this topic.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：H15
【引证文献】
相关硕士学位论文 前1条
1 秦洛笛;天津同悦兴茶社传统艺术运作研究[D];天津音乐学院;2015年
本文编号：2503188
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