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甘肃庆阳地区传统民间舞蹈文化探析

发布时间:2018-01-09 14:13

  本文关键词:甘肃庆阳地区传统民间舞蹈文化探析 出处:《西北民族大学》2017年硕士论文 论文类型:学位论文


  更多相关文章: 甘肃庆阳 民间舞蹈 文化探析


【摘要】:民间舞蹈是人民群众集体智慧和艺术创造的结晶,通过不同方式的优美的舞蹈动作来展现当地人们的思想情感。庆阳位于中国的甘肃省,是古时候的"北地",这片富饶之地自古便受到大自然的辟护,坐拥黄土高原的独特地理优势,沟壑、山梁所构筑的雄壮景色随处可见,而生活在这边土地上的劳动人民自古便开始了辛勤劳作,用自己的双手创造着属于自己的财富,同时也为后人留下了丰富的民间文化和艺术,用这种形式传承着属于他们的精神力量。而庆阳的传统舞蹈就是其艺术表现形式之一,这种舞蹈带有很强的艺术风格并融合了多样的表现题材,极具表现力,广受赞赏,逐渐成为庆阳民间的宝贵财富之一。这种原生态的舞蹈,携带着只属于那片黄土高原的雄浑和壮美,无时不刻不体现着该地区的地域风格。本文在弘扬民间传统文化的背景下,对于甘肃庆阳地区的地理环境及历史文化背景做了相关考察,并基于以上背景对于甘肃庆阳地区传统民间舞蹈的流变、起源、传播及其在社会中的主要功能做了深入探究。运用文献研究法、田野调查法、个案分析法等主要方法对于庆阳徒手秧歌、荷花舞、宁县高跷、华池五蝠鼓等庆阳地区代表性传统民间舞蹈做了细致分析。最后,通过分析庆阳地区传统民间舞蹈文化,总结了传统民间舞蹈在特定地域环境中的凝结升华,并结合当代时代特点,探析了庆阳地区传统舞蹈的当代延伸。本篇文章,笔者根据庆阳地区历史,着重分析了清仰起去传统民间舞蹈的流变过程,为庆阳地区舞蹈研究注入了新的血液。而在研究庆阳地区代表性舞蹈的过程中,采用田野调查法深入实践,分别分析了徒手秧歌、荷花舞、宁县高跷、华池五蝠鼓的渊源、艺术形态、文化价值及当今内涵延伸。
[Abstract]:Folk dance is the crystallization of people's wisdom and artistic creation, to show the local people's thoughts and feelings through different ways of graceful dance movements. Qingyang is located in the China province of Gansu, is the ancient "North", this piece of fertile land since ancient times by the nature of the provision of support, unique geographical advantages, with loess the plateau gully, built the ridge majestic scenery can be seen everywhere, people living in this land since ancient times began to work hard, with their own hands to create their own wealth, but also left a rich folk art and culture for future generations, this form of inheritance in their mental strength. Qingyang's traditional dance is the art form of this dance with strong artistic style and incorporate a variety of themes, very expressive, widely admired, gradually become the Qing Yang folk one of the most precious treasures. The folk dance, carrying only belong to the Loess Plateau's magnificence and splendor, does not reflect the regional style. This paper in carrying forward the traditional folk culture background, for the Gansu Qingyang area geographical environment and historical and cultural background of the study based on the above background, and the origin of evolution, for the traditional folk dance in Gansu Qingyang area, and the main function of communication in society has done in-depth research. Using the literature research, field investigation, case analysis and other methods mainly for Qingyang hand lotus dance, stilt yangko dance, county, five in Qingyang Huachi bat drum representative the traditional folk dance is also analyzed in detail. Finally, through the analysis of Qingyang traditional folk dance culture, summarizes the traditional folk dance in a specific geographical environment in setting up China, combined with the The characteristics of contemporary era, discusses the extension of contemporary traditional dance in Qingyang area. In this article, according to the Qingyang history, focuses on the analysis of the Qing Dynasty up to the rheological process of traditional folk dance, has injected new blood for the study of dance in Qingyang. In the process of study in Qingyang area representative dance in the field investigation law into practice, respectively analyzes the unarmed lotus dance, stilt yangko dance, county, origin, Huachi five bat drum art form, and the extension of cultural value connotation.

【学位授予单位】:西北民族大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J722.21

【参考文献】

相关期刊论文 前2条

1 石裕祖;;民族民间舞蹈文化传承规律及其发展趋势研究[J];云南艺术学院学报;2007年02期

2 沈嘉奇;龙以慧;;民间民族舞蹈特征和民族传统体育传承价值的探讨[J];贵州体育科技;2002年03期



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