《我们生来就是孤独》的影像思考

发布时间：2018-01-10 05:05

本文关键词：《我们生来就是孤独》的影像思考　出处：《西南交通大学》2015年硕士论文　论文类型：学位论文

【摘要】：1930年以来,蒙太奇作为电影语言日趋成熟,于是这种视听手段视成为电影艺术的本性,将电影的叙事语法笼统归入蒙太奇中。巴赞却认为：“叙事的真实性是与感性的真实性针锋相对的,而感性的真实性是首先来自空间的真实。1”蒙太奇的作用是在“讲述事件”,因此会对对空间与时间进行大量的分割处理,从而破坏了感性的真实。巴赞所倡导的长镜头理论(也有人称其为“景深镜头”理论或“场面调度”的理论)其目的在于“记录事件,“尊重感性的真实空间和时间”,要求“在一视同仁的空间同一性之中保存物体”。这次我们的毕业作品《我们生来就是孤独》采用一镜到底的方式,用力在空间调度和声画生态。借鉴意大利新现实主义的表现手法,采用实景拍摄,利用KTV应有的环境音乐以起到声画对位的效果。运用非职业演员与讲究自然的生活细节描写,带有一种不加粉饰的真实感。故事发生与发展真实且自由,镜头语言充满了一种暖昧性和多义性的表达。本文一共包含了三章内容：第一章从大体上来阐述了笔者对巴赞电影本体论的理解。第二章对简单介绍影片拍摄过程中对镜头运用的思考和感悟；第三章研究分析影片中的符号和隐喻。
[Abstract]:Since 1930, montage as a film language is becoming more and more mature, so this audio-visual means become the nature of film art. The narrative grammar of the film is generally classified into montage, but Bazan thinks: "the truth of narration is opposite to the truth of sensibility." The perceptual authenticity is the first from the space of truth.1 "the role of montage is to" tell the event ", so there will be a lot of segmentation of space and time. Thus destroying the perceptual reality. Bazan advocated the long lens theory (also known as the "depth of field lens" theory or "scene scheduling" theory) its purpose is to "record events." "respect for perceptual real space and time" requires "preserving objects in the same spatial identity". This time our graduation work, "We are born alone," uses a mirror to the end. Hard in the space scheduling and sound painting ecology. Learn from the Italian neo-realism of expression techniques, the use of real scene shooting. Using the environmental music of KTV to play the effect of sound and painting. Using non-professional actors and pay attention to the nature of the details of life, with a sense of reality without whitewash. The story takes place and develops to be true and free. Lens language is full of ambiguity and ambiguity. This paper contains three chapters:. The first chapter describes the author's understanding of the ontology of the Bazan film in general. The second chapter briefly introduces the thinking and understanding of the use of the lens in the film shooting process; The third chapter studies and analyzes the symbols and metaphors in the film.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905

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