赢得生前身后名：秋瑾与秋瑾接受

发布时间：2018-01-18 05:27

本文关键词：赢得生前身后名：秋瑾与秋瑾接受　出处：《南京大学》2015年硕士论文　论文类型：学位论文

【摘要】：清末民初这一特定历史时期所独具的敏感性与复杂性,在这个时代的女性的精神风貌与社会名望等诸多成就中,也有着相应的体现。在中国传统宗法社会中,女性因其从属地位而缺少平等实现人生价值的坦途。然而在世变之际,在西学东渐、欧风美雨的浸染下,生而为"人"的主体自我意识正渐渐苏醒,晚清社会涌现出了一大批先觉女性,她们接受平等教育,识文断字,用文学作品抒发内心诉求;她们跨越闺门,进入到社会公共空间,寻求独立话语权;她们在解构又重新建构的过程中,不仅关注个体生命,还上升到家国之思。若考察这一时期的女性作家群体,秋瑾是其中不得不提的一员大将。秋瑾的创作体裁多样,诗、词、歌、文、弹词小说均有涉及,纵观其创作,不难找寻出时代思潮更迭的清晰脉络,她激进又敏感,她的生命走向与其文学存在激起了特有的反应链。本文试从秋瑾这一生命个体及其所激起的时代涟漪的解读,窥探清末民初约百年来女性文学之魂与时代命运交感的深度。第一章主要探讨秋瑾的诗文小说创作。根据学界已有的研究可以发现,秋瑾的文学创作大致可以分三个时期,即少女时期(1896年前)、嫁入王家居湘时期(1896年至1903年)、居京以后(1903年至1907年)。少女时期的作品与以往的女性文学无异,题材选择上不外乎咏物咏史抒发对未来的美好想象,基调简单明快,充满了天真少女的气息。然而包办婚姻葬送了秋瑾的一切憧憬,创作于此期的诗文大多抒发内心的不满与痛苦,放弃家庭走上革命之路的思想也初现端倪。最后一段时期的创作可谓是真正的革命高歌,通篇都洋溢着战斗的激情。弹词《精卫石》的创作可看做秋瑾的自传小说,她的作品深深鼓舞和启发了第一代女作家群体,在秋瑾的引领下,中国女性文学揭开了崭新的篇章。第二章主要探讨秋瑾政治意识的思想根源以及晚清女性的多元景观。波伏娃在《第二性》中谈到:女性不是天生的,是后天养成的。到底是何种传统滋养了她?笔者试图从古已有之的杰出妇女形象中寻求答案。而对与秋瑾同时期的女性群像的描述,更有利于触摸到女性文学发展的清晰脉搏。第三章主要探讨秋瑾遇难后清末民初的舆论报道,以及以秋瑾为原型的各种体裁的文学创作。自从秋瑾于轩亭口就义后,关于此案件的研究一直未曾停歇,以今人的眼光回望历史难免有失偏颇,故笔者搜集了若干当时的新闻报道,参看了诸多小说剧本,试图理清秋瑾之死的来龙去脉及时代意义。对这二者的考察也更有利于今人全面总结秋瑾形象。第四章主要探讨了晚清以及近代以来秋瑾及其形象的被接受过程。秋瑾的故友是笔者重点考察的对象,通过她们的诗文唱和,足以可见相互间强大的情感纽带。而舞台荧幕上秋瑾形象的塑造传神表现了后人对其人其事的看法,其形象在屡次改变的过程中,秋瑾身上更多的人性光辉被挖掘出来,这其实也象征着中国社会思潮的变化,实际上,更是文化的一种进步。
[Abstract]:The sensitivity and complexity of the unique in the late Qing Dynasty in the particular historical period, in this era of female spirit and social prestige and so many achievements, also has a corresponding expression. China in traditional patriarchal society, women because of their subordinate status and lack of realization of equal value of life is alive. However, on the occasion of change in the west, and the influences of Western culture and civilization under the influence of being "human" self consciousness is gradually awakening in the late Qing Dynasty, the emergence of a large number of those women, they receive equal education, able to read, with literary works to express their inner demands; across the apartment door, into the public space, to seek independent discourse process; they are again in the deconstruction of construction, not only pays attention to the individual life, also rose to national affairs. If during this period of women writers, Qiu Jin is one to mention a general of autumn. Jin creation of diverse genres, poetry, words, music, literature, Tanci novels are involved, throughout the creation, is not difficult to find a clear trend of the times change, her radical and sensitive, her life to its literary existence sparked a chain reaction characteristic. This paper attempts to interpret from the Qiu Jin era ripples the individual life and what, at the end of the Qing Dynasty on depth of female literature of soul and destiny sympathetic about 100 years. The first chapter mainly discusses Qiu Jin's prose fiction. According to the existing academic research can be found in Qiu Jin's literary creation can be roughly divided into three periods, namely the maiden (before 1896), married king Home Furnishing Hunan period (1896 to 1903), Beijing (1903 to 1907). After the maiden works the same as with the previous female literature, the choice of subject matter is nothing more than the chanting to express the beauty of the future good imagination, simple and lively tone, Full of innocent girl breath. However the arranged marriage ruined all of Qiu Jin's vision, in the period of the creation of poetry mostly express dissatisfaction and pain of the heart, to give up the family walk on the road of revolution thought also emerged. The last period of creation which is a real revolution high throughout the song, are filled with a battle < > passion. Tanci Jingwei stone works can be seen as Qiu Jin's autobiographical novel, her works are deeply encouraged and inspired the first generation of female writers, under the guidance of Qiu Jin, China female literature has opened a new chapter. The second chapter mainly discusses the pluralistic landscape ideological roots of political consciousness in the late Qing Dynasty and Qiu Jin Beauvior talked about women. < > in secondary: women are not born, is acquired. In the end is what tradition nourish her? I try to find the answer from the existing image of outstanding women. While the autumn with Jin A group of women during the period of the description, more conducive to touch the clear pulse of the development of female literature. The third chapter mainly discusses the public opinion report in late Qing Dynasty after the death of Qiu Jin, as well as a variety of genre based on Qiu Jin's literary creation. Since Qiu Jin in Xuanting in martyrdom, research about the case has not ceased, with modern people's eyes looking back on history inevitably biased, so the author collected several news reports at the time, see a lot of novels of script, trying to clarify sequence of events and significance of Qiu Jin's death. The study of these two is also more conducive to our comprehensive summary of the image of Qiu Jin. The fourth chapter mainly discusses the late Qing Dynasty, and Qiu Jin's image was in modern times a former friend of Qiu Jin is the acceptance process. The paper focuses on the object, through their poems and sing, enough to see the interaction of strong emotional bonds. And the stage screen Image of Qiu Jin's vivid performance of the view and future generations, its image in the process of frequent changes, Qiu Jin's humanity more excavated, it also symbolizes the change of social thought China, in fact, is also a kind of cultural progress.

【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I206.5

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