基于地域性背景下的大理双鸳如此银作工坊室内陈设设计研究

发布时间：2018-01-28 13:46

本文关键词： 地域性室内陈设设计工坊　出处：《昆明理工大学》2017年硕士论文　论文类型：学位论文

【摘要】：陈设设计是建筑设计及室内设计的深化设计,是对环境空间深层次设计及精神性的提升,在中国是一个新兴的设计门类,是设计学科随着经济的发展细分出来的一个设计方向。基础弱、根基浅,至今还没有一个统一的专业学科指导是其软肋。各大高校及设计企业也都是依托在设计学室内设计方向的背景之下发展,形成各自特色的现状。随之而来使陈设设计流于室内设计的表面,仅以“轻装修、重装饰”或“软装、摆设”之语附庸于室内设计之后。中国目前的陈设设计特征性不强,与室内空间的功能、使用者背景联系较弱,因而平淡了陈设设计的本质。陈设设计不是脱离于室内设计后的一个简单设计环节,其与环境设计中的建筑、景观及室内设计等专业关系紧密。陈设设计师在项目初期就应介入其中,并与其他专业的设计师交流沟通,在项目设计的早期就把陈设设计的精神内在贯彻其中。课题分三个部分对室内空间中的陈设设计进行分析研究,第一部分通过论文的一、二章展开对选题的背景及相关概念的研究,梳理问题、明确概念。第二部分是论文的主要部分,由论文的三、四章组成。以地域性特征作为陈设设计中的一个基本点展开研究,通过相关案例分析和项目背景与项目实地的调研,以明确陈设在室内设计中的使用背景及文化属性为前提,研究项目的运作流程、品牌战略及项目地相关的地域特征。对研究的资料进行归纳分类,从中发现符合项目空间陈设的元素,使自然和文化的属性在室内空间陈设设计中的呈现奠定基础。第三部分由五、六章组成,是论文的核心。在这部分中,通过对课题项目的建筑改造和室内空间的设计,明确陈设与建筑设计和室内设计的关系。在这个设计环节就在项目设计中贯彻陈设设计的文化特性,并使以后的室内陈设设计定位得到整体性的体现和延续。把前期研究的成果在实践设计中应用,从而来验证前期研究的合理性和不足。当下的中国室内设计领域已较成熟,但较多设计还停留在造型的视觉形态及工艺材料的价值高低上,设计作品的共性特征明显,而缺乏空间背景的实质本意关注较少。通过课题研究,试图抛砖引玉、以点带面来开阔设计视野、拓展使用空间的设计内涵,摆脱简单的“选品、摆设”式的陈设设计。
[Abstract]:Display design is the deepening design of architectural design and interior design. It is a new design category in China. It is a deep level design and spiritual promotion of environmental space. Design subject with the development of economic development out of a design direction. Weak foundation, shallow foundation. So far, there is not a unified professional discipline guidance is its weakness. Colleges and universities and design enterprises are also relying on the design of indoor design direction under the background of development. Form their own characteristics of the status quo. Followed by the display design flow in the interior design surface, only with "light decoration, heavy decoration" or "soft clothing." The language of furnishings is attached to the interior design. The features of the present furnishings in China are not strong and have a weak connection with the function of the interior space and the user background. Therefore, the essence of the display design is plain. The display design is not a simple design link after the interior design, but the architecture in the environmental design. Landscape and interior design are closely related. Designers should be involved in the early stage of the project and communicate with other professional designers. In the early stage of the project design, the spirit of the display design is carried out internally. The subject is divided into three parts to analyze and study the display design in the interior space. The first part is through the first part of the paper. The second part is the main part of the thesis, which consists of three parts: research on the background of the topic and related concepts, combing the problem and defining the concept. Four chapters. Regional features as a basic point in the display design, through the relevant case analysis and project background and project field research. Based on the premise of defining the background and cultural attributes of the display in interior design, the operation process, brand strategy and relevant regional characteristics of the project are studied. The materials of the research are summarized and classified. Find out the elements in line with the project space display, so that natural and cultural attributes in the interior space display design presentation laid the foundation. The third part is composed of five, six chapters, is the core of the paper. In this part. Through the architectural transformation and interior space design of the project, the relationship between furnishings and architectural design and interior design is clarified. In this design link, the cultural characteristics of display design are carried out in the project design. And make the later indoor furnishings design positioning to be the overall embodiment and continuation of the previous research results in the practice of the application of the design. In order to verify the rationality and shortcomings of the previous research. At present, the field of interior design in China has been more mature, but more designs still stay in the shape of the visual form and the value of the material. The common features of the design works are obvious, but the essence of the lack of space background is less concerned. Through the research of the subject, we try to open the design field of vision and expand the design connotation of the use space. Get rid of the simple "selection, furnishings" style of display design.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J525.1

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