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文化冲突下的宛梆艺术

发布时间:2018-03-22 01:38

  本文选题:宛梆 切入点:文化冲突 出处:《新疆师范大学》2017年硕士论文 论文类型:学位论文


【摘要】:宛梆是流传在以河南省南阳市地区为中心的梆子腔剧种,距今已有四百余年的历史。鼎盛时期的宛梆风靡豫西南地区及周边各省,深受人民群众的喜爱,是河南省的第二大地方性剧种,2006年5月20日宛梆被列为第一批国家级非物质文化遗产名录。它是南阳一带及其周边地区历史积累沉淀的艺术形态,也是以内乡县为代表的地区群体寻找身份文化认同和文化归属的载体。被命名为“天下第一团”的内乡县宛梆剧团是目前宛梆剧种唯一一个专业剧团,它几乎独自担负着剧种的传播和发展。宛梆的兴盛比豫剧还要早些,但到现在人们分不清“宛梆和豫剧”,宛梆剧种陷入生存发展的尴尬局面。随着经济全球化和社会现代化的快速发展,多元文化的冲突背景下孕育宛梆生长的文化土壤、社会环境和经济基础等都发生着深刻的变化,宛梆内部的各个方面也发生着不同程度的主动或非主动的变化,横向的本土与外来文化的冲突贯穿了宛梆的历史、纵向的传统与现代的文化冲突展示了宛梆的现实,多层次的官方与民间的文化冲突更是决定了宛梆的未来,呈现出一个立体的多层次的复杂体系。以宛梆艺术这一文化现象的变化可以看到南阳文化的时代变迁,宛梆也成为构筑南阳地区文化生态的重要内容。论文的绪论主要探究了选题的缘由意义及国内外对文化冲突现象研究进展进行的综述,介绍了本文的主要框架、难点和创新点。第二章本土文化与外来文化的冲突,比较全面的探讨了楚、秦、汉三种文化滋生下的宛梆文化及艺术特色;第三章官方文化与民间文化的冲突,主要探讨的是宛梆文化的民间传承到官方管制又回归到人民大众中,讲述了宛梆人从娱人到自娱的过程;第四章传统文化与现代文化的冲突,主要研究了宛梆在顺应时代的情况下在“复古”与“创新”中所做的选择,其中包括了宛梆改革过程中的失败与成功;第五章基于第二、三、四章研究对宛梆非遗现状调查分析并提出笔者的思考及发展建议,力图为宛梆未来发展建立一个框架,在时代变革中做一个选择并对宛梆艺术未来的展望。
[Abstract]:Wan Bang Bang is a kind of Bangzi opera spread in Nanyang City, Henan Province. It has a history of more than 400 years. At its peak, Wan Bang was popular in southwestern Henan and its surrounding provinces, and was loved by the masses of the people. Wanbang is the second largest local drama in Henan Province. On May 20, 2006, Wanbang was listed as the first batch of national intangible cultural heritage list. It is an artistic form of historical accumulation and sedimentation in Nanyang and its surrounding areas. It is also a carrier for local groups represented by Neixiang County to seek identity and cultural identity and cultural affiliation. The Neixiang County Wan Bang Opera Troupe, named "the first troupe in the world", is the only professional troupe of Wanbang opera at present. It was almost alone in the spread and development of the drama. Wan Bang's prosperity was earlier than the Henan Opera. But now people can not distinguish Wan Bang opera from Yu Opera, and Wanbang opera falls into an awkward situation of survival and development. With the rapid development of economic globalization and social modernization, the cultural soil of Wanbang grows under the background of multiculturalism conflict. Profound changes have taken place in the social environment and economic foundation, and various aspects of Wan-bang have also undergone changes in different degrees, both active and non-active. The conflict between local and foreign cultures has run through the history of Wan Bang. The vertical cultural conflict between traditional and modern shows the reality of Wan Bang, and the multi-level cultural conflict between the government and the people determines the future of Wanbang. Presents a three-dimensional, multi-level and complex system. With the change of the cultural phenomenon of Wanbang art, we can see the change of the times of Nanyang culture. Wanbang has also become an important content in the construction of cultural ecology in Nanyang. The introduction of this paper mainly explores the significance of the topic and the progress of the research on the phenomenon of cultural conflict at home and abroad, and introduces the main framework of this paper. The second chapter discusses the conflict between native culture and foreign culture, and discusses the cultural and artistic characteristics of Wan Bang, which are brought about by the three cultures of Chu, Qin and Han. Chapter three is the conflict between official culture and folk culture. It mainly discusses the folk inheritance of Wanbang culture to the official control and return to the masses of the people, narrates the process of Wanbang people from entertaining people to self-entertainment. Chapter four is the conflict between traditional culture and modern culture. This paper mainly studies the choices made by Wan Bang in "retro" and "innovation" under the condition of adapting to the times, including the failure and success in the process of Wanbang's reform; the fifth chapter is based on the second and third chapters. The four chapters investigate and analyze the present situation of Wanbang and put forward the author's thoughts and development suggestions in order to establish a framework for the future development of Wanbang and to make a choice in the change of the times and to prospect the future of Wanbang art.
【学位授予单位】:新疆师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J617.5

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