恽寿平在扬州的艺术经历及相关问题的研究

发布时间：2018-03-27 09:49

本文选题：恽寿平　切入点：清初扬州　出处：《扬州大学》2017年硕士论文

【摘要】：文章围绕“清六家”之一恽寿平康熙年间在扬州的艺术经历展开了探讨,关注的中心问题是恽寿平来到扬州却没有在此长久发展的原因,以及在扬州的经历给他带来的一些影响,从而为研究清初扬州画坛给予当时来此卖画、寻求出路的不同画家的不同境遇,提供一个独特的个案观察视角。文章首先从恽寿平的生平出发,明确恽寿平作为一名遗民画家主要以布衣交士,书画谋食,而他来扬州之时正是其奔波于各地寻求书画市场的阶段,为接下来分析他来扬州的原因提供一些可供参考的线索。其后解读了恽寿平来扬州的必然性所在,清初的扬州是个具有吸引力的城市,尤其是由明入清的遗民画家,来到这里寓居卖画,在此得以生存发展,成就画业家名,恽寿平也因为自身生存的需求来到扬州。现存史料亦证明恽寿平曾于康熙初期多次往来于扬州,尤其是在康熙十四年至十五年间寓留于此几近一年时间,他在此交友雅集、赠画唱和、观摩名迹,留下了一些艺术精品。然而,史料显示恽寿平在扬州时的处境并不像同时期的其他遗民画家在扬州那样,他在扬州时期的鬻画情况不佳,也没有长期留在扬州作为其艺术市场发展下去,造成这一现象的原因是什么?为解决这一问题,文章重点梳理了清初扬州社会政治、经济、文化恢复的状况,从而理清了与之相适应而存在的绘画门类,对比同时代长期寓留扬州的遗民画家在扬州的生存状况,还原了那个时代扬州文化官员、盐商、画家之间的联系,结合恽寿平自身的情况,解释了恽寿平没有留在扬州发展的原因。最后,根据恽寿平与扬州有关的史料留存,解读了扬州经历给恽寿平带来的一些影响。文章首次关注到清初恽寿平在扬州这一专题,运用文献法、图像学、比较学等方法,探讨了清初扬州恢复过程中绘画与社会中诸因素之间的一系列联系,以及与恽寿平之间的关系。通过这一个案的研究不仅为我们研究清初扬州画坛提供了一个参考,更带给我们一个重要的话题,即社会经济、文化等的发展对于艺术发展的所起的主导性作用。恽寿平来到扬州,是扬州社会发展下对遗民画家吸引力的驱动,他在扬州的处境一定程度上也源自于不符合清初扬州社会环境下对绘画的要求。艺术始终是服务于社会的存在,不同时代背景下孕育着不同艺术的生存与发展。
[Abstract]:The article discusses Yun Shouping's artistic experience in Yangzhou during the period of Kangxi, one of the "Qingliujia", and focuses on the reason why Yun Shouping came to Yangzhou but did not develop in Yangzhou for a long time. As well as the experience in Yangzhou brought to him some influence, so as to study the Yangzhou painting world at that time to sell paintings, seeking a way out of the different artists different circumstances, First of all, from the perspective of Yun Shouping's life, it is clear that Yun Shouping, as a relic painter, mainly relies on cloth clothes to hand over scholars, calligraphy and painting for food. When he came to Yangzhou, it was precisely the stage when he was traveling around the country to seek the calligraphy and painting market, which provided some clues for reference in analyzing the reasons for his coming to Yangzhou. Then, he explained the inevitability of Yun Shouping's coming to Yangzhou. Yangzhou in the early Qing Dynasty was an attractive city, especially the painters from the Ming Dynasty to the Qing Dynasty, who came here to live and sell their paintings. Yun Shouping also came to Yangzhou because of his own needs for survival. The existing historical data also proved that Yun Shouping had many exchanges with Yangzhou in the early days of Kangxi, especially when he stayed in Yangzhou for nearly a year between 14 and 15 years. He made friends and elegant collections here. By presenting paintings to sing and observing famous signs, he left behind some fine works of art. However, historical data show that Yun Shouping's situation in Yangzhou was not as good as that of other painters in Yangzhou in the same period. His Yu paintings in Yangzhou were not in a good condition. Also did not stay in Yangzhou for a long time as its art market to develop, what is the cause of this phenomenon? In order to solve this problem, the article mainly combed the situation of social politics, economy and culture restoration in Yangzhou in the early Qing Dynasty, and then clarified the painting categories that existed in the corresponding areas. Comparing the living conditions in Yangzhou of the painters who stayed in Yangzhou for a long time at the same time, they restored the links among Yangzhou cultural officials, salt merchants, and painters of that period, and combined Yun Shouping's own situation. It explains why Yun Shouping did not stay in Yangzhou for development. Finally, according to Yun Shouping's retention of historical materials related to Yangzhou, it interprets some of the influences that the Yangzhou experience has brought to Yun Shuping. The article for the first time pays attention to Yun Shouping's special topic in Yangzhou in the early Qing Dynasty. This paper discusses a series of relations between painting and social factors in the restoration process of Yangzhou in the early Qing Dynasty by the methods of literature, graphics and comparison. And the relationship between Yun Shouping and Yun Shouping. This case study not only provided a reference for us to study the painting world in Yangzhou in the early Qing Dynasty, but also brought us an important topic, that is, social economy. The development of culture plays a leading role in the development of art. Yun Shouping's arrival in Yangzhou is the driving force to attract painters in Yangzhou under the development of Yangzhou society. To a certain extent, his situation in Yangzhou also stems from the fact that it does not meet the requirements of painting in the social environment of Yangzhou in the early Qing Dynasty. Art is always serving the existence of the society, and the existence and development of different arts are gestated under different background of the times.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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